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                       T h e  U n o f f i c i a l 
          C i r q u e  d u  S o l e i l  N e w s l e t t e r

     ------------------------------------------------------------
                   http://www.CirqueFascination.com
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=======================================================================
 VOLUME 12, NUMBER 10             October 2012              ISSUE #105
=======================================================================

Welcome to the latest edition of Fascination, the Unofficial Cirque
du Soleil Newsletter. 

There's a packed issue in store for you this month so I'll dive
right in, shall I?

Back in July, Cirque du Soleil in conjunction with MARVEL Comics,
teased us with what we've dubbed the KÀmic book. The first issue of
this ongoing series was released exclusively at San Diego Comic Con,
later turning up at MARVEL stores in New York City, San Fransisco and
elsewhere. We got our hands on a copy, of course, and alerted you
that you could even read the issue online... for free! Although we
had intended to review the issue we ultimately decided to do one
better: talk to the folks at MARVEL that put it together! So this
month Keith Johnson has a little inside info on what went in to 
making the KÀmic book come to life! (And whether or not there will
be any more!)

ZARKANA began its long trek from Radio City Music Hall in New York
City to its new home at Aria in Las Vegas. As you may read in our
news section this month, the load out of both Zarkana and Viva Elvis
have been on or ahead of schedule. That's good news for the artists
and technical staff that have to get used to a different theater.
Be that as it may, ZARKANA is scheduled to begin preview performances
in Las Vegas on November 1st! With ZARKANA now poised to enter the Las 
Vegas market permanently - and begin the next phase of its existence - 
we thought it would be interesting to trace its brief history, similar 
to recent efforts with LOVE, Viva Elvis, Dralion and Saltimbanco.
Check out "Zark Invades Las Vegas" in our FEATURES section as well.

And finally, after weeks of teasing us, Cirque and Google's "Chrome 
Experiment" - Movi.Kanti.Revo - had its debut on September 18th.
It's quite interesting if I do say so myself, but also quite taxing
on some of my older computers. If you've not had a chance to take
in this new sensory experiment, do! And if you want to learn more
about it before taking the plunge never fear: we've got a number
of articles posted on the project within our news section this
month, as well as the first in a series of technical behind-the-
scenes development articles that Google is publishing on the project
in our FEATURES section. So you really can't miss hearing about
Movi.Kanti.Revo even if you wanted to!

As always we've got the latest news items posted to Fascination! Web 
and, of course, updates to Cirque's tour schedule (check it: tickets
are now on sale for Saltimbanco's grande finale in Montréal!)

So, let's get started.

We're off and running again!

Join us on the web at: 
< www.cirquefascination.com >

Realy Simple Syndication (RSS) Feed (News Only):
< http://www.cirquefascination.com/?feed=rss2 >

                             - Ricky "Richasi" Russo


===========
CONTENTS
===========

	o) Cirque Buzz -- News, Rumours & Sightings

	o) Itinéraire -- Tour/Show Information
		* BigTop Shows -- Under the Grand Chapiteau
		* Arena Shows -- In Stadium-like venues
		* Resident Shows -- Performed en Le Théâtre

	o) Outreach -- Updates from Cirque's Social Widgets
		* Club Cirque -- This Month at CirqueClub
		* Networking -- Posts on Facebook, G+, & YouTube	

	o) Compartments -- A Peek Behind the Curtain
		* Didyaknow? -- Facts About Cirque
		* Historia -- Cirque Company History
		* Odyssea -- Cirque Tour History

	o) Fascination! Features

		* "KÀ-MIC KÀ-NVERSATION: An exclusive Q&A with Bill 
	   	  Rosemann, editor of the KÀ Comic Book"
	  	  By: Keith Johnson - Seattle, Washington (USA)

		* "Zark Invades Las Vegas"
	  	  By: Ricky Russo - Atlanta, Georgia (USA)

		* Movie.Kanti.Revo Technical Case Study
		  Part 1: "Building the 3D World"
		  By: Pete LePage, Developer Relations - Google


	o) Subscription Information	   
	o) Copyright & Disclaimer


=======================================================================
CIRQUE BUZZ -- NEWS, RUMOURS & SIGHTINGS
=======================================================================

"Worlds Away" to open Tokyo Film Fest
{Sep.05.2012}
----------------------------------------------
	Cirque du Soleil: Worlds Away," a 3D fantasy film executive-
	produced by "Avatar" director James Cameron, will open the Tokyo 
	International Film Festival on October 20th, organizers said. 

	# # #

	Written and directed by Andrew Adamson, who helmed the first two 
	"Chronicles of Narnia" movies, Worlds Away follows a young 
	couple that becomes separated and must journey through dreamlike 
	worlds of Cirque du Soleil to find each other.

	The film, which makes its world premiere at the Tokyo festival 
	screening out of competition, incorporates performances shot in 
	3D from actual shows by the circus-arts entertainers.

	# # #

	Read the original article here:
	< http://goo.gl/NTS23 >

{SOURCE: Reuters}


Las Vegas Weekly: Zarkana's cross-country trek
{Sep.05.2012}
-----------------------------------------------
	ZARKANA is on the move! Check out the following article on the 
	show's relocation efforts...

	# # #

	Moving Cirque du Soleil's new show "Zarkana" to Aria at MGM's 
	CityCenter from New York's Radio City Music Hall in time for the 
	Nov. 1 preview is one of the largest logistical challenges the 
	entertainment company has ever faced. It took 88 trucks and 	
	giant containers to move the acrobatic rock experience into its 
	sell-out Manhattan venue, and when the Cirque spectacular played 
	Madrid and Moscow, that took four 747s and 18 air freighters.

	The first truck for Las Vegas was packed up over Labor Day 
	Weekend with the performers' cases. David Dovell, operations 
	production manager for "Zarkana," told me on a backstage tour in 
	New York last week: "It will take until Sept. 15 to pack up the 
	rest of the show. "Viva Elvis" will be all moved out of Aria in 
	time for our trucks to start arriving and setting up as of Sept. 
	24."

	"We started gearing up for the move last month; it's that much. 
	This was the largest show ever to load into Radio City, which is 
	the world's largest indoor theater, so you now know what to 
	expect in Vegas. Whenever we first showed up to off load 88 
	trucks, they just looked at us like, ‘You can't do it. It hasn't 
	been done.' And I said, ‘Well, we get that it hasn't been done, 
	but it's kind of what we do with things that haven't been done.' 
	So we started last month doing the booking, the trucks, the 
	transport in Plainfield, N.J. We have about 80,000 square feet 
	of storage that holds our road cases and racks. It all had to be 
	prepped, lined up and put in the truck fleet.

	"In theory, we have two versions of this show, and we have to 
	keep it all together. So, it's been the largest logistics move 
	in Cirque du Soleil history: trucking into Montreal, trucking to 
	Madrid, some going to England to be repaired. The actual total 
	is 94, but 86 or 87 will go to Vegas. The first thing that 
	leaves us is our luggage truck with all of the artists' luggage 
	and gear. That was set to depart New York for Vegas on Saturday 
	night right after the curtain came down for the final N.Y. show 
	so the cast can get a month's break at their homes.

	# # #

	Read more of the article here:
	< http://goo.gl/e8snx >

{SOURCE: Las Vegas Weekly}


What is "Movi.Kanti.Revo"?
{Sep.07.2012}
-----------------------------------------------
	Back in June, Cirque du Soleil offered a brief preview of how 
	they would transform their live acrobatic performances into a 
	virtual world using a web site built using HTML5 and CSS3 tools 
	in conjuction with Google Chrome. Called a "sensory Chrome 
	Experiment crafted by Cirque du Soleil," the "Movi, Kanti, Revo"
	 site is named for the three Esperanto words for "Moving, 
	Singing and Dreaming."

