======================================================================= ______ _ __ _ __ / ____/___ ___________(_)___ ____ _/ /_(_)___ ____ / / / /_ / __ '/ ___/ ___/ / __ \/ __ '/ __/ / __ \/ __ \/ / / __/ / /_/ (__ ) /__ / / / / /_/ / /_/ / /_/ / / / /_/ /_/ \__,_/____/\___/_/_/ /_/\__,_/\__/_/\____/_/ /_(_) T h e U n o f f i c i a l C i r q u e d u S o l e i l N e w s l e t t e r ------------------------------------------------------------ http://www.CirqueFascination.com ------------------------------------------------------------ ======================================================================= VOLUME 24, NUMBER 2 April/May ISSUE #225 ======================================================================= Welcome to the latest edition of Fascination, the Unofficial Cirque du Soleil Newsletter. * * * FINAL BOW FOR THE BEATLES LOVE * * * Cirque du Soleil and Apple Corps Ltd. announced on April 9th that The Beatles LOVE, the groundbreaking production celebrating the music and legacy of The Beatles through the artistry of Cirque du Soleil, will conclude its historic Las Vegas run at The Mirage on July 7, 2024 as the resort begins its transformation into the Hard Rock Las Vegas. Tickets to performances through June 29 are on sale now at cirquedusoleil.com/beatles-love. Tickets for the final week of performances in July will be available in the coming weeks. Celebrating its 18th anniversary this year, The Beatles LOVE is a vibrant and thrilling production, driven by its GRAMMY-winning soundtrack and breathtaking aerial artistry, colorful visuals and high-energy choreography on a 360-degree stage. “The Beatles LOVE has been seen by more than 11.5 million guests since opening in 2006,” said Cirque du Soleil Entertainment Group CEO Stéphane Lefebvre. “It’s been an honor for all of us at Cirque du Soleil to collaborate with The Beatles and Apple Corps Ltd. on what can only be described as a masterpiece. We are grateful to the creators, cast, crew and all involved in bringing this show to life and we know The Beatles LOVE will live on long after the final bow.” Although the news that The Beatles LOVE is closing has been rumored for quite some time, the contract was recently extended to the end of 2024, so the timing of this announcement does come as quite a shock. Read more reactions from Las Vegas press within. * * * SONGBLAZERS - A JOURNEY INTO COUNTRY MUSIC * * * Cirque du Soleil and Universal Music Group Nashville are excited to present Songblazers, an innovative country-themed show written and directed by Amy Tinkham. This dynamic theatrical production pays tribute to the legendary and modern trailblazers of country music. Charting the journey of two main characters as they forge their own path to country recognition, Songblazers promises an unforgettable experience for audiences. Songblazers premieres July 2, 2024 in Nashville and tickets are now available. In an exciting addition, Cirque du Soleil proudly announces its collaboration with Sam Williams, a contemporary country artist, grandson of country pioneer Hank Williams and the son of outlaw legend Hank Jr, for the creation of an original song for the show Songblazers, fusing gut-wrenching honesty and plainspoken poetics with raw vulnerability and deep empathy, CARNIVAL HEART, is inspired by a personal yearning of self-discovery, friendship, and hope. Williams wrote the spellbinding new song with fellow songwriters PJ Harding and Ned Houston. “The title idea came to me pretty easily after becoming acquainted with Cirque du Soleil,” says Williams. “Where I come from, most people don’t get to go to the circus. We go to county fairs and carnivals, and the carnival in a small town is filled with joy, excitement, mystery, euphoria, you name it. That feeling is one you always remember, and I think the roller coaster of emotions lines up with what you want to feel seeing such an incredibly beautiful production such as Cirque’s.” Read more about SONGBLAZERS within. * * * NEW VIP EXPERIENCE AT DRAWN TO LIFE! * * * Cirque du Soleil will soon offer a premium behind-the-scenes experience for their exclusive Walt Disney World show, Drawn to Life. The new "Page to Stage Signature Experience" will debut on May 24, 2024. Highlights of the experience include: o) Assisted Arrival – A “Page to Stage” host welcomes you to the show, assists with complimentary concessions pickup (including a souvenir popcorn bucket), and escorts you to your premium seating to enjoy the show. o) Meet & Greet – Following the performance, “Page to Stage” guests will meet with some of the show’s talented artists for photos and Q&A. o) Backstage Tour – In the exclusive highlight of the evening, guests will embark on a backstage – and under-the-stage – tour of Drawn to Life, with the opportunity to get an up-close look at some of the show’s intricate costumes and one-of-a-kind props. o) Exclusive Keepsake & Shopping Discount – As a memento of their experience, guests will receive a Drawn to Life gift bag, in addition to receiving a discount off purchases made at the theater’s Cirque du Soleil store. "We're thrilled to invite guests backstage for an exclusive look at the intricate workings of Cirque du Soleil's captivating production, Drawn to Life," said Kevin Hargrove, Drawn to Life Company Manager. "By showcasing the work of our talented artists and skilled technical team, attendees will gain a special insight into the magic that brings this collaboration between Cirque du Soleil and Disney Animation to life." The “Page to Stage Signature Experience” will be limited to 9 guests and offered following the second performance on Fridays, Saturdays, and Sundays. (8:00 pm on Fridays and Saturdays, 4:00 pm on Sundays). Tickets for the unique experience are $285 for adults and $225 for children, which includes premium seating for a Drawn to Life performance and is inclusive of taxes and fees. Tickets are available now on the official Cirque du Soliel website. Looking for a little sneak-peek at this experience? Disney Park fansites Laughing Place and All Ears Net were recently invited to preview the experience and their respective reviews are included within. * * * JOYÀ UNVEILS NEW ACT * * * Cirque du Soleil JOYÀ, the first resident show in Mexico and Latin America at Vidanta Riviera Maya, has announced the unveiling of an extraordinary enhancement to its already renowned performance. The unveiling of the new flying pole act, coincides with the show’s upcoming 10-year anniversary this November, this dynamic and acrobatic spectacle promises to elevate the JOYÀ experience to new heights. The new act is a breathtaking continuation of Joyà’s quest for the meaning of life and a display of artistic skill that will dazzle audiences with its thrilling energy and aerial artistry. This exhilarating addition reaffirms Cirque du Soleil JOYÀ’s commitment to delivering unforgettable moments of excitement to its guests. Performed by artist Emmanuel García, a flying pole specialist with more than 14 years of experience dazzling international audiences, his character will assist Joyà in overcoming obstacles throughout her journey. For the last year, the creative and artistic teams from Cirque du Soleil have worked meticulously on this new tableau, ensuring that every aspect from costumes to lighting, choreography and music, come together seamlessly to transport audiences into this energizing experience. “We are very excited for guests to embark on this next adventure at JOYÀ. As the first resident Cirque du Soleil show in Latin America, it is a source of pride for us to continue to innovate and introduce a new acrobatic aerial act that is unique to our brand,” said Annie St- Pierre, Cirque du Soleil Artistic Director. “The scene is dynamic and immersive, making it a thrilling addition to our program, captivating the audience from start to finish.” And there’s so much more. So, let’s get into it! /----------------------------------------------------\ | | | Join us on the web at: | | < www.cirquefascination.com > | | | | Realy Simple Syndication (RSS) Feed (News Only): | | < http://www.cirquefascination.com/?feed=rss2 > | | | \----------------------------------------------------/ - Ricky "Richasi" Russo =========== CONTENTS =========== o) Cirque Buzz -- News, Rumours & Sightings * La Presse -- General News & Highlights o) Itinéraire -- Tour/Show Information * BigTop Shows -- Under the Grand Chapiteau * Arena Shows -- In Stadium-like venues * Resident Shows -- Performed en Le Théâtre o) CirqueConnect -- Updates from Cirque's Social Widgets * Life is a Circus (Posts from the Official Blog) * Other Outreach (Official Peeks & Noted Fan Finds) o) Fascination! Features * “The Beatles LOVE Sets Closing Date at Mirage" A Special Collection of Articles about LOVE's Closing * "Previewing the new 'Page to Stage' VIP Experience" A Special Sneak Peek from LaughingPlace.Com and AllEars.net * "After Cirque du Soleil's Daring, High-Wire Comeback, its CEO is Aiming for New Heights" A Special Reprint from FORTUNE Magazine o) Copyright & Disclaimer ======================================================================= CIRQUE BUZZ -- NEWS, RUMOURS & SIGHTINGS ======================================================================= *************************************************************** LA PRESSE -- General News & Highlights *************************************************************** ---------------------------------------------------------- Cirque Hawai’i: The Press Release {Mar.20.2024} ---------------------------------------------------------- In an unprecedented fusion of culture and performance, Cirque du Soleil Entertainment Group (“Cirque du Soleil”) has proudly announced a groundbreaking new resident production that marks a historical milestone for live entertainment in Hawai‘i. For the first time ever, the internationally acclaimed ensemble will bring an awe-inspiring show to the shores of Waik?k? on a permanent basis, delivering an unparalleled experience at the OUTRIGGER Waikiki Beachcomber Hotel debuting in late 2024. This landmark show will introduce Cirque du Soleil’s mesmerizing artistry to Hawai‘i through the guidance and vision of a distinguished group of Native Hawaiian creatives. Under the visionary leadership of Co-Creator and Director Neil Dorward (The Illusionists, Circus 1903) and Simon Painter (The Works Entertainment), the team features prominent entertainment industry luminaries, directors and designers, coupled with accomplished Native Hawaiian artists and scholars who are poised to weave a tapestry of Indigenous stories together with the world-class, captivating entertainment that is Cirque du Soleil. At the heart of this innovative production is a trio of Native Hawaiian creatives, who have made indelible contributions to the preservation and perpetuation of Native Hawaiian culture and indigenous knowledge. o) Aaron J. Salā (Cultural Creative Producer), a globally-recognized visionary with a PhD in ethnomusicology from the University of Hawai‘i at M?noa, has amassed accolades across the Pacific and beyond for his work with the likes of Yo-yo Ma and Disney for the Hawaiian language rendition of Moana. A director of countless international cultural festivals and ceremonies, Dr. Sal? is known for incredibly raw and unparalleled cultural experiences, elevating Pasifika culture on a global scale. o) Manaola Yap (Costume Design Consultant), an internationally- celebrated Hawaiian luxury lifestyle fashion designer and hula practitioner, Manaola is the first Native Hawaiian to present Hawaiian culture and couture in a runway collection at New York Fashion Week 2017. His continued efforts to push the envelope regarding contemporary usage of traditional Native Hawaiian design has landed red carpet looks and collaborations with Saks Fifth Avenue and RED Valentino. o) Kumu Hula Hiwa Vaughan (Choreographer), a revered, award-winning and internationally reknown kumu hula (expert and teacher in the art of hula), is one of five women to hold two of hula’s most coveted titles: 1985 Miss Keiki Hula and 1995 Merrie Monarch Miss Aloha Hula. With over a decade of experience, Kumu Hiwa completes the distinguished team with her masterful, award-winning hula choreography. “This remarkable team imbues this first Hawai‘i-based Cirque du Soleil show with a foundation of cultural knowledge through the timeless stories that connect us back through the generations,” says Dr. Aaron Sal?, cultural creative director. “It is a privilege to collaborate with my incredibly-talented colleagues, showcasing the exceptional skill and aesthetic of k?naka maoli, local Hawai‘i and Pasifika talent. Storytelling has served instrumentally in the preservation of our culture, and I am deeply honored to uplift native voices in tandem with the stellar artistry of Cirque du Soleil.” This collaboration is not just a performance but a bridge between cultures, showcasing the beauty and complexity of Hawaiian traditions to a global audience. The production also includes several prestigious creative team members with over ten decades of collective international performing arts and technical experience serving in roles spanning stage direction, set and lighting, sound and audio, composition, hair and makeup, and of course, acrobatic performance and equipment design. The crew includes: o) Richard Peakman – Associate Stage Director o) Susanna Macaulay – Associate Creation Director o) John S. Barnett – Director of Production o) Ravi Chandwani and Ryan Dilley – Production Design o) Simon Guilbault – Set Designer o) Hugo Mercier-Bossemy – Lighting Designer o) Evan Duffy – Composer o) Tamlyn Wright – Props Designer o) Yianni Epivatinos – Sound Designer and Head of Audio o) Philippe Auberton – Acrobatic Performance Designer o) Ewen Seagel – Acrobatic Equipment Designer o) Heidi Doucet – Makeup Designer o) Vanessa Ashley – Hair Designer Cirque du Soleil and OUTRIGGER Resorts & Hotels invite travelers to witness this mesmerizing fusion of art, culture, and acrobatics, promising an unforgettable experience that will leave audiences in awe. More details about the Cirque du Soleil show located at the OUTRIGGER Waikiki Beachcomber Hotel including title, ticket sales and debut date will be released in the spring of 2024. For more information about the partnership between OUTRIGGER Hospitality Group and Cirque du Soleil, please visit www.cirquedusoleil.com/ partners/outrigger-hawaii. ABOUT OUTRIGGER HOSPITALITY GROUP For 75 years, Outrigger has charted a journey of discovery – expanding from Hawaii to premier resort destinations including Fiji, Mauritius, Thailand and the Maldives. The privately held hospitality company invites guests to ‘Come Be Here’ with authentic Signature Experiences and the Outrigger DISCOVERY loyalty program. Outrigger’s multi-branded portfolio includes Outrigger® Resorts, OHANA Hotels by Outrigger®, Hawaii Vacation Condos by Outrigger®, Kapalua Villas Maui and Honua Kai Resort & Spa Maui while also managing select properties from top international hotel brands including Embassy Suites by Hilton®, Best Western® and Hilton Grand Vacations®. Find out more at Outrigger.com or visit @OutriggerResorts on Facebook, Instagram and Twitter. { SOURCE: Cirque du Soleil } ---------------------------------------------------------- Another Cirque artist injured in ‘O’ Island act {Mar.23.2024} ---------------------------------------------------------- Nine months after a Cirque du Soleil artist was paralyzed in an on- stage accident during “O” at Bellagio, another cast member has been injured in the same act. The incident halted Friday’s 7 p.m. performance of Cirque’s flagship production on the Strip. The artist, who has not been identified according to the company’s medical-privacy policies, fell from another performer’s shoulders during the show’s Island scene. Reports from inside the production indicate the performer’s head struck the barge-designed set piece as the act broke. The show reportedly paused for about 50 minutes as the artist underwent mobility tests behind the curtain, before being taken from the stage in a wheelchair. An ambulance then transported the cast member to the hospital, and the performer was released. The Island scene was cut from the second performance, which started at 10 p.m., a half-hour after its scheduled 9:30 start. But the scene will be back on stage Saturday night. Cirque confirmed the incident Saturday, issuing a statement: “On March 22, during the 7 p.m. performance of ‘O’ by Cirque du Soleil at Bellagio, an artist fell from another artist’s shoulders during the Island act. In accordance with our emergency response protocols, we stopped the show to allow the emergency intervention team of ‘O’ to safely bring the artist backstage where they were immediately taken in good care by the medical team, transported to the hospital and released. “As always in the case of an accident, the artist will continue to be monitored by the ‘O’ medical and coaching teams to determine when they can return to their activities. The Island act will return to the show (Saturday).” The Island scene is the same act in which diver and artist Kyle Mitrione was injured on June 28. Mitrione suffered a fractured C6 vertebrae and remains a quadriplegic. He is still working on increasing his functionality during rehab in Las Vegas. As a result of that incident, in December the Occupational Safety and Health Administration (OSHA) reported two “serious” violations after a review