	# # #

	Users of the site follow a mysterious hostess and use gestures 
	and sounds to navigate the world created by Cirque du Soleil. 
	The site will use sensor technology to detect the gestures. 
	Neither Google or Cirque would elaborate on the sensor 
	technology involved. 

	The Movi, Kanti, Revo site says that visitors will find a 
	virtual world where they can view Cirque performances "and live 
	an emotional journey made of love, doubts, hope and dreams." The 
	site is slated to launch in September, but Cirque has posted a 
	45-second video giving a movie-trailer type preview and is 
	allowing visitors to register to be kept informed on its 
	progress.

	# # #

	Read the full article here:
	< http://goo.gl/UQCSb >

{SOURCE: Computer World} 


It's Official: Saltimbanco closing in December
{Sep.07.2012}
-----------------------------------------------
	It's been rumored, talked about, and anticipated since 
	Saltimbanco's tour schedule began thinning out earlier this 
	year: would the show finally close for good? At the time it was 
	suggested Saltimbanco would tour select cities across North 
	America before a grande finale in Montreal, but there was no 
	formal confirmation by Cirque du Soleil.

	Now there is.

	In a press release titled "CIRQUE DU SOLEIL TO PERFORM IN 
	PORTLAND [MAINE] FOR THE FIRST TIME WITH SALTIMBANCO", Cirque 
	eludes that Saltimbanco is in its final performance stretch:

	After 20 years performing around the world, Saltimbanco will 
	make its final curtain call in December in Montreal, Canada, the 
	international home of Cirque du Soleil. 

	Check out the press release here:
	< http://goo.gl/MLQTh >

{SOURCE: Cirque du Soleil}


Zarkana's Move: "Ahead of Schedule"
{Sep.18.2012}
-----------------------------------------------
	Robin Leach has been following Zarkana's move from New York City 
	to Las Vegas, noting it took 65 trailer trucks to pack it out of 
	its home at Radio City Music Hall - ahead of time - and now 
	those trucks are making their way to Sin City:

	# # #

	[I]t was completed in four days, ahead of schedule, and the 
	fleet is on its way here. The first truck with cast costumes 
	will arrive here today.

	The loud-out of "Viva Elvis" at Aria is done, and "Zarkana" 
	rigging has begun. I'm told that everybody involved is relieved 
	that they're on or ahead of schedule in the time-crunch swap. 
	"Zarkana" previews start Nov. 1, and the show begins with the 
	Nov. 11 premiere.

	# # #

	Read the original article here:
	< http://goo.gl/jqWOR >

{SOURCE: Las Vegas Sun}


Saltimbanco Pre-Sale Tickets Now Available!
{Sep.19.2012}
-----------------------------------------------
	Pre-sale tickets to Saltimbanco's final performance in Montreal
	have gone on sale to all CirqueClub members!

	# # #

	Bonjour!

	After touring the world for over 20 years and performing before 
	millions of spectators, Saltimbanco returns home to make its 
	spectacular final tribute at...

	Bell Centre - Montreal, QC
	December 19 to 30, 2012

	Buy tickets:
	< http://goo.gl/eZD5i >

	For a limited time, while having exclusive access to tickets, 
	members save $10 on tickets in select seating categories.*

	Don't miss your last chance to catch this classic Cirque du 
	Soleil show before it takes its final bow!

	# # #

	And why not celebrate Saltimbanco's final shows by being among 
	one of the few to witness the goings on from behind the scenes?

	# # #

	Have you ever wondered what goes on backstage at a Cirque du 
	Soleil show? Have you ever wanted to experience the thrill of 
	being part of a creative production unlike any other? Here's 
	your chance! Behind The Scenes offers you a rare opportunity to 
	immerse yourself in the secret world behind Saltimbanco from 
	Cirque du Soleil.

	Along with a maximum of 20 guests, you will get an intimate view 
	from a whole new perspective as this package grants you 
	exclusive access before and after the show to production areas 
	normally restricted to the general public. This private 
	excursion also includes:

	o) Meet and greet with a tour member, including a Q&A session 
	o) Backstage visit for insights into life on tour
	o) Photo session with artists after the show 
	o) Access to the best seats
	o) Exclusive lanyard and show souvenir program
	o) Reserved section before the show to enjoy food and beverages

	Don't miss your chance to get an insider's look at our 
	fascinating universe and follow in the footsteps of artists and 
	staff members who bring our creativity to the stage every day. 

	# # #

	Please note: You will need your Cirque Club credentials on 
	cirquedusoleil.com to get to the venue's online box office. You 
	will later be prompted to sign in with your existing (or create 
	a new) venue box office online account to complete your ticket 
	purchase.*Online offer only; Subject to availability; Prices 
	shown during the purchasing process already reflect the above 
	offer where applicable; Offer applicable to Floor A, Red A, Red 
	B, Red C, Red D categories; Child tickets are valid for children 
	from 2 to 12 years old; All tickets subject to regular service 
	charges; Cannot be combined with any other offer; Offer ends 
	September 22, 2012 at 9:59 a.m. local time.**Offer applicable to 
	performances September 21, 26, 27, 30 and October 2, 3, 4 on 
	regular priced adult tickets; Applicable to category 2 and 3 
	only; Limited quantity.***Package applicable to December 22, 28 
	and 29, 2012 performances only; All tickets subject to regular 
	service charges; Cannot be combined with any other offer; 
	Applicable to select seating categories; Subject to 
	availability.

{SOURCE: Cirque du Soleil}


Movi.Kanti.Revo is HERE!
{Sep.19.2012}
-----------------------------------------------
	Bonjour,

	The day you've been waiting for is finally here! Movi.Kanti.Revo 
	- a sensory Chrome Experiment crafted by Cirque du Soleil - is 
	officially available as of today.

	Cirque du Soleil stages impressive live performances that 
	challenge the laws of physics and the limits of the human body. 
	Today, at Google's Big Tent event in New York, the wonder of 
	Cirque du Soleil transcended the confines of real world 
	performance and embraced the entire web through Movi.Kanti.Revo, 
	a new sensory Chrome experiment crafted by Cirque du Soleil and 
	developed by Subatomic Systems. 

	Movi.Kanti.Revo comes from the Esperanto words for moving, 
	singing and dreaming. In the experiment, you can follow a 
	mysterious character through a beautiful and surreal world to
	encounter enchanting Cirque du Soleil performances and live an 
	emotional journey made of love, doubts, hopes and dreams.

	Breaking with the tradition of point and click web browsing, you 
	can navigate through this unique experience simply by gesturing 
	in front of your device's camera. This was made possible using 
	the getUserMedia feature of WebRTC, a technology supported by 
	modern browsers, that, with your permission, gives web pages 
	access to your computer's camera and microphone without 
	installing any additional software. 

	Chrome Experiments like Movi.Kanti.Revo demonstrate how the web 
	has evolved into a beautiful creative canvas underpinned by 
	continuously evolving web technologies. For optimal viewing, 
	you'll need to use a computer that has a camera and a browser 
	that supports WebRTC, like Chrome. You can also access the 
	experiment from a tablet or a mobile phone for a slightly 
	different yet still beautiful experience. 

	Start your journey:
	< http://www.movikantirevo.com/ >

	Bon voyage! 

	Note: This innovative experiment can be experienced on your 
	computer, tablet or smartphone and is best viewed in Google 
	Chrome. 

{SOURCE: Cirque du Soleil, Google} 


Go "Behind The Divs" today at 8:30am PT!
{Sep.20.2012}
-----------------------------------------------
	From the Google Chromium Blog:

	# # #

	Earlier this year at Google I/O, we gave developers a sneak peek 
	at Movi.Kanti.Revo, a new sensory Chrome experiment crafted by 
	Cirque du Soleil and developed by Subatomic Systems that brings 
	the magic of Cirque du Soleil to the web through modern web 
	technologies. The full experiment, which allows users to follow 
	a mysterious character through a beautiful world of Cirque du 
	Soleil performances, was launched today at the Big Tent event 
	( http://goo.gl/Dwzpg ) in New York City. 

	The experiment was created using just HTML5, and the environment 
	is built entirely with markup and CSS. Like set pieces on stage, 
	divs, images and other elements are positioned in a 3D space 
	using CSS. To create movement, CSS animations and 3D transforms 	
	(http://goo.gl/Jr7lI | http://goo.gl/9Qexw ) were applied making
	the elements appear closer and further away. Everything is 
	positioned and scaled individually to create a highly realistic 
	interactive environment. In addition, the experiment uses HTML5
	<audio> to play music and sounds. 

	Movi.Kanti.Revo breaks with the tradition of keyboard or mouse 
	navigation; instead users navigate through an interactive Cirque 
	du Soleil world with their gestures. To accomplish this, the 
	experiment asks users for permission to access their web cam 
	using the new getUserMedia ( http://goo.gl/Bc8JNAPI ). With this 
	new API, the experiment renders the camera output to a small 
	<video> element on the page. A facial detection JavaScript 
	library then looks for movement and applies a CSS 3D transform 
	to the elements on the page, making environment move with the 
	user. 

	Because this experience was built using just markup, it works in 
	the browser across all devices. The experiment takes advantage 
	of the rich capabilities possible on mobile devices, like the 
	accelerometer ( http://goo.gl/5izkc ) to navigate through the
	world.

	To learn more about how this experiment was built, check out the 
	new technical case study or join us for a special Google 
	Developers Live Behind The Divs event ( http://goo.gl/5R5eI ) on 
	September 20th at 8:30am PDT / 15:30 UTC where we'll be talking 
	to the engineers behind the project.

	Head over to Movi.Kanti.Revo at www.movikantirevo.com to check 
	things out, and be sure to open Chrome's developer tools to see 
	what's going on behind the <div>s!

{SOURCE: Google Chromium Blog}


C|NET Goes Behind the Scenes of Movi.Kanti.Revo
{Sep.20.2012}
------------------------------------------------
	Google Chrome and Cirque du Soleil have partnered to show off 
	the potential of the modern Web with an all-HTML5 Cirque 
	performance that's unique to the Web, called Movi.Kanti.Revo 
	(pronounced MOOV-ee CANT-ee REEV-oh). 

	# # #

	Cirque du Soleil's Gillian Ferrabee, creative director for 
	images and special projects, couldn't recall precisely how 
	Google and Cirque decided to partner, but said that she was 
	instantly impressed with the first meeting between the two 
	companies. "Interactivity and the [Webcam] reading your body 
	were discussed in the first meeting with Google and Particle," 
	which is the third-party company that built Movi.Kanti.Revo, she 
	said. 

	"We thought, 'How can we be playful with that?' We wanted to 
	make it fun to participate, rather than a challenge." 

	From the Cirque offices in Montreal, Canada, Ferrabee described 
	Movi.Kanti.Revo as a typical Cirque production, in some ways. 
	You're invited into a magical world by a tour guide who speaks 
	in a made-up language, who invites you through a series of 
	tableaus such as a forest, a desert, and a tree of life. "You 
	have a certain control over each of those environments. It's a 
	message of joy and hope and play and the beauty of life," she 
	said, and it takes about 10 minutes to explore. 

	Pete LePage, a developer advocate for Google's Chrome team, 
	explained that the project came from Google's ongoing interest 
	in creating Chrome Experiments to showcase what Chrome and the 
	modern Web are capable of. The best-known of these to date is 
	probably Google's collaboration with the band The Arcade Fire on 
	an interactive music video called, "The Wilderness Downtown." 

	"We tried on this one to make sure it works across browsers, so 
	for CSS transforms we coded for all the available browsers," he 
	said. Movi.Kanti.Revo code does have browser-specific flags for 
	CSS transforms, but that was just to ensure that browsers that 
	haven't yet built full support for the technology can support it 
	as it comes online, LePage said. 

	# # #
	
	Read much more at C|Net’s Website:
	< http://goo.gl/48u50 >

{SOURCE: C|Net}


Mandalay Bay plans to announce changes Oct 15th
{Sep.25.2012}
------------------------------------------------
	Robin Leach has some interesting news regarding the upcoming 
	Mandalay Bay makeover...

	# # #

	Cirque du Soleil and MGM Resorts officials have set a tentative 
	date of Oct. 15 to unveil the staggering changes envisioned for 
	the Mandalay Bay makeover.

	"It will be a top-to-bottom makeover of The Hotel, and the total 
	new look Delano hotel will open in time for Spring 2014," I was 
	reliably told. "The new Delano will get its own new swimming 
	pool complex in one of the property’s existing parking lots."

	I’ve also learned that Cirque founder Guy Laliberte, who is 
	partnering with the expanding Light Group in Las Vegas, will 
	announce the name of his new interactive nightclub taking over 
	the former Rum Jungle.

	However, it’s not expected to open in time for the new Michael 
	Jackson residency show there in March; its theater there is 
	under construction and ahead of schedule. Guy hopes his new 
	nightclub will open shortly afterward.

	# # #

	Read the original article here:
	< http://goo.gl/ffY00 >

{SOURCE: Las Vegas Sun}


IMX Announces a Unique Partnership With 
Cirque du Soleil in South America
{Sep.25.2012}
------------------------------------------------
	RIO DE JANEIRO, BRAZIL and NEW YORK, NY - (Marketwire) - 
	09/25/12 - IMX, a joint venture between the EBX Group and IMG 
	Worldwide, has announced a unique partnership with Cirque du 
	Soleil. The joint venture, under the new entity IMX Arts, will 
	bring to South America the best of Cirque du Soleil live content 
	and leverage the goodwill and value of the Cirque du Soleil 
	brand in the territory. The new entity, which will be 
	headquartered in Rio de Janeiro, will allow IMX to become 
	engaged in most of Cirque’s new areas of business, such as 
	special events and creative content. 

	IMX shares Cirque du Soleil’s core values of citizenship and 
	sustainability and will be working to increase the reach of the 
	social programs supported by Cirque. 

	"Cirque du Soleil is renowned for the beauty of the 
	performances, entrepreneurship and social aspect. We also have 
	in common discipline, passion and willingness to innovate. I am 
	proud of this partnership, that will bring excellence in 
	entertainment to Brazil and throughout South America," said Eike 
	Batista, EBX Group Chairman 

	"We are very pleased to be partnered with Eike Batista. In a 
	very short time IMX has become the most important sports and 
	entertainment company in Brazil. The unique partnership with 
	Cirque du Soleil that we announce today is further evidence of 
	the future potential of this exciting business," said Mike 
	Dolan, IMG’s Chairman and CEO. 

	"Cirque du Soleil’s presence and awareness in South America has 
	been longstanding and even before we started presenting any of 	
	our shows. South Americans, and most particularly, the people of 
	Brazil, have adopted us early on from what they had seen of our 
	shows on television, but more importantly, from our social 
	programs and citizenship values presented through Cirque du 
	Monde and that really touches me. I am proud to partner with IMX 
	and more specifically my friend Eike to continue this amazing 
	journey for years to come," said Guy Laliberté, Founder of 
	Cirque du Soleil. 