of Cirque’s operational practices at the Bellagio. The penalties were $15,625 apiece, OSHA’s maximum fine for an on-site work violation. “O,” which celebrated its 25th anniversary in October, grosses between $120 million-$140 million annually. In its findings, OSHA cited Cirque for failing to provide sufficient audio or visual cues so artists know when it is safe to dive into shallow water. Also, the agency penalized Cirque for requiring its artists to be strapped into body belts as a “fall arrest system” during high-dive and trapeze acts. “In all instances employees were potentially exposed to serious physical injuries such as internal organ damage and asphyxiation.” That penalty was not related to the incident in which Mitrione was injured. The Island scene is the second number in the “O” show, and was introduced to the production about two weeks before Mitrione was injured. It was subsequently taken down, returning this past November. { SOURCE: John Katsilometes Las Vegas Review-Journal } ---------------------------------------------------------- CDS Announces: Songblazers – A Journey Into Country Music {Mar.25.2024} ---------------------------------------------------------- Cirque du Soleil and Universal Music Group Nashville are excited to present Songblazers, an innovative country-themed show written and directed by Amy Tinkham. This dynamic theatrical production pays tribute to the legendary and modern trailblazers of country music. Charting the journey of two main characters as they forge their own path to country recognition, Songblazers promises an unforgettable experience for audiences. Songblazers premieres July 2024 in Nashville and, today, Cirque du Soleil announces seven additional U.S. cities. Pre-sale tickets are available today. In an exciting addition, Cirque du Soleil proudly announces its collaboration with Sam Williams, a contemporary country artist, grandson of country pioneer Hank Williams and the son of outlaw legend Hank Jr, for the creation of an original song for the show Songblazers, fusing gut-wrenching honesty and plainspoken poetics with raw vulnerability and deep empathy, CARNIVAL HEART, is inspired by a personal yearning of self-discovery, friendship, and hope. Williams wrote the spellbinding new song with fellow songwriters PJ Harding and Ned Houston. “The title idea came to me pretty easily after becoming acquainted with Cirque du Soleil,” says Williams. “Where I come from, most people don’t get to go to the circus. We go to county fairs and carnivals, and the carnival in a small town is filled with joy, excitement, mystery, euphoria, you name it. That feeling is one you always remember, and I think the roller coaster of emotions lines up with what you want to feel seeing such an incredibly beautiful production such as Cirque’s.” Drawing inspiration from the rich legacy of country music, Songblazers pays homage to the legendary trailblazers of the past while embracing the vibrant talents of contemporary artists. Audiences are invited to witness breathtaking acrobatics, awe-inspiring aerial acts, and displays of extraordinary strength. As the crowd grooves to beloved country tunes, they will be entranced by the breathtaking skills of Cirque du Soleil artists, honoring the rich tradition of country music while embracing its evolving spirit. SHOW CREATION TEAM Here is the creative team for this new theatrical creation, Cirque du Soleil’s first ever country music themed show. o) Daniel Ross – Director of Creation o) Amy Tinkham – Show Director & Writer o) Wayne Wilson – Associate Show Director o) Wayne Wilson - Comedic Content Designer o) Bruce Rodgers – Set Designer o) Nicholas Mahon – Props and Puppets Designer o) Zerina Rosette Akers – Costumes Designer o) Vanessa Ashley – Make-up Designer TICKET INFORMATION Premiering at the Tennessee Performing Arts Center (TPAC) in Nashville in July 2024, tickets for this new show are now available for purchase. Cirque Club membership offers exclusive benefits such as early ticket access and behind-the-scenes insights. For more information and to secure your seats, visit: www.cirquedusoleil.com/songblazers ABOUT UNIVERSAL MUSIC GROUP NASHVILLE Universal Music Group Nashville consists of Capitol Records Nashville, Capitol Comedy Nashville, EMI Records Nashville, MCA Nashville, Mercury Nashville, and Silver Wings Records. Reading like a “who’s who” of Music Row, the combined rosters include Alan Jackson, Anne Wilson, Billy Currington, Brad Paisley, Brothers Osborne, Bryce Leatherwood, Carrie Underwood, Catie Offerman, Caylee Hammack, CB30, Chris Stapleton, Dalton Dover, Darius Rucker, Dierks Bentley, Eric Church, George Strait, Hootie & The Blowfish, Hueston, Jon Langston, Jon Pardi, Jordan Davis, Josh Turner, Kacey Musgraves, Kassi Ashton, Keith Urban, Kylie Morgan, Little Big Town, Louie TheSinger, Luke Bryan, Luke Grimes, Maddie & Tae, Mickey Guyton, Parker McCollum, Priscilla Block, Reba McEntire, Sam Hunt, Sam Williams, The War And Treaty, Travis Denning, Tyler Hubbard, Vince Gill, and comedian Nate Bargatze. For additional information, visit www.umgnashville.com. ABOUT SAM WILLIAMS Grandson of country pioneer Hank Williams and the son of outlaw legend Hank Jr., Sam Williams is the latest in a long line of American originals, who sings with his own singular voice and writes in his own singular style, fusing gut-wrenching honesty and plainspoken poetics with raw vulnerability and deep empathy. In 2021, Williams released his debut album, Glasshouse Children, which was a testament to his brilliant lyricism and soulful vocals and received rave reviews from Rolling Stone, Music Row, Associated Press, and so much more. In October 2022, Williams also unveiled a deluxe edition of the record, which featured “Tilted Crown,” a reflective track about navigating his legacy in life. Williams followed up his debut with a string of powerful singles in 2023, along with multiple shows at the Grand Ole Opry and show-stopping performances at Nashville’s CMA Fest and the UK’s Country 2 Country Fest. With more music coming in 2024, Sam continues to prove that he is making a legacy for himself that is completely his own. { SOURCE: Cirque du Soleil } ---------------------------------------------------------- Architect submits plan to transform West End theatre into first European base for Cirque du Soleil {Mar.26.2024} ---------------------------------------------------------- SPPARC has unveiled its plans to transform a grade II-listed cinema building in the heart of London’s West End into the first European base of Cirque du Soleil. Proposals submitted to Camden council for developer Yoo Capital would see the partial demolition of the Saville Theatre on Shaftesbury Avenue and the addition of a six-storey roof extension. SPPARC and Yoo, which are already working together on the £1.3bn redevelopment of the Kensington Olympia, first revealed their intentions last autumn. The existing building, now a four-screen Odeon cinema, was one of the largest theatres in the West End when it was built in 1931 with a capacity of 1,530. Designed by TP Bennett founder Thomas Bennett, it originally included a three-tiered basement theatre which staged a series of celebrated plays from the 1930s to the 1950s. In 1966 it was converted into a music venue by Brian Epstein, manager of The Beatles, and hosted performances by Jimi Hendrix, The Rolling Stones, The Who, Pink Floyd, Elton John and the Bee Gees before it was reconfigured as a cinema in 1970. Under SPPARC’s proposals the building would be returned to its original use as a theatre and its basement levels would be further excavated to provide a “world-class” theatre space for Canadian circus producer Cirque du Soleil. The ground floor would contain a theatre lobby, box office and front of house facilities, while the newly added roof extension would become a luxury boutique hotel operated by Citizen M. The practice said the scheme would “ensure the survival of the deteriorating grade II-listed building.” The project team includes planning, heritage and townscape consultant Montagu Evans, structural and civil engineer Pell Frischmann, sustainability consultant Hoare Lea, landscape designer RPS Group, QS Gardiner & Theobald and transport consultant Momentum. SPPARC and Yoo are working with Heatherwick Studio and Haworth Tompkins on the Olympia redevelopment, which will also include a new theatre as well as a live music venue, 550,000 sq ft of offices, dozens of new bars and restaurants, four exhibition halls and two new hotels. Yoo’s other projects in the capital include an AHMM-designed revamp of Shepherd’s Bush Market which was approved by Hammersmith & Fulham council last December. { SOURCE: Building } ---------------------------------------------------------- Cirque's big top is returning to Gran Canaria! {Apr.08.2024} ---------------------------------------------------------- Hold onto your seats Gran Canaria the world-renowned Cirque du Soleil is making its grand return to the island! Final touches are being made with the Cabildo to bring back the iconic big top to the south of the island, right in the same spot as last time, facing the ExpoMeloneras exhibition centre. Cirque du Soleil wowed audiences during its last stint on Gran Canaria in 2019 with Totem, a mesmerizing ode to the origins and evolution of humanity. They captivated crowds with resounding success and the local authorities hailed it as a premier cultural and leisure attraction, enhancing the island's appeal as a tourist destination. But wait, there's more! Despite the setback of 2020's plans due to the pandemic, Cirque du Soleil is ready to make up for lost time. Their show Luzia, a fusion of light and rain—the very elements that inspire its creation—was scheduled for Gran Canaria from July 7th to August 23rd, but fate had other plans. After a brief hiatus, the Gran Canaria-Cirque du Soleil partnership is back on track. Last year, Cirque du Soleil brought the enchantment of Ovo, inspired by the world of insects, to the Gran Canaria Arena from August 12th to 20th. The bond between Gran Canaria and Cirque du Soleil has only grown stronger, with local authorities, led by the Gran Canaria Cabildo, eager to see the return of the iconic big top. With details nearly finalised, Cirque du Soleil will grace the south of the island once again for a six-month run from October 2024 to April 2025, which promises to elevate the cultural landscape for both tourists and residents alike. While the details of the upcoming spectacle remain under wraps, one thing's for sure: it will be a European premiere! Additionally, the big top will be slightly downsized. "Having an internationally renowned company like Cirque du Soleil once again choose Gran Canaria for a new show is a tremendous boost in promoting the island worldwide," exclaimed officials from the Cabildo. Tickets are set to go on sale in May, so get ready to be dazzled! { SOURCE: Canarian Weekly } ---------------------------------------------------------- Cirque composer prepares music for upcoming Waikiki show {Apr.18.2024} ---------------------------------------------------------- Cirque du Soleil at the Outrigger Waikiki? Beachcomber is set to debut in December, and much of the preparation includes choreographing an original show with a unique musical score. This week, the composer and musical director behind the upcoming production was in town. Evan Hurley is based in Los Angeles but was on island to begin the process of hiring local musicians for the show. Hurley said he is halfway through the composing process, which he hasn’t done alone. By collaborating with local musicians such as ukulele artist Taimane and others, he said collaborating on interesting sounds from across the island chain has been a fun trial period. “These musicians are so brilliant that it’s really easy and a luxury for me to go in there, and on the fly, have them try things and experiment,” Hurley said. The Cirque residency will take over the 20,000-square-foot theater on the fourth floor of the Outrigger. The hotel group announced the new show last April and has since worked to remodel their 800-seat space to host the show. The music for the show will be intentional, Hurley said, in order “to make sure that when we are pushing the envelope that it’s done, appropriately, and even just still, it feels like a continuation of the musical traditions on the island.” “We’re trying to really just incorporate those traditions in every end of the process of the music so that, you know, the people who know and care will notice those little for lack of a better word, ‘easter eggs,'” he said. { SOURCE: Hawaii Public Radio } ---------------------------------------------------------- Performer paralyzed during ‘O’ show sues Cirque du Soleil {Apr.23.2024} ---------------------------------------------------------- A performer is suing Cirque du Soleil after he was paralyzed by a moving platform in June 2023 during a new act for the “O” show. Kyle Mitrione dove head-first into a moving platform during the new “Island” act in the show at the Bellagio, fracturing his neck and spine and causing “complete quadriplegia,” according to the lawsuit. The complaint alleged that the act called for performers to dive into a pool as platforms were moving, but there was no method for the performers to ensure the platforms were out of the way before they dove into the water. Performers instead had music cues that instructed them when to dive. But because the act did not have an adequate number of “show runs,” meant to simulate live show conditions, the music cues were not properly synchronized, according to the lawsuit. The platform was about 4 feet from the water’s surface when Mitrione dove backwards into the pool, according to the lawsuit. “Defendants knowingly rushed the production and installation of the ‘Island’ act, in a deliberate cost reduction effort in order to minimize costs and save money, and while placing performers like Plaintiff, Kyle Mitrione, in harm’s way,” Mitrione’s attorneys wrote in the complaint. Dave Kirvin, a spokesperson for Cirque du Soleil, said in an emailed statement that the company does not comment on “litigation matters.” The lawsuit also claimed that six days before Mitrione was injured, there was a “near miss incident” in which a diver nearly struck the platform. Mitrione, who was 35 when he was injured, was rushed to the hospital during the show and underwent emergency surgery, the lawsuit said. The complaint alleged that Cirque du Soleil failed to properly choreograph the act and failed to protect performers from hazardous conditions. After Mitrione was injured, the Occupational Safety and Health Administration fined Cirque du Soleil $15,625 for the show failing to provide proper audio or visual cues for the performers to dive into the water. The Las Vegas Review-Journal has previously reported that nine months after Mitrione was hurt, another performer was injured in the same act, when the artist fell from another performer’s shoulders. The performer who fell was hospitalized and then released. { SOURCE: Katelyn Newberg, Las Vegas Review-Journal } ---------------------------------------------------------- Rumor: Days Are Numbered for “Ka” at MGM Grand {Apr.23.2024} ---------------------------------------------------------- We’ve been hearing chatter for weeks that “Ka,” from Cirque du Soleil, is closing at MGM Grand. Now, we’ve also heard Guy Laliberte, co-founder of Cirque du Soleil, is sharing privately “Ka” will be shuttered. Laliberte is no longer involved with Cirque, but he knows people. Also, it’s a well-known fact Canadians never lie. The grapevine doesn’t always get it right, but Cirque is trimming the fat in Vegas, and “Ka” looks to be next on the chopping block. We shared a passive-aggressive Tweet about “Ka” a couple of weeks back, advising fans see the show again soon, as the end might be near. It’s an interesting time for Cirque in Las Vegas. “America’s Got Talent Live” (a partnership between Cirque and Simon Cowell) closes at Luxor on May 11, 2024. The Beatles “Love” closes at Mirage on July 7, 2024. The stated reason was due to looming construction at Mirage as it transitions to Hard Rock Las Vegas, but “Love” was reportedly the worst-performing of the big Cirque shows. We’ve always really enjoyed “Ka,” but it tends to get mixed reviews. Like most Cirque shows, “Ka” is extraordinarily expensive to produce, so it’s likely the show no longer pencils out. So, what’s happening? There’s an argument that Cirque has sort of hit a glass ceiling in Las Vegas, a saturation point. Some Cirque shows have been in Las Vegas for decades, and if people were going to see a Cirque offering, they’ve already done it. The real culprit is more likely a changed entertainment mix in Las Vegas, all competing for limited dollars. Increased competition includes sports, superstar residencies and The Sphere. The pandemic was a big hit to live production shows, and it’s pretty clear things haven’t rebounded. Travel from Asia hasn’t really snapped back, either, and Cirque has always been huge with foreign travelers. That’s one of the reasons Cirque shows don’t have a lot of dialogue, you don’t have to speak English to enjoy them. All this on the heels of a big personnel change in Las Vegas, that wasn’t widely reported (other than Johnny Kleptometes at the Las Vegas Review-Journal confirming our scoop and “breaking” the news later without attribution, of course). In