	"The partnership with Cirque du Soleil represents a historical 
	moment in the entertainment industry in Brazil and South 
	America. The creativity of Cirque du Soleil goes way beyond the 
	big top shows that Brazilians are so familiar with. Through this 
	new venture, the brand Cirque du Soleil will land in Brazil with 
	all its magnitude, business potential and new products that have 
	never been seen here before," explains Alan Adler, CEO of IMX. 

	"I am so proud that we are creating a new partnership that is 
	based on a long-term vision for South America. The people of 
	South America not only have welcomed us with open arms, they 
	have adopted us. It seemed completely natural for us to 
	establish a long-term relationship to develop the live 
	entertainment industry with a partner of the quality of IMX," 
	said Daniel Lamarre, President and CEO of Cirque du Soleil. 

	About IMX
	Headquartered in Rio de Janeiro and with international 
	connections, IMX is designed to be the main Sports and 
	Entertainment company in the country. IMX has four key areas of 
	business: Events (creation, production and promotion of sports 
	events and live entertainment), Services (talent management, 
	sports marketing consultancy and Hospitality), Digital 
	(Ticketing and content distribution) and Venues (management and 
	operation of stadiums, arenas and convention centers). Through 
	the branch IMX Live the company acquired 50% of Rock World S.A., 
	the company that owns Rock in Rio brand and assets, a deal that 
	was considered at one of the biggest acquisitions in Brazil’s 
	entertainment industry. Through IMX Talent it seeks to 
	professionalize the management of image and career of great 
	talents, offering a tailor-made and personalized vision for each 
	client. In the area of sports, IMX’s portfolio includes projects 
	such as UFC (MMA), Volvo Ocean Race (sailing), Megarampa 
	(skate), LPGA Brazil Cup (golf), FootVolley Competition 4×4, 
	Travessia dos Fortes (marathon swimming), Vert Jam (radical 
	sports), FMX (motocross), Escape to Rio (triathlon), among 
	others. For more information visit: http://www.imx.com.br. 

	Read the Original Press Release here:
	< http://www.sys-con.com/node/2376090 >

{SOURCE: SYS-CON MEDIA}


Resident Cirque in Toronto?
{Sep.26.2012}
------------------------------------------------
	BizJournals has a rather interesting blurb this morning 
	regarding a potential new residency opportunity for Cirque du
	Soleil...

	# # #

	If a casino is built in Toronto, Cirque du Soleil could be one 
	of its permanent fixtures.

	The Toronto Star reports that MGM Resorts International has 
	pledged to include the Montreal-based troupe in its casino, 
	provided it gets the go-ahead from Ontario Lottery and Gaming 
	Corp.

	There are still two big barriers to cross. OLG has not yet 
	decided which company will get its Toronto contract, and the 
	Toronto City Council has not yet voted to allow a casino in the 
	city.

	"Our colleagues at Cirque would love to have a permanent home in 
	Toronto. They see, as we do, this incredible cosmopolitan global 
	destination, one that would work very well for them," says Alan 
	Feldman, MGM’s senior vice president of public affairs. He says 
	the casino could include a circus theatre or a Cirque-themed 
	nightclub.

	# # #

	Read the original article here:
	< http://goo.gl/RStgu >

{SOURCE: BizJournals}


Mike Weatherford: "Zumanity Aging Gracefully"
{Sep.28.2012}
------------------------------------------------
	Mike Weatherford of the Las Vegas Review-Journal "savers the 
	details" in celebrating Zumanity’s 9th Anniversary:

	# # #

	"Zumanity" tells us near the end of the show that it celebrates 
	both sensuality and sexuality. One could argue the second is 
	mere biology, but the first is about taking time to savor the 
	details.

	The sexy Cirque du Soleil had nine years to get those details 
	right, as celebrated at a recent anniversary performance. Nine 
	isn’t a nice round number like 10, but a victory nonetheless. 
	And the years do go by.

	"Zumanity" was the third Cirque on the Strip and the first to 
	arrive as a bit of a mess. The problems weren’t as dramatic as 
	those that came later with Criss Angel’s "Believe" and "Viva 
	Elvis," and neither were the solutions (removing most of the 
	Cirque content from "Believe," closing "Elvis" outright).

	And "Zumanity" ages gracefully, retaining many original cast 
	members we still like to see nearly naked. Some of them would be 
	very hard to replace, such as Alan Jones Silva, the little 
	person who takes flight via swaths of fabric to demonstrate his 
	affection for the stage-bound Anna O’Keefe.

	# # #

	Read more of the original article here:
	< http://goo.gl/bzgKc >

{SOURCE: Las Vegas Review-Journal}


Cirque Bets on Facebook
{Sep.28.2012}
------------------------------------------------
	From ClickZ, Marketing News & Expert Advice, a piece on how 
	Cirque du Soleil is targeting fans and sells them tickets to 
	shows in Las Vegas well before they set foot in town:

	# # #

	"Most people book tickets when they’re here in Vegas or when 
	they’re a few days out," said Andy Levey, senior manager of new 
	media and analytics at Cirque du Soleil. His social media team 
	of four is now outperforming more traditional advertising and 
	marketing channels with simple "book in advance and save" 
	campaigns on Facebook.

	After running its "Cirque du Soleil Summer of Cirque" campaign 
	on Facebook, the company experienced a month-over-month increase 
	in sales of 271 percent. Complementary campaigns for its Beatles 
	LOVE and Mystère shows garnered month-over-month sales increases 
	of 250 percent and 150 percent, respectively. Along with three 
	other resident shows it manages in Las Vegas, Cirque du Soleil 
	aimed to drive overall brand awareness with the campaign but it 
	also embarked on the first pre-booking promotions of its kind 
	for the company.

	Cirque du Soleil is investing more in social, and in some cases 
	- budgets are being shifted away from traditional channels that 
	aren’t performing. Levey has been with Cirque du Soleil for two 
	years now and said, "It’s exponentially shifting year over 
	year." He describes weekly cross-team meetings and a more 
	"symbiotic" working relationship with the much larger 
	traditional marketing team within the company.

	# # #

	Read the original article here:
	< http://goo.gl/KuVdf >

{SOURCE: ClickZ}


=======================================================================
ITINÉRAIRE -- TOUR/SHOW INFORMATION
=======================================================================

	o) BIGTOP - Under the Grand Chapiteau
	 	{Amaluna, Corteo, Koozå, OVO, Totem, & Varekai}
	
	o) ARENA - In Stadium-like venues 
		{Saltimbanco, Alegría, Quidam, Dralion 
		 & Michael Jackson THE IMMORTAL World Tour}

	o) RESIDENT - Performed en Le Théâtre
		{Mystère, "O", La Nouba, Zumanity, KÀ, LOVE, 
		 Believe, Zarkana & Iris}

NOTE: 

   .) While we make every effort to provide complete and accurate 
      touring dates and locations available, the information in 
      this section is subject to change without notice. As such, 
      the Fascination! Newsletter does not accept responsibility 
      for the accuracy of these listings. 

For current, up-to-the-moment information on Cirque's whereabouts, 
please visit Cirque's website: < http://www.cirquedusoleil.com/ >.


------------------------------------
 BIGTOP - Under the Grand Chapiteau
------------------------------------

Amaluna:

	Toronto, ON -- Sep 6, 2012 to Nov 4, 2012
	Vancouver, BC -- Nov 23, 2012 to Dec 9, 2012
	Seattle, WA -- Jan 31, 2013 to Mar 24, 2013
	Edmonton, AB -- April 5, 2013 to May 12, 2013

Corteo:

	Zurich, CH -- Sep 1, 2012 to Oct 7, 2012
	Dusseldorf, DE -- Oct 18, 2012 to Nov 11, 2012
	Berlin, DE -- Nov 29, 2012 to Dec 16, 2012
	Hamburg, DE -- Jan 9, 2013 to Jan 27, 2013

Koozå:

	Dallas, TX -- Sep 19, 2012 to Oct 28, 2012
	Tampa, FL -- Nov 8, 2012 to Dec 16, 2012
	London, UK -- Jan 5, 2013 to Feb 3, 2013
	Knokke, BE -- Jul 18, 2013 to Aug 4, 2013

Ovo:

	Sydney, AU -- Sep 13, 2012 to Nov 25, 2012
	Adelaide, AU -- Dec 06, 2012 to Jan 6, 2013
	Melbourne, AU -- Jan 17, 2013 to Apr 3, 2013
	Perth, AU -- Apr 14, 2012 to May 5, 2013

Totem:

	Washington, DC -- Aug 15, 2012 to Oct 7, 2012
	Atlanta, GA -- Oct 26, 2012 to Dec 2, 2012
	Miami, FL -- Jan 10, 2013 to Mar 3, 2013

Varekai:

	Buenos Aires, AR -- Sep 7, 2012 to Oct 21, 2012
	Santiago, CL -- Nov 14, 2012 to Dec 2, 2012
	Bogota, CO -- Jan 10, 2013 to Feb 24, 2013
	Lima, PE -- TBA


------------------------------------
 ARENA - In Stadium-Like Venues
------------------------------------

Saltimbanco:

	Portland, ME -- Oct 10, 2012 to Oct 14, 2012
	Pittsburg, PA -- Oct 19, 2012 to Oct 21, 2012
	Reading, PA -- Oct 25, 2012 to Oct 27, 2012
	Boston, MA -- Oct 31, 2012 to Nov 4, 2012
	Pensacola, FL -- Nov 6, 2012 to Nov 8, 2012
	San Juan, PR -- Nov 15, 2012 to Nov 18, 2012
	Santo Domingo, DO -- Nov 22, 2012 to Nov 25, 2012
	Cedar Park, TX -- Dec 12, 2012 to Dec 16, 2012
	Montreal, QC -- Dec 19, 2012 to Dec 30, 2012

	{Final Curtain Call, December 30, 2012}

Alegría:

	Instanbul, TK -- Sep 22, 2012 to Oct 14, 2012
	Pesaro, IT -- Nov 1, 2012 to Nov 4, 2012
	Bologna, IT -- Nov 8, 2012 to Nov 11, 2012
	Milan, IT -- Nov 15, 2012 to Nov 18, 2012
	Lille, FR -- Nov 21, 2012 to Nov 25, 2012
	Paris, FR -- Nov 28, 2012 to Dec 2, 2012
	Rotterdam, NL -- Dec 7, 2012 to Dec 9, 2012
	Turin, IT -- Dec 13, 2012 to Dec 16, 2012
	Geneva, SZ -- Dec 19, 2012 to Dec 23, 2012
	Barcelona, ES -- Dec 26, 2012 to Jan 6, 2013
	Santa Cruz de Tenerife, ES - Jan 13, 2013 to Jan 20, 2013
	Stockholm, SE -- Mar 6, 2013 to Mar 10, 2013
	Helsinki, FI -- Mar 13, 2013 to Mar 17, 2013
	Turku, FI -- Mar 22, 2013 to Mar 24, 2013
	Tallinn, EE -- Apr 3, 2013 to Apr 6, 2013
	Riga, LV -- Apr 11, 2013 to Apr 13, 2013
	Vilnius, LT -- Apr 18, 2013 to Apr 20, 2013

Quidam:

	Honolulu, HI -- Oct 4, 2012 to Oct 14, 2012
	Eugene, OR -- Oct 25, 2012 to Oct 28, 2012
	West Valley City, UT -- Nov 1, 2012 to Nov 4, 2012
	Broomfield, CO -- Nov 7, 2012 to Nov 11, 2012
	Loveland, CO -- Nov 14, 2012 to Nov 18, 2012
	Columbus, OH -- Dec 6, 2012 to Dec 9, 2012
	Grand Forks, ND -- Dec 13, 2012 to Dec 16, 2012
	Sioux City, IA -- Dec 18, 2012 to Dec 20, 2012
	Des Moines, IA -- Dec 22, 2012 to Dec 23, 2012
	Kansas City, MO -- Dec 26, 2012 to Dec 30, 2012
	Wichita, KS -- Jan 1, 2013 to Jan 6, 2013
	El Paso, TX -- Jan 23, 2013 to Jan 27, 2013
	Laredo, TX -- Jan 29, 2013 to Jan 31, 2013
	Corpus Christi, TX -- Feb 2, 2013 to Feb 3, 2013
	Hidalgo, TX -- Feb 6, 2013 to Feb 10, 2013

Dralion:

	Boise, ID -- Oct 11, 2012 to Oct 14, 2012
	Stockton, CA -- Oct 17, 2012 to Oct 21, 2012
	Ontario, CA -- Oct 24, 2012 to Oct 28, 2012
	Long Beach, CA -- Oct 31, 2012 to Nov 4, 2012
	Fresno, CA -- Nov 7, 2012 to Nov 11, 2012
	San Deigo, CA -- Nov 14, 2012 to Nov 18, 2012
	Phoenix, AZ -- Nov 21, 2012 to Nov 25, 2012
	Topeka, KS -- Dec 5, 2012 to Dec 9, 2012
	Tulsa, OK -- Dec 12, 2012 to Dec 16, 2012
	Okalahoma City, OK -- Dec 19, 2012 to Dec 23, 2012	

Michael Jackson THE IMMORTAL World Tour:

	London, UK -- Oct 12 to 21, 2012
	Herding, DK -- Oct 24 & 25, 2012
	Copenhagen, DK -- Oct 27 & 28, 2012
	Stockholm, SE -- Nov 2 & 3, 2012
	Helsinki, FI -- Nov 5 & 6, 2012
	St. Petersburg, RU -- Nov 9, 10 & 11, 2012
	Frankfurt, DE -- Nov 16 & 17, 2012
	Oberhausen, DE -- Nov 20, 2012
	Munich, DE -- Nov 24 & 25, 2012
	Hannover, DE -- Nov 28, 2012
	Vienna, AT -- Dec 1 & 2, 2012
	Manheim, DE -- Dec 5, 2012
	Leipzig, DE -- Dec 8 & 9, 2012
	Hamburg, DE -- Dec 11, 2012
	Cologne, DE -- Dec 15 & 16, 2012
	Berlin, DE -- Dec 19 & 20, 2012
	Madrid, ES -- Dec 26 to Dec 29, 2012
	Kazan, RU -- Jan 17, 18 & 19, 2013
	Moscow, RU -- Jan 22 to 27, 2013
	Prague, CZ -- Feb 8 & 9, 2013
	Barcelona, ES -- Apr 17 to Apr 20, 2013


---------------------------------
 RESIDENT - en Le Théâtre  
---------------------------------

Mystère: 

	Location: Treasure Island, Las Vegas (USA)
	Performs: Saturday through Wednesday, Dark: Thursday/Friday
	Two shows Nightly - 7:00pm & 9:30pm

	2012 Dark Dates:
	     o November 14

"O":

	Location: Bellagio, Las Vegas (USA)
	Performs: Wednesday through Sunday, Dark: Monday/Tuesday
	Two shows Nightly - 7:30pm and 10:00pm

	2012 Dark Dates:
	     o October 14 & 17
	     o December 3 - 18

La Nouba: 