January 2024, Eric Grilly, President of Cirque’s Resident Show Division, was reportedly fired. We described him as “polarizing,” but we’ve yet to find anyone who liked him. Cirque du Soleil has had its ups and downs over the years, including a bankruptcy. Cirque has tried diversifying its trademark vibe, but largely unsuccessfully. “R.U.N.” lost $60 million or so at Luxor, the biggest financial disaster in the history of Las Vegas. Cirque nearly ruined Criss Angel’s spotless record of spectacular success with their collaboration, “Criss Angel Believe.” Angel now distances himself from the production, so you know it was bad. Angel’s “Amystika” was also a fail, but that show was a collaboration with Franco Dragone, known for his work with, wait for it, Cirque du Soleil. Seeing a pattern here? Franco Dragone died in 2022 at the age of 69. We are only mentioning the age he died because of our respect for his body of work. Again, he died at 69. Too young. Cirque has always been a money-making machine, and several shows still do very well. The recent and upcoming closures may just be a course correction, adjusting to the changing market in Las Vegas. Cirque du Soleil is a beloved Las Vegas institution, employing thousands of people as performers, crew and support staff. “Ka” will a huge loss to us, but probably not to Cirque. It’s unclear if Cirque will pitch a new show to MGM Grand, or if the theater will be used for another form of entertainment, like a headliner residency. We vote Duran Duran. Expect an announcement about “Ka” in the not-too-distant future. Yes, that’s vague, almost as if we’re covering our ass because we don’t know when “Ka” will close. Do you know this blog at all? { SOURCE: Vital Vegas } ---------------------------------------------------------- ‘Not something we can correct’: Las Vegas Cirque artist’s injuries end career {Apr.24.2024} ---------------------------------------------------------- Kyle Mitrione is working “doggedly” to improve his mobility. But his days as a stunt diver and stage performer are over. Mitrione is the Cirque du Soleil artist injured June 28 during a performance of “O” at Bellagio. The former Red Bull Cliff Diving extreme stunt team diver is suing the Strip’s predominant production company for an undisclosed amount. The lawsuit was filed Thursday in Clark County District Court. “Kyle is a complete quadriplegic with a spinal cord injury, and that is not something we can correct,” Michael Budner, Mitrione’s attorney in the litigation, said in a phone chat Monday from his office in Philadelphia. “Kyle has been working working doggedly to improve. He’s really done a tremendous job with this therapy to be able to return home, and return to some kind of semblance of a normal life. “But he’ll forever be in a wheelchair, he’ll never return to his life as a performance diver, nor will he ever walk again.” Mitrione has referred questions about his health and the new lawsuit to his legal team. Mitrione was 35 at the time of the incident, and turned 36 on St. Patrick’s Day. Mitrione is a former standout platform diver on the Purdue University swim team. He was voted team co-captain his senior year in 2009-2010. Cirque spokesman Dave Kirvin says the company has no comment on the lawsuit. Cirque does not comment on ongoing litigation. Cirque attorney Jason Guinasso of Las Vegas has not returned a phone message for comment. Mitrione fractured his C6 vertebrae while performing in the new Island act during the 9:30 p.m. show the night of the incident. The segment had been added to the show two weeks prior, according to the lawsuit. Mitrione’s lawsuit alleges that artists were required to dive into the “O” aquatic stage as platforms were in motion, though there were no cues aside from show’s music to inform the artists when it was safe to dive in. Mitrione was injured as he dove head-first into a platform about four feet below the water’s surface. He underwent emergency surgery that night. The suit also alleges the act was rushed into the production without the necessary number of “show runs,” or rehearsals, to fine-tune the performance. Mitrione’s suit charges this was “a deliberate cost reduction effort” at the expense of artists’ safety. The Occupational Safety and Health Administration subsequently fined Cirque more than $30,000, two penalties of a little more than $15,000 apiece, for on-site safety violations in relation to the incident. The fines were issued after a four-month investigation into the show’s operations and staging. The Island number was dark until returning Nov. 24. Another artist was injured in the act in March, after falling from another performer’s shoulders. That artist was treated and released. The act was back in the show the next night, and continues to be performed. Mitrione’s wife, Karolina Melska, is also named as a plaintiff in the case. Melska is a well-known aerialist in Las Vegas, having performed in “The Beatles Love” at The Mirage and more recently “Fantasy” at Luxor. She has not worked in the show since her husband was injured. { SOURCE: John Katsilometes, Las Vegas Review-Journal } ---------------------------------------------------------- The State of KA {Apr.24.2024} ---------------------------------------------------------- The closing of “Love,” enforced by construction as Mirage turns into Hard Rock Las Vegas, has initiated rumors “Ka” will be the next Cirque production to shut down. Potential production partners have checked out the theater recently, similar to how interested parties scouted Luxor’s theater as “America’s Got Talent Superstars Live” ends its run on May 10. Cirque responded to inquiries about “Ka” by saying it is looking forward to celebrating, not closing, the production at MGM Grand. “‘Ka remains one of the most moving and spectacular live productions in the world and we are eagerly looking forward to celebrating its 20th anniversary in February of 2025 and beyond. With our well- established partnerships, world-class and one-of-a kind productions featuring our unbelievable artists along with the commitment from the highest level at our international headquarters in Montreal, Cirque’s future in Las Vegas remains bright. “Last year was a record year for Cirque in Vegas and we look forward to continuing to entertain audiences with a portfolio of shows while looking at possible new projects.” Cirque currently stages “Mystere,” “O,” “Ka,” “Michael Jackson One” and “Mad Apple” on the Strip. “R.U.N” and “Zumanity” have closed over the past four years. “Ka” is reportedly performing better than “Love,” which has usually run 40- to 60-percent capacity post-COVID, but not as strong as ‘O’ and “Mystere,” in the 90-percent range. Also, “Ka” is under contract through November 2026, extended for two years during COVID. “Ka’s” first preview performance was in November 2004; the show’s original contract would have timed out at the end of the year. For “Ka” to close before its legal partnership expires, MGM Resorts would need to negotiate a buyout of its balance of its contract with Cirque. That is possible, of course. “Love” was under contract through the end of the year, its closing negotiated between Cirque and Mirage/Hard Rock. But as a well-informed source put it, when asked if “Ka” is about to close: “No chance. ‘Ka’ is just fine.” { SOURCE: John Katsilometes, Las Vegas Review-Journal } ---------------------------------------------------------- CDS and Epson Join Forces {Apr.29.2024} ---------------------------------------------------------- Cirque du Soleil Entertainment Group (“Cirque du Soleil” or “the Company”), a global leader in live entertainment, announced it has named Epson, a global leader in projection and printing technology, its Official Projector Partner. Exploring new ways to expand storytelling beyond show boundaries, Cirque du Soleil turned to Epson to help redefine the future of immersive experiences. Focused on engaging consumers with captivating experiences across North and South America, Cirque du Soleil and Epson will work closely together to identify and bring extraordinary concepts to life. Combining the power of Epson high-performance 3-chip 3LCD laser projectors with the brilliant minds behind Cirque du Soleil’s theatrical ingenuity, this partnership is poised to revolutionize immersive entertainment and illuminate Cirque du Soleil’s creative vision in new ways. “As a longstanding leader in live entertainment and innovative projection technology, Epson is the ideal partner to support our efforts in bringing one-of-a-kind experiences to our guests,” said Lauren Hart, Head of Partnership Strategy at Cirque du Soleil. “With Epson’s cutting-edge projection and industry expertise, we will be able to design and deliver true immersion into creative visuals unlike anything we’ve done before. Our team is eagerly anticipating the opportunity to explore the power of Epson projection firsthand.” Cirque du Soleil is actively working on crafting immersive experiences tailored for diverse formats across various locations and developing unique special events to enhance upcoming show formats. As the Official Projector Partner, Epson will provide cutting-edge projectors to power Cirque du Soleil concepts and play a crucial role in manifesting Cirque du Soleil’s visions into a reality. “This partnership provides an opportunity for Epson to collaborate with a renowned live entertainment brand and demonstrate the power of Epson’s large-venue laser projector lineup,” said Richard Miller, vice president, commercial marketing and service, Epson America, Inc. “Merging sophisticated projection with Cirque du Soleil’s awe- inspiring imagination enables the creation of extraordinary, immersive and unique experiences, and we look forward to helping them bring their creative concepts to life.” MORE ABOUT EPSON LARGE VENUE LASER PROJECTORS At the forefront of projection innovation, Epson has taken an accelerated approach towards enhancing its lineup of display solutions to significantly augment today’s fast-changing entertainment applications. Experience premium projection with Epson’s powerful and flexible 3-chip 3LCD large venue laser projectors, offering 7,000 to 30,000 lumens of equal color and white brightness.1 The extensive lineup combines uncompromising image quality with stunning brightness and powerful features within a small footprint. Engineered to handle the rigors of staging and live events, the projectors are compact and robust to meet the demands of location-based immersive experiences. For more information, visit www.epson.com/liveevents. ABOUT EPSON Epson is a global technology leader whose philosophy of efficient, compact and precise innovation enriches lives and helps create a better world. The company is focused on solving societal issues through innovations in home and office printing, commercial and industrial printing, manufacturing, visual and lifestyle. Epson’s goal is to become carbon negative and eliminate use of exhaustible underground resources such as oil and metal by 2050. Led by the Japan-based Seiko Epson Corporation, the worldwide Epson Group generates annual sales of more than JPY 1 trillion. Epson America, Inc., based in Los Alamitos, Calif., is Epson’s regional headquarters for the U.S., Canada, and Latin America. To learn more about Epson, please visit: epson.com. You may also connect with Epson America on Facebook (facebook.com/Epson), Twitter (twitter.com/EpsonAmerica), YouTube (youtube.com/epsonamerica), and Instagram (instagram.com/EpsonAmerica). { SOURCE: Cirque du Soleil } ---------------------------------------------------------- Macallan and CDS Team Up for Whisky and Thrilling Stunts {May.01.2024} ---------------------------------------------------------- Mixing Scotch with acrobatics is usually a no-no, but not if the Macallan is involved. The Scottish distillery has teamed up with Cirque du Soleil to create a singular theatrical experience that involves tasty top-shelf whisky and thrilling aerial tricks. Running on evenings through May, Cirque du Soleil Spirit will take place on the 485-acre Macallan estate in Speyside, Scotland. The indoor venue is conveniently located a short five-minute walk from the distillery, so you could also tour that before the performance. You will also have the opportunity to visit The Macallan Bar following the experience. “We’re welcoming guests from all over the world to our estate for this spectacular experience, offering them the opportunity for a breathtaking performance and a bespoke whisky-tasting experience, all unique to the Macallan,” the distillery’s creative director Jaume Ferràs said in a statement. The show itself tells the tale of the Macallan, exploring the spirit of the centuries-old whisky maker both literally and figuratively. The experience is also an ode to the transformative power of nature. The storyline and performances are designed to take imbibers on an immersive journey that celebrates the beauty of Scotland and beyond. The narrative follows Davonna, the Guardian of the Highlands, and Ayla, the young daughter of a beloved master whisky maker, on an adventure full of fantastical folkloric figures. “With this invitation, we’re welcoming guests to a transformative experience in the timeless beauty of the Macallan Estate,” adds Cirque du Soleil’s creative director Marie-Hélène Delage. “Together, we’ve written a tale that celebrates the beauty, wonder, and deep connection we all share with the natural world.” One of the standout elements is, of course, the signature tasting experience. The Macallan says the Scotch is seamlessly woven into the fabric of the performance, giving guests a true sensory experience that trumps the traditional event. The fine print says guests receive one cocktail and one dram, but there are no further details regarding the exact expressions on offer. Fingers crossed you get to sip the smoky 73-year-old Tales of The Macallan Volume II. Beyond the entertainment, the experience carries an environmental message. The Macallan says the performance serves as a love letter to the sublime landscapes of the Scottish Highlands, emphasizing the need to reconnect with nature and protect natural landscapes. The Cirque du Soleil Spirit show will take place at 8:30 p.m. each day (excluding Sundays) from May 9 to 31. Tickets are priced at £200 (approximately $250) per person. Bottoms up. { SOURCE: Rob Report } ---------------------------------------------------------- CDS Teams Up With Flower Shop to Launch Debut Fragrance {May.08.2024} ---------------------------------------------------------- Cirque du Soleil is known for their extravagant visual displays but the entertainment brand is tapping into more sensory experiences (the ones you can smell) with the launch of a debut fragrance. Created in partnership with Flower Shop Perfumes Co., the brand-new perfume is called “l’eau de parfum by Cirque du Soleil” and will be exclusively available to purchase at https://parfumcirquedusoleil.com/ (for $195.00 USD) starting Wednesday, May 8. “In our 40th year in business, we are continuing to evolve beyond our live show offerings and tap into additional creative avenues, which is why we are thrilled to announce this fragrance with Flower Shop,” Eleni Planet, director of licensing and collaborations at Cirque du Soleil Entertainment Group, said in a statement. “Consumers around the globe can now experience the awe found in our iconic shows and share the joy of Cirque du Soleil every day.” According to the description, the perfume weaves notes of bergamot, red apple, cotton candy, iris and freesia, buttery popcorn, warm sandalwood, vanilla bean and caramelized amber. The glass bottle is crowned with an Art Deco tiered top and a ridged gold stopper featuring a large sun rising above the moon, paying homage to the “circus of the sun.” Each 100 ml eau de parfum bottle will retail for $195. The campaign, featuring model Alyda Grace, was shot in Paris by acclaimed photographer Elizaveta Porodina. It was also a full-circle moment for the co-founder and CEO of Flower Shop Perfumes, Isaac Lekach, who said his father Ilia Lekach, sought to create a Cirque du Soleil fragrance more than 20 years ago. “For us to be able to bring it to life now is an extraordinary honor,” the younger Lekach said in a statement. “We approached the task with utmost reverence, faithfully mirroring the meticulousness emblematic of Cirque du Soleil’s unparalleled artistry.” { SOURCE: Variety } ---------------------------------------------------------- The Macallan Announces Innovative COllaboration with CDS {May.09.2024} ---------------------------------------------------------- The Macallan collaborates with Cirque du Soleil to celebrate its 200th Anniversary, as part of multi-year collaboration! The collaboration will begin with an exclusive sensory theatrical experience at The Macallan Estate in May, and will journey into product launches. To celebrate The Macallan’s 200th anniversary, the renowned single malt Scotch whisky brand has collaborated with Cirque du Soleil on a multi-year collaboration. Celebrating the creative synergy between the two brands – the collaboration kicks off with the creation of a one- of-a-kind theatrical experience and a global product launch. The collaboration will begin with an unforgettable sensory experience inaugurated at The Macallan Estate – the brand home in Speyside, Scotland - this May 2024. Featuring a cast drawn from across four continents, Cirque du Soleil