	Location: Walt Disney World, Orlando (USA)
	Performs: Tuesday through Saturday, Dark: Sunday/Monday
	Two shows Nightly - 6:00pm and 9:00pm

	2012 Dark Dates:
	     o November 27

Zumanity: 

	Location: New York-New York, Las Vegas (USA)
	Performs: Friday through Tuesday, Dark Wednesday/Thursday
	Two Shows Nightly - 7:30pm and 10:00pm

	2012 Dark Dates:
	     o October 23
	     o December 14, 15, 16, 17 and 18

KÀ: 

	Location: MGM Grand, Las Vegas (USA)
	Performs: Tuesday through Saturday, Dark Sunday/Monday
	Two Shows Nightly - 7:00pm and 9:30pm

	2012 Dark Dates:
	     o November 20

LOVE: 

	Location: Mirage, Las Vegas (USA)
	Performs: Thursday through Monday, Dark: Tuesday/Wednesday
	Two Shows Nightly - 7:00pm and 9:30pm

	2012 Dark Dates:
	     o October 1 
	     o December 6 - 19

BELIEVE:

	Location: Luxor, Las Vegas (USA)
	Performs: Friday through Tuesday, Dark: Wednesday/Thursday
	Two Shows Nightly - 7:00pm and 10:00pm

	NOTE: Children under the age of 12 must be accompanied by
	an adult. Children under the age of five are not permitted
	into the theater. 

	2012 Dark Dates:
	     o December 18-25 

ZARKANA:

	Location: Aria, Las Vegas (USA)
	Performs: Friday through Tuesday, Dark: Wednesday/Thursday
	Two Shows Nightly - 7:00pm and 9:30pm

	Previews begin in Las Vegas November 1, 2012
	Regular performance begin November 11, 2012

	2012 Dark Dates:
	     o None

IRIS:

	Location: Kodak Theatre, Hollywood, CA (USA)
	Performs: Tuesday through Friday @ 8:00pm
		  Saturday @ 3:00pm and 8:00pm
		  Sunday @ 2:00pm and 7:00pm
		  DARK: Monday
		  Select Weekday Matinee Performances
			Wednesday and Friday at 3:00pm

	2012 Dark Dates:
	     o October 23
	     o November 22
	     o December 4 and 25 
	
	

=======================================================================
OUTREACH - UPDATES FROM CIRQUE's SOCIAL WIDGETS 
=======================================================================

	o) Club Cirque -- This Month at CirqueClub
	o) Networking -- Posts on Facebook, G+, & YouTube


---------------------------------------
 CLUB CIRQUE: This Month at CirqueClub
---------------------------------------

The Hoop Diving Act in Dralion: 
Five Must Know Facts
{Sep.10.2012}
----------------------------------------------
	A traditional Chinese discipline

	Hoop diving is a very popular discipline for many traditional 
	circus troupes in China. Dralion is the only Cirque du Soleil 
	show to offer this act. As one of the show's signature piece, it
	is a big group act in which several of the house troupe artists 
	dive through small fixed or spinning hoops. 

	Peoples of the earth awakened 

	Dralion showcases the four natural elements in its staging: 
	earth, wind, fire and water. The artists in the hoop diving act 
	portray the peoples of the earth. They represent different 
	nations, peoples and tribes. Appearing in the second part to 
	world-beat style music, this act encapsulates the show's theme 
	of the meeting between Eastern and Western cultures.

	I'll tumble for ya

	The 16 hoops used in this act are made of fine wood, and are 
	held in place by magnets. At the climax, one artist has to jump 
	nearly seven feet high to go through the fifth ring. One of the 
	artists' greatest challenges lies in gaining the height they 
	need. While they are used to performing this traditional 
	discipline with the help of a small trampoline, in this act they 
	have only a thin mat. 

	Read the final two at CirqueClub:
	< http://goo.gl/37Eg9 >


TOTEM Artists Performed at DC's Union Station
{Sep.12.2012}
----------------------------------------------
	TOTEM, which is currently performing in Washington, DC until 
	October 7, performed twice yesterday in the Main Hall of the DC 
	Union Station at noon and 1pm for the delight of more than 900 
	commuters! 

	Pavel Saprykin's Hand Balancing Act was featured on stage 
	accompanied musically by Charlie Dennard (Bandleader) and Esi 
	Acquaah-Harrison (Singer). Before each performance, our clowns 
	Pippo Crotti and Micha Usov as well as Ante Ursic (Tracker) and 
	Mark Freeman (Monkey) ran around the station and played with the 
	commuters to set up the mood for this sneak peek into the world 
	of TOTEM.

	Take a look at CirqueClub's exclusive gallery here and catch a 
	glimpse of the artists in action: < http://goo.gl/ln3r4 >


OVO Premieres in Sydney 
{Sep.17.2012}
----------------------------------------------
	On September 14, OVO held its premiere in Sydney. Let's see what 
	the audience had to say about the show:

	LINK /// < http://goo.gl/MKK1Z >


Cirque du Soleil Talks Culture, Creativity, 
and the Internet at Big Tent New York 
{Sep.20.2012}
----------------------------------------------
	Cirque du Soleil joined leading figures from entertainment, 
	media, technology and the arts to discuss the impact of the web 
	on creativity and culture, as part of the Google-hosted ‘Big 
	Tent’ New York event on September 19, 2012. 

	Speaking on behalf of Cirque du Soleil was Director of Creation 
	for Cirque du Soleil Images, Events and Lifestyles, Joanne 
	Fillion. 

	By nature of its live performances, Cirque du Soleil is 
	fundamentally human - it is based in the human body, and the 
	human heart. And so there is a perception that Cirque du Soleil 
	may be weary of technology because of this, yet "we are not 
	afraid of [it]; in fact it’s quite the opposite," says Joanne. 
	"Technology is a tool like any other tool. It depends on how we 
	use it; what we do with it." 

	"[Cirque du Soleil] has always been eager to develop new ways to 
	entertain people", notes Joanne, whether it be through stage 
	performances, television, film or even the web. And technology, 
	including the web, is playing a big role in upcoming experiences 
	such as a 3D movie and a sensory Chrome Experiment. 

	Joanne Fillion concluded her presentation by surprising guests 
	with a gift and red clown noses, and noted "many years ago, Guy 
	Laliberté (Cirque du Soleil founder and artistic guide) 
	expressed his dream that one day, everybody on the planet would 
	be wearing clown noses in celebration of all the beauty and 
	wonder in the world." 

	Learn more at CirqueClub:
	< http://goo.gl/60P5W >


---------------------------------------------------
 NETWORKING: Cirque on Facebook, YouTube & Twitter 
---------------------------------------------------

{Compiled by Keith Johnson}

---[ ALEGRIA ]---

{Sep.07}
	Special visit to celebrate Cirque du Soleil’s first visit in 
	Greece! - Syntagma Square.

	LINK /// < http://goo.gl/1v8ee >

{Sep.12}
	On Tuesday, September 11, a group of artists went to ELPIDA 
	(Hope) Oncological Hospital For Children.

	LINK /// < http://goo.gl/rxJYL >

{Sep.16}
	126 cities... 126 different venues! Here is a beautiful view of 
	what Alegria called home from the beginning of the Arena Tour in 
	Halifax up to now.

	LINK /// < http://goo.gl/aE9UE >

{Sep.22}
	Perfecting postures: Artistic Director Bruno Darmagnac working 
	with the Nymphs.

	LINK /// < http://goo.gl/3FH70 >
	LINK /// < http://goo.gl/OIEEG >

{Sep.23}
	"The Sun has risen in Istanbul". Incredible opening night 
	yesterday @ Ülker Sports Arena!