SPIRIT, marries the artistry of both worlds – The Macallan's unparalleled expertise in whisky craftsmanship with Cirque du Soleil's mastery in the performing arts. From May 9th to 31st, each performance will transport guests into the theatrical universe of the Scottish Highlands for an experience that includes hair suspension, aerial silk, contortion, cyr wheel, tight wire, juggling, hoop diving, bagpipes, and flamenco dancing – with a cast assembled from USA, UK, China, Spain, Canada, Finland, Malaysia, Cambodia and Africa. Taking guests on a journey through sight, taste, smell and sound, this is a one-of-a-kind opportunity to experience the tale of how reconnecting with nature gives life a force to protect the natural world, while being immersed in nature at the heart of The Macallan Estate. This moment will be the beginning of an ongoing collaboration between the two brands, with more to follow throughout 2024 and beyond. Jaume Ferràs, Creative Director at The Macallan, said: “2024 marks a momentous year for The Macallan, celebrating our 200 Years Young mark. This collaboration brings two iconic brands together, both dedicated to constant innovation; resulting in a one-of-a-kind experience which is uniquely inspired by the Highlands and the story of our brand so far. We’re welcoming guests from all over the world to our Estate for the launch of this spectacular experience, offering them the opportunity for a breathtaking performance and a bespoke whisky tasting experience, all unique to The Macallan.” Marie-Hélène Delage, Creative Director at Cirque du Soleil, said: “Cirque du Soleil SPIRIT is a spectacular collaboration based on mutual respect. Through harmony paralleled with nature and storytelling, we've forged a collaboration that highlights the strengths of both of our brands. With this invitation, we're welcoming guests to an unforgettable experience in the timeless beauty of The Macallan Estate. Together, we've written a tale that celebrates the beauty, wonder and deep connection we all share with the natural world.” HOW TO EXPERIENCE o) Location: The Macallan Estate in Speyside o) Dates: 9 - 31 May 2024 once per day, excluding Sundays o) Ticket price: £200 per person o) Timings: 8:30pm - 10:30pm ABOUT THE EXPERIENCE The collaboration places a strong emphasis on the sensory and transformative power of nature. The storyline, performances, and tasting experiences are all curated to envelop participants in a journey that celebrates the beauty and importance of the natural world. One of the standout features is the integration of exclusive and bespoke tasting experiences. The whisky-making is seamlessly woven into the fabric of the performance, offering guests a sensory journey that goes beyond traditional event experiences. Beyond the entertainment, the collaboration carries a vital environmental message. It serves as a love letter to the sublime landscapes of the Scottish Highlands, emphasizing the need to reconnect with nature and fostering a sense of wonder and responsibility towards protecting natural landscapes. Cirque du Soleil SPIRIT tells the tale of how reconnecting with nature gives life force to the crucial mission of protecting our natural world for the better of all. Together we have created a visceral experience of nature that instils a sense of wonder, reverence and the need to protect our natural landscapes. A love letter to the sublime landscapes of the Scottish Highlands, The Macallan and Cirque du Soleil SPIRIT tells the tale of what is possible when we open ourselves to the ultimate sensory experience that is our natural world. "The creative concept is bringing all the various elements together with the ultimate aim of telling this very powerful story, inspired by the highlands, The Macallan Estate and the River Spey." - Susan Gaudreau / Show Director, Cirque du Soleil MEET THE CHARACTERS o) Davonna, Guardian of the Highlands -- Davonna is the fierce spiritual protector of the Highlands and all its inhabitants. Vivacious and strong-willed, she takes Ayla under her wing and foresees a great and noble destiny for her. o) Alya -- Ayla is a young colour scientist who strives endlessly to find a particular shade of red tied to fondest memories of her father, a whisky maker. Consumed by this quest, Ayla has almost completely withdrawn from the natural world around her. o) Cothra -- Keeper of nature's equilibrium, Cothra is a very spiritually grounded and calm being whose constant practice of balancing inspires a trance-like mediation in those around her. o) Fergus -- Salty and off the beaten track, Fergus infuses the world with tricks and riddles and humour. Fergus befriends Ayla and helps her to see the wondrous world she is missing out on. "Every piece of fabric passes through countless hands before it turns into a costume. It involves lots of people bringing their skill and hand work, which could never be replaced by a machine." - James Lavoie / Costume Designer CHECK OUT THESE VIDEOS! o) The Creative Concept https://www.youtube.com/watch?v=pLruRIogauo o) Craftsmanship https://www.youtube.com/watch?v=vzYzF06K4VE o) Performance https://www.youtube.com/watch?v=e2SETjGAXBo o) Makeup https://www.youtube.com/watch?v=XUZuPZuP2VE o) The Experience https://www.youtube.com/watch?v=T7J02m0hHaI ABOUT THE MACALLAN The Macallan is renowned worldwide for its extraordinary single-malt whiskies. Two centuries have passed since Alexander Reid, founder of The Macallan, distilled the first batch of whisky in his curiously small stills in Speyside, Scotland, in 1824, beginning the extraordinary legacy of the single malt Scotch whisky. An obsession with quality and craftsmanship is the hallmark of The Macallan. The outstanding quality and distinctive character of each whisky is influenced by exceptional oak casks seasoned with sherry wine - a commitment to natural colour underpinned by mastery. Designed by internationally acclaimed architects, The Macallan Distillery is located on a beautiful 485-acre Estate and takes inspiration from the surrounding ancient Scottish hills. The past 200 years have been a prologue for everything that is still to come. This is a journey through time. This is The Macallan, 200 Years Young. Crafted without compromise. Please savour The Macallan responsibly. For further information visit www.themacallan.com and become a member of The Macallan Society to explore the stories behind the whiskies. To find out more head to https://www.themacallan.com/en/experience- the-macallan/cirque-du-soleil. { SOURCE: Cirque du Soleil } ======================================================================= ITINÉRAIRE -- TOUR/SHOW INFORMATION ======================================================================= o) BIGTOP - Under the Grand Chapiteau {Alegría INAL, Kooza, Kurios, Luzia, Bazzar, ECHO, and 'TWAS THE NIGHT} o) ARENA - In Stadium-like venues {Crystal, Corteo, Messi10, OVO} o) RESIDENT - Performed en Le Théâtre {Mystère, "O", LOVE, MJ ONE, JOYA, Drawn to Life, and Mad Apple} NOTE: .) While we make every effort to provide complete and accurate touring dates and locations available, the information in this section is subject to change without notice. As such, the Fascination! Newsletter does not accept responsibility for the accuracy of these listings. For current, up-to-the-moment information on Cirque's whereabouts, please visit Cirque's website: < http://www.cirquedusoleil.com/ >. ------------------------------------ BIGTOP - Under the Grand Chapiteau ------------------------------------ Alegría-In a New Light: Barcelona, ES -- March 20, 2024 to May 19, 2024 Malaga, ES -- May 31, 2024 to June 30, 2024 Alicante, ES -- July 16, 2024 to September 1, 2024 Seville, ES -- September 28, 2024 to November 10, 2024 Madrid, ES -- December 4, 2024 to January 6, 2025 Kooza: San Jose, CA -- April 18, 2024 to May 26, 2024 Laguna Hills, CA -- June 8, 2024 to July 21, 2024 Potland, OR -- August 21, 2024 to October 6, 2024 Santa Monica, CA -- October 19, 2024 to December 1, 2024 Kurios: Montreal, QC -- May 23, 2024 to August 25, 2024 Luzia: Melbourne, AU -- March 24, 2024 to May 26, 2024 Adelaide, AU -- June 9, 2024 to July 7, 2024 Perth, AU -- July 25, 2024 to August 25, 2024 Brisbane, AU -- September 25, 2024 to November 3, 2024 Sydney, AU -- November 24, 2024 to January 27, 2025 Bazzar: Minneapolis, MN -- May 18, 2024 to June 16, 2024 Gran Canaria -- October 2024 to April 2025 ECHO: Toronto, ON -- May 8, 2024 to August 4, 2024 Gatineau, QC -- August 16, 2024 to September 22, 2024 Vancouver, BC -- October 9, 2024 to December 15, 2024 ------------------------------------ ARENA - In Stadium-Like Venues ------------------------------------ CRYSTAL - A BREAKTHROUGH ICE EXPERIENCE: Abu Dhabi, UAE -- Apr 26, 2024 to May 5, 2024 Kuwait City, KW -- May 22, 2024 to May 25, 2024 Rio de Janeiro, BR -- Jun 13, 2024 to Jun 23, 2024 Sao Paulo, BR -- Jul 5, 2024 to Oct 6, 2024 CORTEO: Cincinnati, OH -- May 9, 2024 to May 12, 2024 Fairfax, VA -- May 17, 2024 to May 25, 2024 Philadelphia, PA -- May 30, 2024 to Jun 2, 2024 Halifax, NS -- Jun 6, 2024 to Jun 9, 2024 Moncton, NB -- Jun 13, 2024 to Jun 16, 2024 Portland, ME -- Jun 20, 2024 to Jun 23, 2024 Sunrise, FL -- Jul 11, 224 to Jul 21, 2024 Estero, FL -- Jul 25, 2024 to Jul 28, 2024 Charlotte, NC -- Aug 1, 2024 to Aug 4, 2024 Raleigh, NC -- Aug 8, 2024 to Aug 11, 2024 Duluth, GA -- Aug 15, 2024 to Aug 18, 2024 Bordeaux, FR -- Sep 19, 2024 to Sep 22, 2024 Prague, CZ -- Sep 25, 2024 to Sep 29, 2024 Leipzig, DE -- Oct 2, 2024 to Oct 6, 2024 Mannheim, DE -- Oct 10, 2024 to Oct 13, 2024 Zurich, CH -- Oct 17, 2024 to Oct 20, 2024 Hamburg, DE -- Oct 23, 2024 to Oct 27, 2024 Stuttgart, DE -- Oct 30, 2024 to Nov 3, 2024 Paris, FR -- Nov 7, 2024 to Nov 10, 2024 Rotterdam, NL -- Nov 15, 2024 to Nov 17, 2024 Bremen, DE -- Nov 21, 2024 to Nov 24, 2024 Ljubljana, SK -- Dec 12, 2024 to Dec 15, 2024 Munich, DE -- Dec 18, 2024 to Dec 22, 2024 Lyon, FR -- Dec 26, 2024 to Dec 29, 2024 London, UK -- January - February, 2025 Oberhausen, DE -- Mar 20, 2025 to Mar 23, 2025 Lisbon, PT -- Apr 10, 2025 to Apr 20, 2025 Cologne, DE -- May 21, 2025 to May 25, 2025 MESSI10: Bogota, CO -- May 14, 2024 to Jun 9, 2024 Quito, EC -- July 3, 2024 to July 13, 2024 Lima, PE -- Aug 7, 2024 to Aug 11, 2024 OVO: Youngstown, OH -- Jun 7, 2024 to Jun 9, 2024 Norfolk, VA -- Jun 13, 2024 to Jun 16, 2024 Newark, NJ -- Jun 20, 2024 to Jun 22, 2024 Boston, MA -- Jul 19, 2024 to Jul 28, 2024 Providence, RI -- Aug 1, 2024 to Aug 4, 2024 Manchester, NH -- Aug 8, 2024 to Aug 11, 2024 Elmont, NY -- Aug 15, 2024 to Aug 18, 2024 Indianapolis, IN -- Aug 22, 2024 to Aug 25, 2024 Lexington, KY -- Aug 29, 2024 to Sep 1, 2024 Louisville, KY -- Sep 5, 2024 to Sep 8, 2024 Washington, DC -- Sep 12, 2024 to Sep 15, 2024 Cleveland, OH -- Sep 19, 2024 to Sep 22, 2024 Columbia, SC -- Sep 26, 2024 to Sep 29, 2024 SONGBLAZERS: Nashville, TN -- July 2, 2024 to July 28, 2024 Sugar Land, TX -- August 1 to August 11, 2024 Austin, TX -- August 14 to August 18, 2024 San Antonio, TX -- August 21 to August 25, 2024 Birmingham, AL -- September 12 to September 15, 2024 New Orleans, LA -- September 18 to September 22, 2024 Dallas, TX -- September 25 to October 20, 2024 St. Louis, MO -- October 23 to October 27, 2024 --------------------------------- RESIDENT - en Le Théâtre --------------------------------- Mystere: Location: Treasure Island, Las Vegas (USA) Performs: Friday through Tuesday, Dark: Wednesday/Thursday Variable Nightly - 7:00pm and 9:30pm 2024 Dark Days: o) May 17 thru 21, 2024 o) July 19, 2024 o) Sept. 13 thru 17, 2024 o) Nov. 8, 2024 "O": Location: Bellagio, Las Vegas (USA) Performs: Wednesday through Sunday, Dark Monday/Tuesday Two Shows Nightly - 7:00pm and 9:30pm KA: Location: MGM Grand, Las Vegas (USA) Performs: Saturday through Wednesday, Dark Thursday/Friday Two Shows Nightly - 7:00pm and 9:30pm 2024 Dark Days: o) May 4 - 8, 2024 o) June 19, 2024 o) August 13 - 14, 2024 o) October 19 - 23, 2024 o) November 23, 2024 LOVE: Location: Mirage, Las Vegas (USA) Performs: Tuesday through Saturday, Dark: Sunday/Monday Two Shows Nightly - 7:00pm and 9:30pm Age Requirements: - Children under 5 not permitted. ** LAST SHOW: JULY 7, 2024 ** MICHAEL JACKSON ONE: Location: Mandalay Bay, Las Vegas (USA) Performs: Thursday through Monday - Dark: Tuesday/Wednesday Two Shows Nightly - 7:00pm and 9:30pm 2024 Dark Days: o) May 16 - 20, 2024 o) August 11 - 24, 2024 o) October 24, 2024 o) November 21 - 23, 2024 JOYA: Location: Riviera Maya, Mexico Performs: Tuesday through Saturday, Dark: Sunday/Monday DRAWN TO LIFE: Location: Walt Disney World Resort, Orlando, Florida (USA) Performs: Tuesday through Saturday, Dark: Sunday/Monday Two Shows Nightly: 5:30pm and 8:00pm (Tues-Sat); 1:30pm and 4:00pm (Sun) MAD APPLE: Location: New York-New York, Las Vegas (USA) Performs: Thursday through Monday, Dark: Tuesday/Wednesday Two Shows Nightly - 7:00pm and 9:30pm Age Requirements: - Children under 16 not permitted. - Children under 18 must be accompanied by an adult ======================================================================= CIRQUECONNECT - UPDATES FROM CIRQUE's SOCIAL WIDGETS ======================================================================= --------------------------------------------------- LIFE IS A CIRCUS: Posts from the Official Blog --------------------------------------------------- o) AERIAL SILKS FOR BEGINNERS By: Editorial Team | March 6, 2024 If you're looking for high-flying thrills in your fitness journey, aerial silks might be your new best friend. It's a unique, fun, yet tough workout that's gaining popularity worldwide. Aerial silks, is also known as aerial contortion, aerial ribbons, or aerial fabrics. It combines the beauty of dance, the strength of acrobatics, and the spirit of the aerial arts. As veterans in the discipline of aerial silks, we understand how it can be a little intimidating to get started. But don't worry, we've got your back! With the right guidance and a dash of determination, you'll be soaring in no time. Who knows, you might be performing a phenomenal aerial silk number on one of Cirque du Soleil’s shows soon enough! To get you on the right track, we'll introduce you to the basics of aerial silks, offering tips and tricks to get you off the ground. STARTING YOUR AERIAL SILKS JOURNEY Training for aerial silks might seem daunting at first, but with the right preparation and mindset, it will be an exciting adventure. This art form is not only a creative expression but also an effective workout that strengthens every part of the body. However, finding the right dance class or preparing mentally and physically can be daunting. Here's how to navigate through the first steps of aerial silks. Finding the Right Place to Learn -- Unfortunately, aerial silks are not something you can easily practice in the comfort of your own home. The choice of your learning environment is also a key factor in your aerial silks training. Pick a studio that specializes in aerial dance, ensuring a blend of safety and support. The ideal studio should feature low-stretch fabric for the silks, suspended at the right height. This specific setup is crucial for enabling a range of movements - from graceful wraps to exhilarating drops. Furthermore, an experienced instructor is the cornerstone of your progress. Seek out a teacher who excels not only in aerial silks techniques but also in tailoring choreography. They should know how to suit individual capabilities, focusing on body weight and strength. This personalization is often the difference between participating and mastering aerial dance. Mental and Physical Prep Work -- While the physical aspect of aerial silks mirrors that of a complete workout, which includes strength building moves, such as leg lifts, mental preparation is equally important. Working high above ground requires perfect mind and body collaboration. Understanding body movements in a different setting is vital to perform aerial silks safely as one twist or turn can lead to an entirely different outcome. Embracing the challenge and seeing every trip to the studio as an opportunity to perfect your skill is a great starting point. Remember, just like with any sport, you should consult with your instructor or your healthcare professional for proper physical preparation. This way, you will ensure that your body is ready without the risk of hurting yourself. THE BENEFITS OF AERIAL SILKS Just as aerial silks beautifully blend artistry and athleticism, it also brings a perfect blend of physical and mental benefits. It’s much more than simple swirls, spins or drops: these fascinating types of dance moves are a full workout in themselves and will benefit your body in the long run. Physical Advantages -- Right off the bat, training in aerial silks will benefit your body's strength and flexibility. Body weight plays a key role, acting as much-needed resistance during exercises like leg lifts. The way you position yourself in the low-stretch fabric often simulates common gym workouts, promoting muscle growth and toning. The challenge of performing maneuvers at various heights can also enhance your cardiovascular health. Regularly participating in an aerial dance class will get your heart pumping, just like doing cardio at the gym. Mental Health Advantages -- Moving on to the mind, the precise positioning and fluid movements help focus, concentration, and mental agility. You’ll also exercise your creative muscles as you will be frequently tasked to