	LINK /// < http://goo.gl/1CEST >

{Sep.28}
	Don’t miss our special appearance on En Buyuk Show, Istanbul’s 
	great cabaret TV Show! The presentation was recorded yesterday 
	morning and includes Alegria Artists Ulziibuyan Mergen & Oyun-
	Erdene Senge (Contortion) as well as characters Andrey Kislitsin
	(Fleur), Alexander Mikhaylov (Old Nostalgic Bird) and Dmitry 
	Murashev (Tamir). Check your local listings for further 
	information! Istanbul: On Show TV @ 8pm - in Istanbul, Turkey.

	LINK /// < http://goo.gl/ntTKH >


---[ AMALUNA ]---

{Sep.04}
	Here is a great behind the scenes look at the Water Bowl Act 
	rehearsal. Are you ready for us Toronto?!

	LINK /// < http://goo.gl/KW6gw >

{Sep.08}
	Thank you Toronto for welcoming us with open arms! We had a 
	great premiere and are looking forward to spending some time in 
	this beautiful city! Here is a closer look at what our patrons 
	get to experience on a Cirque du Soleil Big Top premiere night.

	LINK /// < http://goo.gl/BNmdi >

{Sep.13}
	SPACE has just released an awesome behind-the-scenes video of 
	the show. What do you think?

	LINK /// < http://goo.gl/V5bah >

{Sep.18}
	Did you know that our Peacock Goddess' white dress is covered 
	with 6,500 Swarovski Crystals? Look how she shines!!

	LINK /// < http://goo.gl/yIQsR >

{Sep.19}
	Have you ever dreamed about joining the Circus, but think it’s 
	the impossible dream? Here is Amaluna's Acrobatic Coach Stacy 
	Clark talking about how she left her desk job in advertising to 
	pursue her own Circus dreams. Take chances and great things can 
	happen!

	LINK /// < http://goo.gl/t56bq >

{Sep.27}
	Some of our uneven bar artists, Amaluna's Amazons, doing their 
	make-up in preparation of tonight's show. Did you know the 
	performers do their own make-up?

	LINK /// < http://goo.gl/zWvM2 >


---[ CIRQUE DU SOLEIL ]---

{Sep.17}
	It was under a hot sun last week that employees from Cirque du 
	Soleil International Headquarters joined those of One Drop for 
	the 5th annual "Fund Sun Run". Together, they have raised 
	$48,603.75 in support of One Drop's Project Burkina Faso. BRAVO!  

	LINK /// < http://goo.gl/YlFCW >

{Sep.19}
	Today, Cirque du Soleil took part in Big Tent New York - a 
	conference exploring how media and the arts are impacted by the 
	web and technology. We left our mark by offering presenters and 
	guests a red clown nose!

	LINK /// < http://goo.gl/YlFCW >

{Sep.20}
	Have a look at pictures of the Moki.Kanti.Revo unveiling! Have 
	you tried the experiment yet? 

	LINK /// < http://goo.gl/El4Mb >


---[ CORTEO ]---

{Sep.06}
	Daniele Finzi Pasca and Corteo on Swiss TV last night
	LINK /// < http://goo.gl/mMHmQ >

{Sep.11}
	Pretty cool aerial picture of our Big Top and site in Zurich!
	LINK /// < http://goo.gl/eNsn5 >


{Sep.17}
	Did you know it took more than two weeks to paint each of the 
	Corteo's central curtains with watercolours? By the way, the 
	inspiration for the show’s curtains is an 1885 painting by 
	Parisian artist Adolphe Willette.

	LINK /// < http://goo.gl/iQalY >

{Sep.20}
	Cirque du Soleil artists training for a special live TV 
	appearance in Germany this Saturday on ARD ... stay tuned for 
	more news and performance link as of Sunday!

	LINK /// < http://goo.gl/OPhAx >

{Sep.23}
	Here's last night's Cirque du Soleil performance on ARD 
	(National TV - Germany). Enjoy! let us know what you think...
	
	LINK /// < http://goo.gl/YL8qc >

{Sep.25}
	Meet Sophie Guay and Alain Labrie, Corteo's singers, backstage 
	at Alain's dressing room.
	
	LINK /// < http://goo.gl/QxDwV >


---[ CRISS ANGEL BELIEVE ]---

{Sep.06}
	Do know which season of Criss Angel Mindfreak, in which Criss
	 laid on this bed of razor sharp nails while supporting one 
	quarter the weight of an H2 Hummer?

	LINK /// < http://goo.gl/Z8LVz >

{Sep.19}
	Hey loyals, CRISS ANGEL Believe made Travel Channel's list of 
	best magic shows in America! Check it out here: 

	LINK /// < http://cirk.me/PUiT3A >


---[ DRALION ]---

{Sep.06}
	Last night, a group from S.T.R.O.N.G. Youth met our aerialist 
	and crossed wheel performer. 

	LINK /// < http://goo.gl/9CzIG >

{Sep.07}
	Trivia question - On Saturday, September 8 at 7:30 PM, Dralion 
	will perform it's _________ Arena Show!  Answer: 600th

{Sep.12}
	Putting the last preparations to this week performances at the 
	Charleston Civic Center! Dralion is excited to play in 
	Charleston for the first time! Cheers!

	LINK /// < http://goo.gl/vTNvq >

{Sep.18}
	Trivia question: On load-in day, the Wardrobe team of Dralion 
	will do ______ loads of laundry? (Answer: 24)

{Sep.21}
	On Saturday, Sept. 22, we will be running the Dash for Dad - 
	Twin Cities supporting the One Drop foundation. We hope you can 
	pack your running shoes and join us!

	LINK /// < http://goo.gl/0qtIV >

{Sep.22}
	Getting ready for our run at Dash for Dads for One Drop 
	Foundation!

	LINK /// < http://goo.gl/BqA4X >

{Sep.24}
	We're off for tour break! Thank you to our 165 000 patrons that 
	attended the show in the past 10 weeks!  We are filled up with 
	energy and will see you in Boise, ID!

	LINK /// < http://goo.gl/2U7HJ >

{Sep.26}
	Our 18 semi-trucks have arrived at the Taco Bell Arena in Boise, 
	ID after a 23-hour drive from Minneapolis! Thanks to our amazing 
	truck drivers!

	LINK /// < http://goo.gl/fILCt >


---[ IRIS ]---

{Sep.13}
	Have you tried one of the new IRIS by Cirque du Soleil signature 
	drinks at the Dolby Theatre?

	LINK /// < http://goo.gl/t1vPu >

{Sep.21}
	Welcome to Hollywood, Endeavour!
	LINK /// < http://goo.gl/mKY6N >

{Sep.26}
	IRIS by Cirque du Soleil cast and crew celebrated our one year 
	anniversary, congratulations! 

	LINK /// < http://goo.gl/h8kXA >

{Sep.28}
	IRIS by Cirque du Soleil artists and street team stopped by the 
	Univision Los Angeles 50th Anniversary Celebration last night at 
	the Hollywood Roosevelt Hotel (pictured: IRIS street team)

	LINK /// < http://goo.gl/GRRAq >


---[ KOOZA ]---

{Sep.05}
	Guess how many flaps are used to create just one Charivari 
	costume?  Each army jacket had an average of 400 flaps!

	LINK /// < http://goo.gl/c8xwO >

{Sep.09}
	Thanks for the warm welcome, Houston! Time to continue our
	 Journey... next stop, Dallas!

	LINK /// < http://goo.gl/glGOE >

{Sep.13}
	The White Big Top is up now in a new downtown location in 
	Dallas! You will see complete the Cirque du Soleil village on 
	opening night, Sept. 19.