develop unique choreography. Aerial silks also provide a sense of accomplishment. Tapping into the elegance and strength of circus arts, performing demands both physical prowess and artistic interpretation. It's a reward for the dedication and hard work that radiates outward, boosting your overall confidence. With physical and mental health benefits, aerial silks truly provide a balance between grace, strength, and thrill. SAFETY FIRST: GUIDELINES FOR BEGINNERS Safety in aerial silks is paramount. Initially, the height and complex choreography may seem daunting to beginners. A trained instructor will ensure you're safely learning techniques when you're suspended in the air. They'll work with you to choreograph routines that ensure a firm grasp of the basics before moving on to more advanced techniques. Utilizing dance studios specializing in aerial silks is beneficial. These studios are designed with the proper equipment and structures to support aerial workouts. This includes the vital low-stretch fabric that allows for controlled drops, wraps, and suspensions. Lastly, your preparation contributes to a safe aerial silks journey. Prior to training, consult with healthcare providers to ensure you are ready for this activity. MASTERING THE BASICS Learning a new skill like aerial silks takes more than just interest and enthusiasm. To succeed, you need a solid foundation of basic skills, training and understanding. Fundamental Techniques and Skills -- Aerial silks, while being a type of contemporary dance, requires a distinct set of techniques. You'll want to work with a low-stretch fabric that hangs securely from the ceiling. You'll start your aerial dance class learning to tie the fabric around your body and getting comfortable with it. Then you will move on to manage your body weight by doing dramatic drops, wraps, and suspensions. Begin with basic tasks like climbing, foot locks, and inversions. These fundamental skills help build strength and flexibility, get comfortable with the fabric, and improve balance and body control. The techniques you develop at this stage become the building blocks for more advanced moves. Remember, practice makes perfect in the high-flying world of circus acts. Another essential element to master is leg lifts. While it might sound simple, this exercise forms the cornerstone of most aerial maneuvers. Building a Solid Foundation -- As mentioned before, most beginners start their aerial silks journey under the careful guidance of an experienced instructor. It's important to choose the right dance studios dedicated to aerial dance — places that offer a safe environment and the right tools. We can’t stress this enough! A trained instructor will ensure you're not only learning techniques but also the safety measures necessary when you're suspended in the air. They'll work with your body weight, height, and strength, choreographing routines that ensure a firm grasp of the basics before moving on to more advanced techniques. Starting with a solid foundation and understanding the fundamental techniques are pivotal. These together with continuous practice, will see you soar high in your aerial silks adventures. ENHANCING YOUR AERIAL SILKS PRACTICE Regular Training and Practice -- Consistency is the key when it comes to mastering aerial silks. Regular practice helps in training your body to be more attuned to the rigors of aerial silks. Irregular training can lead to setbacks in your journey. Higher frequency of training has been shown to provide quicker progress for beginners. With enough dedication, your body will transform and adapt to be better suited for the grace and poise that aerial silks demands. A big part of your training should involve engaging in other physical activities. This way, you'll have the tools to support your body weight management, strength, and flexibility. The ideal frequency for beginners, as recommended by experienced instructors, is at least two to three classes per week. However, the frequency and duration of practices depends on your individual body weight and strength. Consult your instructor to find out what works best for you! Staying Inspired and Motivated -- One could argue that the motivation side of aerial silks is just as important as one's physical fitness. Your minds must be as engaged as your bodies are. Part of this involves watching and learning from experienced aerial silks performers. Aerial dance is a dynamic field with endless techniques and styles to explore. To keep your creativity and passion alive, it's also essential to find joy in the process. Taking joy in each step, each "inversion," each "foot lock," each "leg lift," even when it seems challenging. In the end, it's all part of the journey. JOINING THE AERIAL SILKS COMMUNITY Finding Support and Sharing Experiences -- When engaging in the world of aerial silks, it's crucial not to overlook the importance of connecting with others. Aerial dance class studios aren't just places to learn dance choreography and improve body weight control, they're also communities where students share experiences, challenges, and successes. We've all been at the point where an instructor demonstrates a complicated move, such as a drop or flip, and it seems nearly impossible. But when you see a peer perform the same move, it can feel more achievable. They're a constant reminder that with persistence, you can reach those heights. Discovering the World of Circus Arts -- Aerial silks is a branch of circus arts, boasting rich history and diverse practices. Being part of the aerial silks community will give you insights into this complex world. It introduces you to the diversity and versatility of fabric-based arts. It can help enhance your style, open up new ways to learn, and give you a broader view of the discipline. Remember, there's no rush. Every aerialist has their own pace and focus areas. Some might be strength-driven, others height-focused, while some might find joy in getting some exercise in. It's essential to respect and learn from these different points of view. It's what makes the aerial silks community vibrant and ever evolving. The journey in mastering aerial silks is unique for everyone. It's a blend of strength, grace, and a dash of courage. RESOURCES FOR CONTINUED LEARNING To truly fly in the world of aerial silks and master this unique art form, continuous learning and regular practice are essential. Let's delve into the variety of resources available to help guide you on this journey. As you embark on the epic journey of exploring the world of aerial silks, aerial dance classes are a crucial starting point as mentioned before. Most dance studios offer structured classes to help beginners learn the basics, from simple leg lifts to complex routines. Look for courses that progress gradually, allowing you to move at your own pace. Not all studios are created equal. It's critical to choose a studio that employs experienced dance instructors. Ideally, these instructors will have a strong background in circus arts and understand both the beauty of the dance and the physical demands it places on your body. A good instructor will factor in your body weight and height to create a tailored learning plan. This attention to detail can make a challenging leg lift easier to master, helping you reach new heights in your aerial performance. Also, pay attention to the fabric used in the classes. Low-stretch fabric is often recommended for beginners as it's more manageable and safer to learn on. But remember, practice doesn't stop when you leave the studio. Becoming part of the aerial silks community, attending workshops, or participating in circus art festivals can also be helpful. Immersing yourself in these experiences not only enriches your approach to dance choreography but also provides an opportunity to share and learn from the experiences of others. Another great resource to consider is online platforms. You can find plenty of video tutorials covering everything from basic body stretches to aerial silks routines. To recap, here are the mentioned resources for furthering your aerial silks education: o) Dance studios with experienced instructors o) Start your journey with a low-stretch fabric o) Aerial dance community, workshops, and festivals o) Online video tutorials Each resource brings something unique to the table and brings you closer to success in your aerial silks journey. Therefore, we strongly advise exploring each one of them. Feeling Ready to Take the Plunge? You've now entered the captivating world of aerial silks and explored its benefits. Remember, achieving your aerial dreams isn't an overnight feat. Regular training and being part of a supportive community is key. It's a beautiful journey that calls for time, practice, and continuous learning. Stay inspired, find joy in each twirl and swing, and let the beauty of the fabric fuel your passion. Harness the power of workshops and online tutorials to sharpen your skills. Your aerial silks journey is unique to you, so embrace it and let your individuality shine through every performance. Believe in your potential to master this art, and we're excited to see where your aerial silks adventure takes you. o) ROCK ET BELLES OREILLES & CIRQUE DU SOLEIL BY: Maxim Potvin | March 15, 2024 We quote their zany sketches often, we sing along to their crazy songs when we hear them, and we love them for their wild and cooky characters! This summer, the members (yep, all 6!) of cult Quebecois comedy group RBO will be honored with a show, blending acrobatics, music and humour. Get ready to dive headfirst into the quirky universe of comedians who’ve been making Quebecers laugh for nearly 40 years, fueled by the unique flair of Cirque du Soleil, of course! Rock et Belles Oreilles and its members have left their mark on audiences’ imagination since their beginnings on the radio, soon followed by TV shows, recording studios and live performances. Once again, this year, Cirque du Soleil is pulling out all the stops to amaze its faithful audience. Breathtaking acrobatic performances are in store at the Cogeco Amphitheatre! RBO will not be part of the show, even though we all dream of seeing Stromgol jump through hoops and Madame Brossard sweat while walking the tightrope. Since its opening in 2015, the Cogeco Amphitheatre has been the seasonal residence of Cirque du Soleil. For the eighth time, Série Hommage will present a brand-new show honoring personalities who have left their mark on Quebec’s culture. Cirque du Soleil is thrilled to honor its roots, year after year, in its host city of Trois-Rivières. Cirque du Soleil’s Série Hommage is performed annually at the Cogeco Amphitheatre, located on the shores of the St-Maurice River, in Trois-Rivières. Rain or shine, this outdoor performance hall can accommodate more than 3,300 spectators from June to September, before converting to a 600-seat cabaret during colder months. Get ready to have fun! Come share in the laughter and wonder from July 17 to August 17, 2024! Tickets are already on sale, so get yours before they sell out! o) IT'S SHOWTIME! BY: Maxim Potvin | April 12, 2024 Step into the bustling backstage life of Cirque du Soleil’s cast and crew. The heart-pounding adrenaline rush felt by Cirque du Soleil artists and crew members in the days, hours, and minutes prior to the show opening. Catch the behind-the-scenes action from various POVs as each character in these stories work tirelessly to deliver a spectacular performance to our audiences. See first-hand how planning, preparation, trust, and teamwork are essential for achieving excellence in an ever-changing environment. -- Episode 1: Corteo https://youtu.be/gICWt_Oyy64 In episode 1, we're following Catherine, Vini, and Zach's ever- changing pre-show routines on a premiere night for Corteo! Emotions, challenges, rehearsals… Find out what happens behind the curtain at a Cirque du Soleil show! Catherine Duval, Head of Wardrobe Vinicius Vasconcelos da Silveira, Artist Zachary Fraser, Assistant Head of Rigging -- Episode 2: KOOZA https://youtu.be/EK59SKyXiVs In the second episode of SHOWTIME, we're meeting with James, Daniel, and Mitch to learn more about their unique pre-show routines. Join them at the heart of the action, on a show night under KOOZA’s Big Top! James Dunlap, Assistant Head of Lighting Daniel Medina, Head Usher Mitch Winter, Artist -- Episode 3: OVO https://youtu.be/ZCvgh0FjNfY In the third episode of SHOWTIME, Svetlana, Jamie, and Janie are getting ready for a premiere night for OVO. Find out what their pre-show routine is like, on an unpredictable and bustling day. Svetlana Delous, Artist and Coach Jamie O’Dell, Assistant Head of Acrobatic Rigging Janie Mallet, Senior Publicist -- Episode 4: ECHO https://youtu.be/Aij8GBHRbAw The fourth episode of SHOWTIME focuses on Yanka, Kevin, and Sarah's busy pre-show routines on ECHO! Find out how they bring their spark to make each show the best ever for their guests. Yanka Lebedeva, Artist Kevin Albert, Guest Experience Supervisor Sarah Morales, Assistant Technical Director -- Episode 5: CRYSTAL https://youtu.be/i2-frjbt8kw Ever wondered how the team on CRYSTAL get ready to perform? In this final episode, we're following Jojo, Rory, and Crystal before SHOWTIME! Rory Boyd, Head of Automation Crystal Manich, Artistic Director Richie “Jojo” Johanny Velasquez, Artist o) A TOTALLY COSMIC ECLIPSE VIEWING EVENT By: Maxim Potvin | April 22, 2024 Of course, Cirque du Soleil would not have missed the total solar eclipse! When a once-in-a-lifetime celestial event is set to happen right above our home, we’re definitely not going to miss the chance to see it. Such a grandiose happening called for an equally grand celebration, so we joined thousands of Montrealers in the Old Port, right in front of the Montreal Science Center to watch the eclipse go by. And so, we packed up our gear and sent our team down, alongside two Cirque du Soleil artists, to meet up with the crowd and entertain them before the moment of totality! A Lot of Prep Work Went Into the Event We teamed up with Montreal Science Center to create a truly magical viewing experience. Expecting an enormous turnout, their team had planned ahead and set up the grounds in front of the Center to welcome thousands of people at once. Tents were sprinkled around the area, alongside a coffee truck and educators were present for all the gathered families to enjoy and learn from. As Emily Haim, who made this partnership happen, puts it “It was such an exhilarating moment to share with our fellow Montrealers in the Old Port. Working with Centre des Sciences, got me pumped up for the eclipse. Together, we were able to make so many people enjoy the eclipse safely and made the whole ordeal a true celestial event they’ll remember for years to come.” We also had with us Maryse Gosselin, Specialist – Makeup, to bring the characters to life through her artistry. Maryse has been with Cirque du Soleil for many years and created some of the most iconic looks you have seen on stage. Safety First! How do you protect the sight of thousands of people from the nefarious effects of the eclipse? Montreal Science Centre had specially-made solar glasses that were distributed to all attendees who didn’t bring their own. In total, 20,000 pairs were given away – WOW! Cirque du Soleil also contributed a pair of oversized solar glasses for the occasion. The biggest pair in Quebec was on display, pointed precisely towards the sun, for everyone to look through and take pictures with. Street Performances Like in the Good Old Days There’s nothing quite like the energy of the crowd to fuel a performer! Our dynamic duo composed of Bekka and Kyran took on the appearance of KURIOS characters and stepped out to entertain the eclipse spectators before the sun started to wane. For the occasion, juggling and hand to hand were on the menu! Our performers had a blast meeting the people on King Edward Quay and watch the eclipse themselves. As Kyran told us: “Everyone was in such a good mood, and it was contagious. The day was beautiful, and it was nice to see people being joyful with their families, ready to witness history!” On her part, Bekka also had a memorable time in the Old Port: “I was surprised by how emotional it was during the actual eclipse. Leading up to it I was looking forward to it, but I wasn’t that hyped up. But when I started seeing it, I got really excited!" And what a hype it was! The crowd was thunderous before totality, making it a once-in-a-lifetime experience to be amongst the sea of people cheering together. As the sun started to disappear, everyone got quiet to witness the historic event and reflect on the celestial happening they were totally enjoying. Truly, the event was a triumph we’ll remember until the next total solar eclipse! --------------------------------------------------- OTHER OUTREACH: Official Peeks & Noted Fan Finds --------------------------------------------------- o) CIRQUE REDUX 40TH Step back in time with us as Cirque du Soleil unfolds the captivating early years of Cirque du Soleil: from the lively streets of Quebec to the birth of "Le Grand Tour" to the latest spectacles the Cirque has to offer! 01: Le Grand Tour -- https://www.youtube.com/watch?v=isYf19N9BYo 02: La Magie Continue -- https://www.youtube.com/watch?v=pPCbPO5eLcA 03: Cirque Réinventé -- https://www.youtube.com/watch?v=XcyGjotCdeo 04: Nouvelle Expèrience -- https://www.youtube.com/watch?v=601o9yeC73w 05: Saltimbanco -- https://www.youtube.com/watch?v=YIF_SXuwuNM 06: Mystère -- https://www.youtube.com/watch?v=HVYg3nThBOo 07: Alegría -- https://www.youtube.com/watch?v=VAHvqRe181w 08: Quidam -- https://www.youtube.com/watch?v=KKe_Iez_R6w ======================================================================= FASCINATION! FEATURES ======================================================================= o) “The Beatles LOVE Sets Closing Date at Mirage" A Special Collection of Articles about LOVE's Closing o) "Previewing the new 'Page to Stage' VIP Experience" A Special Sneak Peek from LaughingPlace.Com and AllEars.net o) "After Cirque du Soleil's Daring, High-Wire Comeback, it's CEO is Aiming for New Heights" A Special Reprint from FORTUNE Magazine ---------------------------------------------------------- “The Beatles LOVE Sets Closing Date at Mirage" A Special Collection of Articles about LOVE's Closing ---------------------------------------------------------- CIRQUE'S "LOVE" SETS CLOSING DATE APRIL 9, 2024 | VITAL VEGAS A beloved Cirque du Soleil show, “Love,” has announced a closing date at Mirage. We knew the end was near for “Love,” now we know just how near. The show’s last performance takes place on July 7, 2024. Mirage is becoming Hard Rock Las Vegas, and the closure of “Love” is just the beginning of a resort-wide overhaul. “Love” opened in 2006, and wasn’t our favorite Cirque show, but the people who love it really, really love it. Although it technically ran for 18 years, it was closed for 17 months during the pandemic. The show features the music of The Beatles. For our fellow youths, The Beatles were like the Taylor Swift of the 1960s. “Love” is more like a Broadway musical than a Cirque show, and whether that’s your cup of tea or not, you’ll want to catch the show before it closes, as it’s a part of Las Vegas history. We’ve heard rumors Cirque du Soleil is pitching new show ideas to Hard Rock, but no decisions have been made about what might be next, if anything, when Hard Rock Las Vegas opens, probably in 2027 or 2028. A source at Mirage says renovation construction begins in the “Love” theater on August 1, 2024. The space will apparently not be a theater when the Hard Rock opens. Hard Rock, owned by the Seminole tribe, has been tight-lipped about its plans. They haven’t even officially said whether Mirage will close during the renovation. Most assume it will have to given the scope of the construction, including building a massive guitar-shaped hotel tower on the site. While Hard Rock hasn’t said it will close, an internal Cirque memo says the Strip resort will close by the end of 2024. (A transcript of this memo is below.) Hello, It is with a heavy heart that I have to announced that our beloved show The Beatles LOVE will be closing this coming July. We met earlier with the team to share the news with them. As you know, last year, Hard Rock International took possession of The Mirage Hotel and Casino, where LOVE had been presented for nearly 18 years. Our new partner informed us that they're planning to close the entire property for major renovations. We expected it to be by the end of 2024, but we now know that the show will close on July 7th, in advance of the property closure, as the renovation process is about to start. The partner indicated that they have other plans for the part of the building that the LOVE theater currently occupies. As a result, we unfortunately don't foresee an opportunity for a return of LOVE once the renovation is complete. Please know that the Talent team as well as Casting and the entire LOVE management teams are fully mobilized to support the show's employees over the next few weeks and through the closure. We will try to rehire as many staff, technicians, and artists as possible within CDSEG. There are opportunities available across the organization. LOVE is an amazing show, a testimony to the collaboration of an extraordinary group of creators, technicians, artists, and employees who give it all their passion every night. This decision is in no way reflects the quality of the show, the dedication of all its members, nor the love that our fans have for it. We will certainly take the time to celebrate together this amazing show and all who took part in it. I know you are many, all over the Planet Cirque. In the meantime, I invite you to join me in wishing the whole LOVE team all the best for these last several weeks of performances, and to express our gratitude for offering us such an incredible show over all these years. Mike [Newquist, President of the Resident and Affiliate Shows Division] Cirque’s Stephane Lefebvre, said in a statement, “The Beatles ‘Love’ has been seen by more than 11.5 million guests since opening in 2006. It’s been an honor for all of us at Cirque du Soleil to collaborate with The Beatles and Apple Corps Ltd. on what can only be described as a masterpiece. We are grateful to the creators, cast, crew and all involved in bringing this show to life and we know The Beatles ‘Love’ will live on long after the final bow.” Lefebvre is CEO of Cirque du Soleil Entertainment Group, and in high school, he was voted “Most Likely to Have His Name Mispronounced by Americans.” “Love” is believed to have cost more than $100 million to produce, and has held its own in a competitive entertainment market. Could “Love” move to another venue in Las Vegas? Our sense is nope, and Lefebvre’s statement doesn’t leave much room for hope. “Final bow” literally has the word “final” in it. See also “final months.” There are more announcements to come from Mirage. We trust there will also be an announcement from headliner Shin Lim. We shared this heads up a few days before the “Love” closure was confirmed. There are lots of questions related to the Mirage timeline, and you’ll know when we do. Our best advice is don’t wait to enjoy all your favorite Mirage things, including the volcano show or visiting the mermaid statues near the hotel entrance for some consensual good luck. The good news is there’s lots of new and shiny ahead for Mirage, and while it’s going to take some time to get used to calling it the Hard Rock, we think it will be worth it. # # # CIRQUE GRAVEYARD: 'BEATLES LOVE' JOINS 'VIVA ELVIS,' 'ZARKANA' AS SHOWS THAT HAVE CLOSED APRIL 10, 2024 | LAS VEGAS REVIEW-JOURNAL “Love” will at least play to its crescendo, like the crash of pianos closing “A Day in the Life.” The Beatles-Cirque production at The Mirage closes July 7. It rocked and rolled (and jumped and soared) for 18 years. But Cirque’s cabaret revue “Zumanity” was not afforded a bonafide final bow when it performed its final show in March 2020. The “Zu” crew left the stage because of COVID, finding out months later it would be shut down permanently. Cirque’s lone adult-themed show was among the daring productions that have nonetheless closed on the Strip. These productions were filled with terrific talent. Some simply exhausted their audience. Others were taken down because of incompatible, architectural ideas. At least one was undercut by a graphic-novel concept it would have taken several months to get right. A look the Cirque shows that ran for varying amounts of time before closing on the Strip: ‘Viva Elvis’ Opened: Feb. 19, 2010 Closed: Aug. 31, 2012 The show seemed bulletproof, performing at a lush, customized Aria theater. Cirque was an impenetrable brand, paired with Elvis and his uniquely enduring legacy in Las Vegas. But what seemed a gold record failed to climb the charts. But “Viva” struggled to find balance between Cirque’s swirling acrobatics and Elvis’ biography and song catalog. The show featured artists in superhero-fashioned jumpsuits, bounding around the stage on trampolines. Another showed cowboys doing tricks with flaming ropes. The fire alarm interrupted “Blue Suede Shoes,” an ominous sign. A full re-write improved the show, but Elvis fan were dissatisfied, Cirque fans confused. The saving grace is this show is where we met Priscilla Presley, who fought for Elvis’ image to shine through. Even through the “Viva Elvis” saga, the legacy of the King, and the ingenuity of Cirque, survived. ‘Zarkana’ Opened: Nov. 9, 2012 Closed: April 30, 2016 The show that replaced “Viva” at Aria starred a dark, tortured magician, Zark, his name a blend of “bizarre” and “arcane.” I remember attending s press performance of the show at Radio City Music Hall, where it had been showcased before uprooting for Vegas. Robin Leach and I sat next to each other that night, and about halfway through I leaned over and said, “This is a Cirque greatest-hits show. Why am I seeing this when I can go to ‘Mystere?’” I brought up that point at the news conference hosted by Cirque officials the next day, to grim response. We also learned of Cirque’s specialized, fictional language at the “Zarkana” preview. It was referred to as “Cirque-ish,” or “Saltimbanco Language,” developed for the touring show of that name. Robin and I actually talked drafting a glossary of such terms as “Miracula Æternitatis.” The happy gibberish was used sparsely in the Vegas production, which as anticipated felt like a darker adaptation of “Mystere.” The show halted when MGM Resorts turned the theater into convention space. They say you can still hear the plaintive wail of the Ghost of Zark. ‘R.U.N’ Opened: October 2019 Closed: March 8, 2020 Cirque attempted to reach beyond its proven formula of stitching together acrobatic acts by going with full-storytelling production. This was not a page-turner, or a turnstile-turner. Graphic novelist Robert Rodriguez’s story was indiscernible amid video mapping, electric motorcycle chases and martial-arts fights in the crowd. “R.U.N” did have impressive gymnastic effects and tightly choreographed donnybrooks. But the Cirque audience had little appreciation, and scant patience, for this novel concept. “R.U.N” was supposed to read as, “Are you in?” Too many ticket-holders said, “Nah, I’m good.” ‘Zumanity’ Opened: Sept. 29, 2003 Final show: March 14, 2020; permanent closing announced Nov. 16, 2020. Talk to longtime member of the Cirque community about opening party. I think it went on for 10 days. Not really. But two, at least, held on the roof of New York-New York’s parking garage. Cirque went with high risk in this one, developing two characters that walked the crowd with a pair of 6-foot-long pythons. They once escaped their cage and were lost for four days. Panic reigned until the snakes were found in the ceiling, wrapped around hot-water pipes. On opening night, Joey Arias, his eyesight blurred by eye-coloring contacts, referred to a woman near the stage as a hooker. She was a suddenly insulted Paris Hilton, who stormed from the venue. Maybe Hilton can return for a stunt-cast role in “Mad Apple,” which moved into the room where “Zumanity” was an orgy of fun. # # # FINAL BOW FOR THE BEATLES LOVE SET FOR JULY 7, 2024 APRIL 10, 2024 | WEBWIRE Cirque du Soleil and Apple Corps Ltd. announce that The Beatles™ LOVE™ , the groundbreaking production celebrating the music and legacy of The Beatles through the artistry of Cirque du Soleil, will conclude its historic Las Vegas run at The Mirage on July 7, 2024 as the resort begins its transformation into the Hard Rock Las Vegas. Tickets to performances through June 29 are on sale now at cirquedusoleil.com/beatles-love. Tickets for the final week of performances in July will be available in the coming weeks. Celebrating its 18th anniversary this year, The Beatles LOVE is a vibrant and thrilling production, driven by its GRAMMY®-winning soundtrack and breathtaking aerial artistry, colorful visuals and high-energy choreography on a 360-degree stage. “The Beatles LOVE has been seen by more than 11.5 million guests since opening in 2006,” said Cirque du Soleil Entertainment Group CEO Stéphane Lefebvre. “It’s been an honor for all of us at Cirque du Soleil to collaborate with The Beatles and Apple Corps Ltd. on what can only be described as a masterpiece. We are grateful to the creators, cast, crew and all involved in bringing this show to life and we know The Beatles LOVE will live on long after the final bow.” Created as the result of a friendship between Cirque du Soleil founder Guy Laliberté and George Harrison, The Beatles LOVE is a cultural icon on the Las Vegas Strip, having entertained Beatles fans across multiple generations and more than 500 musicians and celebrities. The collaboration combining the legendary music of The Beatles and the artistry of Cirque du Soleil, a first for both creative entities, has brought together Paul McCartney, Ringo Starr, Yoko Ono Lennon and Olivia Harrison several times to celebrate the show’s gala premiere and milestone anniversaries. The Beatles LOVE soundtrack, produced and mixed by the Beatles’ original producer George Martin and his son Giles Martin, is Cirque du Soleil’s first and only GRAMMY®-winning soundtrack. George and Giles Martin worked with the entire archive of Beatles recordings to create the soundscape for LOVE, utilizing 130 songs to create the 26-track soundtrack. As impressive as The Beatles LOVE becoming a live entertainment and rock music phenomenon is the story of the production itself. Since opening, the multi-talented cast has represented 44 nationalities from around the globe, and currently includes 11 original company members from the show’s inception. This diverse group of artists wears 11,600 costume pieces, 250 pairs of shoes, and 225 wigs each night. Creating the universe of The Beatles involves 750,000 lumens in projections and more than 500 props and scenic pieces. LOVE’s guests are welcomed into the theatre lobby by 20,000 colorful LED lights. Over the course of its 18-year run, LOVE’s audiences have been showered with 13.5 tons of confetti during the show’s thrilling finale. The Beatles LOVE performs Tuesday – Saturday at 7 and 9:30 p.m. inside its world-class theater at The Mirage Hotel & Casino in Las Vegas, also home to the official Beatles shop, the only licensed Beatles retail store in the world. For more information, please visit cirquedusoleil.com/beatles-love. # # # CIRQUE OFFICIAL ON CLOSING OF 'THE BEATLES LOVE': "IT WASN'T OUR DECISION" APRIL 10, 2024 | THE LAS VEGAS REVIEW-JOURNAL The Hard Rock Las Vegas will rock without the Beatles. “The Beatles Love” by Cirque du Soleil is closing at The Mirage/Hard Rock Las Vegas on July 7. Producers announced the decision Tuesday morning. Thus ends the only live production anywhere in the world licensed by Apple Corp, the Beatles’ parent company. Cirque du Soleil CEO Stéphane Lefebvre said Mirage/Hard Rock Las Vegas officials pulled the plug on the show. “This wasn’t our decision,” Lefebvre said in a virtual interview Tuesday afternoon, after being asked why the show is closing. “As you you know, Hard Rock needs to take control of the entire venue and do some major renovations. So they need to get the show closed by July 7.” Lefebvre, based in Montreal and Cirque’s top-ranking official said he found out “late last week” the show would be shut down. He also confirmed there are no plans to tour “Love,” a show that would seem to have strong demand internationally. “If it has a life beyond this venue, it will need to change the format a little bit. The theater is so unique, it’s a 360-degree stage and very deep,” Lefebvre said “If we want to move it elsewhere, if we look at somewhere in Europe, we need to make some significant changes.” A total of 230 members of the “Love” cast and crew are to lose their jobs as the result of the shutdown. LOVE PROBLEMS ------------- The future of “Love” had been in question as The Mirage turns over to Hard Rock Las Vegas. The show was reportedly running between 40- and 60-percent capacity in its 2,013-seat theater. That is the lowest box- office performance of Cirque’s six productions on the Strip. The loss of “Love” creates a void among Cirque shows in Las Vegas. The company still operates “Mystere” at Treasure Island, “O” at Bellagio, ‘Ka” at MGM Grand, “Michael Jackson One” at Mandalay Bay and “Mad Apple” at New York-New York. Cirque also owns Blue Man Group at Luxor and is a partner in the outgoing “America’s Got Talent Live — Superstars” show at Luxor. Lefebvre addressed possible new Cirque projects, saying, MGM Resorts International remains the company’s primary Las Vegas partner, though Cirque is in partnership with Phil Ruffin with its longest-running show, “Mystere” at Treasure Island and is closing out its business relationship with Hard Rock. “MGM is by far is our strongest and most important partner,” Lefebvre said. “I think first and foremost, before we start looking around at other potential partners, we really want to do something with MGM. Absolutely.” The MGM portfolio now includes Cosmopolitan, where Spiegelworld’s “OPM” closed earlier this year. Lefebvre said investigating that space, among other smaller-scale opportunities “could be interesting for us, clearly.” The future of “Love” had been in question as The Mirage turns over to Hard Rock Las Vegas. The show was reportedly running between 40- and 60-percent capacity, the lowest box-office performance of Cirque’s six productions on the Strip. A CAPTIVATING SHOW ------------------ Mirage President Joe Lupo praised the show, which will have run for about a year and a half under his company’s stewardship of the resort. “Throughout its historic 18-year run at The Mirage Las Vegas, ‘The Beatles Love’ has been a captivating show that has delighted millions of guests as they shared in the wonder of Cirque du Soleil,” Lupo said in a statement. “I want to share my sincere appreciation to MGM and the entertainment team who ensured that the show’s legacy continued during our ownership transition.” Lupo also thanked the Cirque performers and team members, adding, “The closure marks the continued construction that directly impacts daily offerings, as we continue the process of transforming our property into the Strip’s newest icon.” When “Love” bows out, Cirque will have closed three shows in a little more than four years. “R.U.N” at Luxor came and went in five months ending in March 2020. “Zumanity” at New York-New York did not return after the pandemic shutdown, closing permanently in November 2020. “Mad Apple” replaced “Zumanity” in the same theater in May 2022. LOVE HISTORY ------------ The decision ends a wondrous production that opened in June 2006, with Paul McCartney, Ringo Starr, Yoko Ono and Olivia Harrison — the widow of George Harrison — in attendance. McCartney and Harrison scouted “O” at Bellagio together in 2001 to gauge how The Beatles’ music and images could blend with Cirque artistry. Harrison was a close friend of Cirque co-founder Guy Laliberte, with the idea from the show hatched between the two at the F1 Montreal Grand Prix in 2000. With Harrison leading the initial vision for the show, Laliberte steered the production to creation at the Mirage. The Love Theatre took over the former Siegfried & Roy Theater at the resort. According to Cirque figures, a total of 44 nationalities are represented. The show required 11,600 costume pieces, 250 pairs of shoes, and 225 wigs each night. A total of 750,000 lumens in projections, 500 props and scenic pieces were required to put on the show. UPCOMING MOVES -------------- The closing of “Love” is not the only shift in the entertainment landscape at The Mirage. Current Mirage Theater headliner Shin Lim is also the focus of speculation he will be leaving the resort this summer. Several interested parties are reportedly attempting to lure the headlining magician. The Mirage Theater’s former Aces of Comedy program, developed under MGM Resorts, ended with the hotel’s sale to Hard Rock. Several familiar headliners (including David Spade, Ron White and Ray Romano) moving to other venues on the Strip. The Center Stage series is holding down the comedy programming in the short term, alternating showtimes with Lim. His post-Mirage plans should be announced soon. Meantime, “Love” will fade out after playing to more than 11.5 million ticket-holders in its 18-year run. Every performance closes with “All You Need Is Love.” That is how we will remember this show. ---------------------------------------------------------- "Previewing the new 'Page to Stage' VIP Experience" A Special Sneak Peek from LaughingPlace.Com and AllEars.net ---------------------------------------------------------- Cirque du Soleil will soon offer a premium behind-the-scenes experience for their exclusive Walt Disney World show, Drawn to Life. The new "Page to Stage Signature Experience" will debut on May 24, 2024. Highlights of the experience include: o) Assisted Arrival – A “Page to Stage” host welcomes you to the show, assists with complimentary concessions pickup (including a souvenir popcorn bucket), and escorts you to your premium seating to enjoy the show. o) Meet & Greet – Following the performance, “Page to Stage” guests will meet with some of the show’s talented artists for photos and Q&A. o) Backstage Tour – In the exclusive highlight of the evening, guests will embark on a backstage – and under-the-stage – tour of Drawn to Life, with the opportunity to get an up-close look at some of the show’s intricate costumes and one-of-a-kind props. o) Exclusive Keepsake & Shopping Discount – As a memento of their experience, guests will receive a Drawn to Life gift bag, in addition to receiving a discount off purchases made at the theater’s Cirque du Soleil store. "We're thrilled to invite guests backstage for an exclusive look at the intricate workings of Cirque du Soleil's captivating production, Drawn to Life," said Kevin Hargrove, Drawn to Life Company Manager. "By showcasing the work of our talented artists and skilled technical team, attendees will gain a special insight into the magic that brings this collaboration between Cirque du Soleil and Disney Animation to life." The “Page to Stage Signature Experience” will be limited to 9 guests and offered following the second performance on Fridays, Saturdays, and Sundays. (8:00 pm on Fridays and Saturdays, 4:00 pm on Sundays). Tickets for the unique experience are $285 for adults and $225 for children, which includes premium seating for a Drawn to Life performance and is inclusive of taxes and fees. Tickets are available now on the official Cirque du Soliel website. Looking for a little sneak-peek at this experience? Disney Park fansites Laughing Place and All Ears Net were recently invited to preview the experience and their respective reviews are included within. # # # "Previewing the “Drawn To Life: Page to Stage” Tour at Walt Disney World — Go Back (and Under) Stage at the Cirque Spectacular!" by Jeremiah Good | LaughingPlace.com It is hard to believe Cirque du Soleil Drawn to Life has been entertaining guests for nearly three years already. I was fortunate enough to attend its grand opening and have had the pleasure of seeing the show a few times since. In that time, I have fallen more in love with this beautiful production. For those of you who don’t know, this family-friendly show tells the story of the love between a father and a daughter and draws inspiration from Walt Disney Animation Studios’ 100-year heritage of storytelling. It celebrates iconic Disney stories and characters — from Snow White to Baymax — with innovative design, acrobatic performances, dazzling choreography, musical scores, and brand-new animation lovingly created by Disney Animation artists. Soon, the show is only half of what you could be seeing. Starting May 24th, Drawn to Life will kick off their “Page to Stage Signature Experience.” This new experience will offer guests an intimate behind- the-scenes look at the show, including a backstage tour and artist meet-and-greet that really does pull back the curtain on this amazing production. I was recently invited on a preview of this tour and I have to say, if you are a fan of Drawn to Life or just Cirque in general this will be a MUST DO! The “Page to Stage Signature Experience” offers nine guests per event some of the best seats in the theater as well as a pre-show experience that includes select concessions of their choice to enjoy during the show, including a souvenir popcorn bucket. Following the breathtaking show “Page to Stage,” guests will meet with some of the show’s talented artists for photos and Q&A. The true highlight of the evening follows as guests embark on a backstage – and under-the-stage – tour of Drawn to Life, with the opportunity to get an up-close look at some of the show’s intricate costumes and one-of- a-kind props. I have always loved the added features on Disney VHS, DVDs, Blu-Rays…on Disney+, so the ability to watch this amazing show then learn how so much of it is done within the span of an hour is just so cool! Our preview was given before the show, so we had a bit of a different format than what the normal experience will encompass, but we were shown most of what will be seen during the normal experience — we just saw a little bit of the rehearsal process on the stage. As mentioned, the group is limited to 9 guests and one very knowledgeable host. As you traverse the backstage and under stage areas, you understand why such a small group. The tour takes guests into the heart of the theater and past a few doors I would have liked to have been able to see more of, including the Costume Shop. One of the interesting bits of trivia we learned about the costumes for this show is most are just screen printed on fabric. This is useful to help with the weight and breathability of the costume, plus it makes it very easy to make or replace a costume if they need a new one. One of the coolest parts of the experience was the under stage area where we got a chance to get up close with some of the set pieces from the show, including the animator’s desk that plays such a pivotal role in the story (take a look at this photo and then scroll back up to the photo of the stage.) As the group comes back up, we get to see more of the sets and props used on the stage with stops a plenty to learn more about each. My personal favorite was a look at the animator’s desk that comes to life during the show and gallops around the stage like a wild horse. I have been lucky enough to take a backstage tour of Drawn to Life before, but this one is done just perfectly with a great path and some storytelling of its own and I can’t recommend it enough! The “Page to Stage Signature Experience” will be offered following the second performance on Fridays, Saturdays and Sundays. Tickets for the unique experience are $285 for adults and $225 for children (taxes and fee included), which includes premium seating for a Drawn to Life performance, backstage tour and artist meet-and-greet, collectible merchandise and more. # # # "Disney World’s NEW Tour Is Nearly $300, and We Tried It Out!" By Lydia Storks | AllEars.net We went to Disney Springs to try a NEW behind-the-scenes tour! Disney World is already home to several backstage tours, from the Keys to the Kingdom tour to the Wild Africa Trek. But now, another offering has joined the ranks — and this one is found at a popular show! Cirque du Soleil is now offering a special tour called the Page to Stage Signature Experience. It costs $285 for adults and $235 for children and includes tickets to see Drawn to Life, unique souvenirs, concessions, and a backstage tour of the theater. In honor of the new offering, Cirque du Soleil invited us out to check out the tour! When we arrived, we were first shown the exclusive pin that will be given to all who pay for the signature experience. Also included in the package is a commemorative popcorn bucket, as well as the snack and drink of your choice from the concession stand. From there, you’ll find your seat in the designated premium seating for Drawn to Life. You’ll get to watch the full show, which is themed to Disney Animation! The tour only takes place after the late performance on Friday, Saturday, and Sunday, so once the show is complete, your guide will meet you at your seats to begin the backstage experience. From there, you walk down to the basement to kick things off with a meet and greet! You’ll get the chance to snag photos with and interview some performers from the show. We won’t spoil too much, but your next stops along the tour will include a peek at the costume area, where they take care of the hundreds of costume pieces for the performance. After that, we were led to perhaps the coolest part of the experience — under the stage! Here, you can see the lifts that carry performers and props up onto the stage. Our guide concluded the experience with a visit backstage, where we got to see more props, costumes, and safety equipment for the performers. We also learned about the motion capture technology that allows Cirque du Soleil to project designs onto the performers’ costumes. The entire experience was incredible and really shines a light on all the hard work that goes into a show of this caliber! If you’d like to purchase tickets, they’re available on the Cirque du Soleil website now. We would definitely recommend this to people who love Cirque du Soleil or who just want to try something unique during their Disney Springs visit. ---------------------------------------------------------- "After Cirque du Soleil's Daring, High-Wire Comeback, its CEO is Aiming for New Heights" A Special Reprint from FORTUNE Magazine ---------------------------------------------------------- Stéphane Lefebvre shifted anxiously in his sky-blue suit jacket and scanned the crowd waiting for the world premiere of Cirque du Soleil’s Echo under the Big Top at Montreal’s Old Port. It was April of 2023, and the Canadian circus troupe was mounting its first new big-tent show since its COVID-era bankruptcy. Lefebvre, the company’s chief executive, was as nervous as if he were one of the acrobats about to dance across a cube suspended over flames rising from below. Probably a lot more nervous. The CEO had a lot at stake. A $30 million production, Echo had taken three years to develop. And the future of Cirque and its 4,200 employees, including clowns, musicians, acrobats, seamstresses, and creative directors, was riding on the show’s success. The COVID-19 pandemic—which had forced Cirque to abruptly shut down its productions in Las Vegas and dozens of cities around the world—was a disaster for all live-performance–based businesses, but it couldn’t have come at a worse time for the glitzy, avant-garde acrobatics company, which was in the midst of a rapid, chaotic expansion. Cirque was larded with $900 million in debt from a 2015 leveraged buyout led by private equity group TPG, which owned 60% and had pushed a relentless growth agenda: more massive shows, in more markets, all while swallowing up other live-performance companies such as Blue Man Group. TPG’s investment thesis was that Cirque’s enormous name recognition and valuable intellectual property meant it could generate a lot more revenue at a time in which Cirque’s top line was stagnating. But the ambitious strategy left the company stretched thin. Then COVID pushed it over the edge. Over the course of one week in March 2020, Cirque, which had been steadily if modestly profitable, saw its annualized revenue go from $1 billion a year to zero. Its 44 active productions, including several about to premiere, were shut down. Theaters, and the whole company, went dark for the next 16 months. The company laid off 95% of its staff, and by June of 2020 Cirque had sought bankruptcy protection. Even before COVID dealt its blow, Cirque du Soleil’s story was following a trajectory that is now familiar across industries: A strategy of fast growth focused on scale, scale, scale drives up a company’s value, then it crumbles when that pace proves unsustainable, or leaves the company precariously vulnerable to shifts in the market. Think of what happened to Peloton, the at-home fitness company that boomed during the pandemic but also built manufacturing sites it later didn’t need because of dwindling sales; or unicorns like Bird and Allbirds, whose scooters and eco-friendly shoes, respectively, turned out to be niche markets. As rising interest rates ended the era of cheap money and plentiful investment, all too often these balancing acts have come crashing back down to earth. CIRQUE'S DEATH-DEFYING MANEUVER ------------------------------- For Cirque du Soleil, the fall from grace was especially painful. After 36 years of growth from the circus’s humble beginnings as a troupe of artsy misfits in Quebec, the irreverent, bohemian company had become a household name globally, with its premieres attracting the likes of Barack Obama and Paul McCartney. Cirque’s revenue of about $1 billion just before the pandemic was a staggering amount for what’s essentially a theater company. (By comparison, all of Broadway combined took in $1.6 billion in 2019.) In its pre-COVID era, Cirque was producing extravagant new shows at a breakneck pace and embarking on an aggressive expansion of its permanent theaters abroad. It had reportedly been looking into making a Hollywood movie based on its O show, as well as a reality show built around aspiring Cirque acrobats. At its height, the company employed 5,000 people and was valued at $1.5 billion. Post-COVID, it wasn’t clear that Cirque, a major source of pride for Quebecers, would hold on to its headquarters in Montreal—or whether it would even emerge from bankruptcy protection. It did. But by the time the company was purchased by a group of its creditors led by Catalyst Capital Group in a fire sale in November 2020, it was clear that the company had to pivot. Lefebvre and his boss, Daniel Lamarre (who had been CFO and CEO at the time of bankruptcy and were made CEO and executive vice chairman, respectively, a year later), vowed that Cirque would rise from the ashes. And they decided that while the company still had to grow, the only way to do so sustainably was to go back to its roots—as a traveling circus operating on a more modest, human scale. Instead of trotting out a massive new production every year, the company would mount new tentpole shows every other year, while creating a slate of smaller, less expensive dinner theater and cabaret productions to take on the road—in part to become less dependent on Las Vegas, where it earned about half its revenue. Beyond the stage, the company would engage with only a few carefully chosen collaborations: a documentary, video games, performances at corporate retreats. And its leaders have vowed that post-bankruptcy, Cirque has no plans to make additional acquisitions. The key to pulling off this reinvention, Lefebvre says, is to keep Cirque tethered to the irreverent artist-first culture that made it a popular ticket worldwide for decades. “We needed to get the creative spirit back at the center of this company,” Lefebvre tells me at Cirque’s headquarters in Montreal. “If you don’t have the right creative team empowered to work their magic, you won’t get there.” His approach appears to be working. The credit ratings agency Moody’s Investors Service estimates that Cirque’s revenue had climbed in 2023 back up to the $1 billion mark it had hit before COVID shut it down. Still, the agency said in a research note in March that it expects “revenue growth to moderate” and hover at just above $1 billion, the high-water mark it has long struggled to exceed, for at least the next two years. After the near-death experience of bankruptcy, Cirque is charting a post–scale-era course for itself that other companies might be well advised to pursue—a model of sustainable growth that doesn’t overextend a business or exhaust its employees. FROM STREET BUSKERS TO VEGAS SENSATIONS --------------------------------------- Cirque du Soleil got its start in Baie-St-Paul, a popular resort town an hour’s drive east of Quebec City, in 1984, after the government of Quebec gave a grant to a ragtag group of street performers known for their stilt walking, led by Guy Laliberté, a fire-breather. In exchange for the $1 million ($1.3 million Canadian-dollars) grant, the group, then called Les Échassiers (the stilt walkers), was asked to perform at celebrations of the 450th anniversary of the arrival of French settlers in Canada. That exposure and money allowed Cirque to develop more elaborate shows and go on tour—and to venture beyond its home base. Business savvy combined with artistic flair—a balance between the left and right brain—was built into Cirque’s DNA from the very beginning. Laliberté, now 64, is an eccentric with a bohemian heart who had famously busked through France as a student, playing his grandfather’s accordion. But he was also the son of a prominent executive at Alcan, the giant aluminum company based in Montreal. Cirque’s spectacular acrobatics paid homage to circus traditions going back centuries, while spinning them into a new art form. The shows ditched the animal acts and disconnected stunts of the Ringling Bros. and Barnum & Bailey circus tradition and offered an elevated, story- driven form of theater, with original new age music, dialogue in a made-up language, and outlandish costumes. The plotlines each addressed some specific aspect of human existence but were broadly relatable enough to play well to audiences anywhere: Alegría, in 1994, was about the struggle of young people to renew a society. Quidam, in 1996, grappled with the feeling of being a nobody, and Kooza, from 2007, centered on a group of misfit characters looking to carve out a place for themselves. By the late 1980s, Cirque had built some buzz with a show in Santa Monica. That caught the attention of casino moguls—and in the early 1990s, Cirque came to dominate Las Vegas. The arrival of Cirque’s elegant yet edgy shows proved integral to Sin City’s transformation from a mecca for gambling and vice to a hub of high-end entertainment. (The typical ticket price for a permanent Cirque show is $113, while a touring show’s tickets go for $86.) Major casino developers including MGM and Wynn built large venues for the shows, and Cirque produced hit after hit after hit. Indeed, Cirque’s water-centric O production, performed in a 1.5-million-gallon pool at the Bellagio, has been a fixture in Vegas since 1998, and a cash machine that has raked in $2.6 billion in ticket sales—and still fills 94% of its seats. The troupe’s ode to the Beatles oeuvre, Love, has also played to full houses since 2006, though it will close this summer. TOO MANY TRICKS --------------- In 2015, Laliberté sold all but 10% of his majority stake in the company, and over the next five years, while Cirque was owned by a group of investors led by TPG, Lamarre and Lefebvre were under orders to aggressively grow and professionalize Cirque. There was even some chatter of a Cirque IPO before COVID struck. (TPG declined to comment for this story.) The two men—CEO and CFO at the time—take responsibility for their role in Cirque’s financial woes, and concede that they bought into the private equity firm’s strategy. But both say that the pressure from accelerated growth took a toll on the artists who make Cirque shows dazzle. “I want to be careful with the words I am using, but clearly a change of culture happened,” Lefebvre recalls. “We went from a place of close cooperation to worrying about ‘Let’s build it quickly, let’s prime the pump.’” In other words, it became harder to keep the suits at bay. Cirque’s growth had slowed in the early 2010s, and there was a sense that its formula was at risk of getting stale, that some of the buzz was gone because of a certain sameness, show after show: acrobats, clowns, new world music, and outlandish costumes. For any arts-based company, creative renewal remains a perennial challenge, especially given the pressure to grow. “There is this pitfall that at some point people start to think, ‘I’m watching the same thing over and over,’” says François Colbert, a professor of management of cultural enterprises at business school HEC Montréal. “The Cirque has to find the right balance between taking creative risks and not having flops.” 2019 was a hectic year for Cirque: It launched six new shows, large and small, the most ever in a single year, all while trying to create its first permanent China show in Hangzhou. That year, Cirque endured a rare flop, illustrating the perils of straying too far from its successful formula: R.U.N., modeled on live-action thrillers, featured scenes of simulated torture that were way too much for Cirque-goers looking for death-defying acrobatics rather than meditations on the human potential for depravity. One online reviewer said he was “horrified” by the torture, adding that the show was “a confusing cheesy mess until the end. Nothing makes sense.” The show was shut down by COVID and never reopened. In addition to creating more of its own shows, Cirque’s owners and brass were trying to turn Cirque into something of a studio that would create spectacles for other entertainment companies as well. And Cirque wanted to expand its division handling corporate events such as team-building retreats for clients like Adobe. (It still offers bespoke productions, such as the show recently performed at the pre- wedding celebrations of Indian industrialist Anant Ambani and Radhika Merchant, at which pop star Rihanna also performed; or the occasional custom-made outfit, like the Halloween costume designed for model and TV star Heidi Klum in 2023.) Adding to the company’s stress, Cirque made a number of acquisitions, notably performance-art company Blue Man Group in 2017 and later, kids entertainment firm VStar, as well as magic-show creator The Works—despite never having been a portfolio company. (Cirque says Blue Man Group is now doing “very well.”) The TPG strategy could have ultimately worked if not for COVID, Lamarre and Lefebvre say now. Indeed, much of their current strategy echoes that previous private-equity–driven playbook, albeit at a more measured pace. But paradoxically, the pandemic that almost killed Cirque du Soleil may have also saved its soul. TWO "SUITS" AMONG THE CLOWNS AND ACROBATS ----------------------------------------- Lamarre, a media and PR executive who joined Cirque in 2001 and became CEO in 2006, working hand in glove with Laliberté, acknowledges the awkwardness of being a “suit” in a company full of clowns and artists. It’s a well-known story at Cirque that Laliberté found Lamarre a bit stiff initially, so he assigned him his own clown, Madame Zazou, to follow him around to staff meetings for a few months and act like a court jester to get him to loosen up. Lefebvre himself is a bit of a suit who spent 19 years as a finance executive at an aeronautics firm before joining Cirque. Now, as he builds what he is optimistically calling Cirque’s “second golden age,” he too has struck up a friendship with Laliberté, who is a business icon in Quebec and has remained a colorful character, even traveling to the International Space Station in 2009 as a space tourist (wearing a red clown nose during liftoff). Laliberté no longer holds any formal role or stake in the company—in a stroke of good timing, he sold his 10% stake in Cirque just weeks before the COVID lockdowns—but he has taken on the mantle of Cirque’s patron saint, sharing his impressions of Cirque productions while they are in development. When Lefebvre first spoke as CEO with the founder in 2022, he pledged to be a good steward for a company whose international success is a major source of pride in Quebec: “I will do everything I can to look after your baby, or die trying,” he recalls telling Laliberté. That was a promise that might have felt necessary because Lefebvre, 56, doesn’t come off as the circus ringleader type. A slim, athletic man with a full head of hair who favors blazers, he attends about 10 Cirque shows a month but says he avoids micromanaging the artists who make Cirque’s magic. “My contribution is never about, ‘I think the red costume should be blue.’ That would be the biggest mistake,” he notes. (Lamarre made the same point: “The show is the star,” he says, like a mantra.) Lefebvre doesn’t have his own clown, but Madame Zazou still sometimes appears at all-staff meetings to bring levity and keep the workforce grounded in the company’s foundational culture. A NEW, MORE AGILE CIRQUE STARTS A NEW ERA ----------------------------------------- On a cold February morning at a campus about six miles from downtown Montreal, Cirque’s sprawling headquarters, which bears the slogan “Le soleil se lève à nouveau,” (“The sun is rising again”), is humming with activity: acrobats trying new moves in its massive gymnasium, seamstresses creating costumes, and performers applying makeup themselves. While a work-from-home policy and smaller headcount have made the complex less bustling, it’s clear that the Cirque has some pep in its step again. It’s a testament to Cirque’s strong culture and the loyalty it has earned that it managed after the bankruptcy to quickly hire back dozens of its seamstresses, shoemakers, and mask makers—70% of those artisans—to resume shows in 2021. That year, Cirque started reopening its Vegas blockbusters; O and Mystère returned, supported by an ad campaign proclaiming: “Intermission is over.” Staying true to its culture is essential to Cirque in its next chapter, observers said. “DNA doesn’t change, but it adapts, and this team has integrated Cirque’s DNA,” says the Montreal-based corporate historian Louis-Jacques Filion, who has studied Cirque extensively. Cirque’s trainers even persuade me to take a spin in a cerceau, a large hoop to which I am fastened as I’m promptly lifted 60 feet into the air, as well as an exhilarating ride in the German wheel. For the latter, I had to practice shifting my weight to give the wheel momentum, something that deepened my appreciation for the incredible core strength these performers possess. The new post-COVID strategy for the company is coming into focus: Cirque is preparing for an upcoming country-music-themed show titled Songblazers that will launch in Nashville in July then travel to other U.S. markets. It is planning to build a permanent theater in London and will begin construction on one in Hawaii later this year. “The phones keep on ringing, and people want to work with Cirque,” says chief financial officer Emmanuelle Leclerc-Granger. Long before any pushy investors showed up, the Cirque had been trying to figure out how to generate extra revenue beyond pure ticket sales. Under new owner Catalyst Capital, managing director Gabriel de Alba says Cirque will be given time to rebuild carefully—but he is eager to say that the brand has not been fully tapped, echoing TPG’s view that there’s still room to grow the company’s brand and offerings. Cirque has to proceed gingerly and not flood the zone with new shows— partly to avoid jeopardizing quality and originality, but also to maintain the scarcity that is necessary for Cirque to thrive as “the luxury-identified experience” de Alba says it is. De Alba is keenly aware that there is a lot more competition out there for entertainment dollars, particularly in Vegas, where Cirque still hosts six permanent shows: In that city, there are a lot more sports offerings, as well as fine-dining and entertainment options, than when Cirque first took it by storm in 1993. And others have built upon Cirque’s success, including several new small circus companies, such as Spiegelworld. ARTISTIC FREEDOM, WITHIN REASON ------------------------------- In the nearly three years since Cirque reopened, business has rebounded quickly. Moody’s has upgraded Cirque three times. (Its debt is still junk-rated, and in its most recent credit opinion in March, Moody’s maintained this rating, citing slow growth after that fast post-COVID rebound.) More crucially, Cirque sold 11 million tickets to its shows last year, compared with 10 million the year before the pandemic. Still, despite the Chapter 11 filing, Cirque remains saddled with $550 million in debt, meaning it has to tread carefully. And therein lies Cirque’s tough balancing act: Caution and risk aversion can be anathema to creativity. “If you have a great show, you’ll have a great business,” Lamarre has liked to tell Cirque’s owners over the years. “So I say, let our creators do what they do best, but within a sandbox, and in that sandbox they have total freedom.” In his 2022 book, Balancing Acts, Lamarre wrote that Cirque audiences wanted “acrobatics, acrobatics, acrobatics.” But today, he insists that audiences will accept other elements. ”It’s not just acrobatics they want: What people are looking for is human performance,” he says. There are signs that Cirque is starting to figure this out: Mad Apple, resident at the New York–New York in Las Vegas since 2022, is a mix of cabaret, dancing, and humor, and is playing to 80% full houses, on par with historical averages. After the 2020 trauma, Cirque is determined to become less reliant on live performances. Later this year, it is premiering an IMAX-like movie theater experience called Cosm, and it is planning various TV projects, potentially including a reality show. It has also been testing the waters of video games in partnership with virtual reality platform Roblox, via Cirque du Soleil Tycoon, in which players can create their own Cirque show. The video game, along with a social media influencers group, is part of a big push to attract a younger audience: The average Cirque-goer is 42. What’s more, de Alba says, there has long been an untapped opportunity to get more out of visits to its shows than the $113 price tag. De Alba says Cirque has typically earned an average of just $2 in additional revenue per visitor per show, from such ancillary sources as T-shirt sales and drinks, compared with the $30 average at rock shows. So at the Montreal premiere of its Kurios this spring, the updated return of a production first shown in 2014, Cirque will begin testing an idea similar to the preshow VIP meet-and-greets that have proved a boon for the concert industry: early access to the front-of- stage with treasure-hunt–like activities and perhaps a glass of prosecco. It is also testing out licensing efforts, such as the recently announced partnership with whisky maker Macallan, which involves a small-scale Cirque show just for Macallan’s estate in Scotland. As much as these licensing deals can help diversify Cirque’s revenue, its bread and butter business will be live entertainment for a long time to come, and there is ample reason for optimism. In Montreal, Echo was a box-office hit, selling 300,000 tickets, a sales record in its hometown, a year after Cirque’s Kooza had also broken records for the company there. Echo has since visited Atlanta, Miami, and the Washington, D.C., area to similarly large crowds. Days before the official Echo premiere last year in Montreal, hundreds of Cirque employees were given an exclusive preview of the new show, as is the company’s longtime custom. The Cirque staff gave their colleagues an ecstatic three-minute standing ovation, recalls Lefebvre. But the real test would come with the premiere before a paying audience. After the curtain call at the debut, Lefebvre hugged his performers and exhaled. “Everyone under the Big Top at the moment felt a sense of pride and relief,” he says. “Knowing that we were officially back.” ======================================================================= COPYRIGHT AND DISCLAIMER ======================================================================= Fascination! Newsletter Volume 24, Number 2 (Issue #225) - April/May 2024 "Fascination! Newsletter" is a concept by Ricky Russo. Copyright (C) 2001-2024 Ricky Russo, published by Vortex/RGR Productions, a subsidiary of Communicore Enterprises. No portion of this newsletter can be reproduced, published in any form or forum, quoted or translated without the consent of the "Fascination! Newsletter." By sending us correspondence, you give us permission (unless otherwise noted) to use the submission as we see fit, without remuneration. All submissions become the property of the "Fascination! Newsletter." "Fascination! Newsletter" is not affiliated in any way with Cirque du Soleil. Cirque du Soleil and all its creations are Copyright (C) and are registered trademarks (TM) of Cirque du Soleil, Inc., All Rights Reserved. No copyright infringement intended. { May.09.2024 } =======================================================================