	LINK /// < http://goo.gl/pYoYK >

{Sep.16}
	Here is a sneak peak of inside the Big Top! The technicians and 
	site team are working hard for the artists arrival!

	LINK /// < http://goo.gl/FVx0Y >

{Sep.16}
	Over 2,500 chairs are being set up as we speak to welcome you!
	LINK /// < http://goo.gl/CRCmo >

{Sep.19}
	Private Preview has rolled into Dallas! Burgers are hot, soda is 
	cold and bellies are FULL! Backstage celebrations have begun!

	LINK /// < http://goo.gl/xKRU6 >

{Sep.19}
	Kooza is ready to receive the fine people of Texas!
	LINK /// < http://goo.gl/ikiCZ >

{Sep.19}
	Check out these yummy KOOZA cupcakes!
	LINK /// < http://goo.gl/g0sFW >

{Sep.27}
	Marion, the trapeze artist in KOOZA, shows off some moves and 
	teaches Fiona a few tricks.

	LINK /// < http://goo.gl/gZmzr >

{Sep.29}
	Did you see KOOZA shining on OMNI?
	LINK /// < http://goo.gl/Ijx9L >

{Sep.30}
	Preparing for special KOOZA performance at The Dallas Cowboys 
	stadium tomorrow night! Come and see us at the East Plaza!

	LINK /// < http://goo.gl/FDHlq >


---[ MJ IMMORTAL ]---

{Sep.07}
	Meet the beautiful Swans who perform a breathtaking aerial act 
	to "I Just Can't Stop Loving You".  Do you know where the 
	inspiration for their Swan characters came from?

	LINK /// < http://goo.gl/8N29p >

{Sep.10}
	Do you know how many costumes are featured in ONE performance? 
	Here are 15 full racks... but that's not all of them! And don't 
	forget about the shoes, hats/wigs, and gloves that go along with 
	every costume!

	LINK /// < http://goo.gl/YNPzC >

{Sep.18}
	Want to see how IMMORTAL Percussionist and Tap Dancers warm up 
	before a show? Check out the video below!

	LINK /// < http://goo.gl/cZrAo >

{Sep.25}
	Michael Jackson The IMMORTAL World Tour Contest Winners!
	LINK /// < http://goo.gl/ODSVt >

{Sep.25}
	Musical Director Greg Phillinganes talks about Michael Jackson 
	and the show! If you could ask him one thing about MJ IMMORTAL 
	what would it be?

	LINK /// < http://goo.gl/Eg2pB >


---[ MYSTERE ]---

{Sep.22}
	Earlier this month Yuka Okuda, a ZED superfan, caught a 
	performance of Mystère! Yuka watched ZED over 300 times, always 
	sat in the front row, and has gotten to know the artists from 
	that show a little bit. She was in town to watch other Cirque 
	shows and to see us former ZEDsters in our new roles!

	LINK /// < http://goo.gl/7zpOY >


---[ "O" ]---

{Sep.12}
	The Fire act incorporates ancient folklore and martial arts, 
	which invokes rituals from lands around the world.

	LINK /// < http://goo.gl/Tf6gn >


{Sep.19}
	Tune in tonight at 10PM ET/PT to Real Sports on HBO, as former 
	Olympian Christina Jones from "O" talks about the differences 
	between competing in the Olympics and performing for Cirque du 
	Soleil.

	LINK /// < http://goo.gl/NGtLs >


---[ OVO ]---

{Sep.05}
	Ever wondered how the elaborate and vivid costumes for OVO are
	made? Watch the video for a behind-the-scenes look! 

	LINK /// < http://cirk.me/NMKNQ4 >

{Sep.09}
	Have a look at this cool time laps video of the Big Top raising 
	in Sydney.Thanks to Moonen Creative Studios.

	LINK /// < http://vimeo.com/49000816 >

{Sep.12}
	Hey Sydney! The OVO Hot Air Balloon has arrived! Watch the sky 
	as it may fly over your head very soon!

	LINK /// < http://goo.gl/MH3jH >

{Sep.13}
	Watch this week's video for the making of the music behind OVO, 
	now touring in Australia! 

	LINK /// < http://goo.gl/jWnYV >

{Sep.19}
	Get an exclusive behind-the-scenes look into the intricate set 
	design of OVO, now performing in Australia! 

	LINK /// < http://goo.gl/zCwav >

{Sep.24}
	The OVO cast spent the whole day rehearsing for the Helpmann 
	Awards tonight. Don't miss the special performance tomorrow at 
	8:30pm on Fox Studio.

	LINK /// < http://goo.gl/bCP44 >

{Sep.25}
	Did you miss the Helpmann Awards? Here are some pictures on 
	stage and backstage of the OVO performance at the 2012 Helpmann 
	Awards, presented last Monday at the Sydney Opera House.

	LINK /// < http://goo.gl/XPmXl >

{Sep.28}
	Watch this amazing behind the scene video of our White Spider, 
	Svetlana Belova.

	LINK /// < http://vimeo.com/50043364 >


---[ QUIDAM ]---

{Sep.06}
	It was great having CVV Magazine during trainings on Wednesday - 
	check out the photos & interviews!

	LINK /// < http://goo.gl/vHpuj >
	LINK /// < http://youtu.be/IMdU3k3UBNc >

{Sep.07}
	Communication is key, even when there are no post-its around :)  
	The costume was fixed right on time for the show... Can you 
	guess for which Quidam act???

	LINK /// < http://goo.gl/9Cskp >

{Sep.12}
	A message from Daniel Lamarre to the QUIDAM fans: I am always 
	amazed and touched by how much you care about Cirque du Soleil. 
	Thank you for your comments. For those of you who have 
	experienced Quidam as your first Cirque du Soleil discovery, 
	please cherish and repeat the experience as many times as your 
	heart desires. I also read the many longtime fans messages. I 
	think we can all be proud that over the last 28 years we have 
	created 32 distinctive and unique productions that reflect the 
	creativity, passion and diversity of over 5000 employees who aim 
	at offering the best productions in the world. By being such 
	dedicated fans, you contribute in making our dream of creating 
	the best shows forever achievable!

{Sep.20}
	Debra Brown, original Quidam choreographer visited the tour last 
	week to work with the group acts.
	
	LINK /// < http://goo.gl/K70Q1 >

{Sep.22}
	Sound technician Mathieu learning how to climb safely to the 
	follow spot operators chairs. 

	LINK /// < http://goo.gl/CyMLc >


---[ SALTIMBANCO ]---

{Sep.12}
	Good Morning Pittsburgh! Be sure to tune into KDKA this morning 
	for a special interview with one of our performers, Corey 
	Hartung, who grew up in Pittsburgh!

	LINK /// < http://goo.gl/Q7c4v >

{Sep.18}
	Did you know there are over 250 custom-made shoes in the 
	Saltimbanco show? And the shoes worn by the artists in this 
	Chinese pole act, are repainted after every single performance!

{Sep.19}
	Almost ready for the Saltimbanco press conference! Tickets to
	the grand finale in Montreal (Dec. 19-30) go on sale to the 
	public this Saturday!! Excited?

	LINK /// < http://goo.gl/tXjCw >

{Sep.19}
	Take a look at our Artistic Guide, Gilles Sainte-Croix, relaxing 
	in our colourful Saltimbanco chair. 

	LINK /// < http://goo.gl/bLc0s >


---[ TOTEM ]---

{Sep.07}
	On September 5, a few characters and the Hand Balancer from 
	TOTEM invaded the DC Union Station for the delight of the 
	commuters! - at Union Station - Washington, DC.

	LINK /// < http://goo.gl/xPpLi >

{Sep.09}
	Did you know? The 120 cast & crew members of TOTEM come from 21 
	different countries and speak 11 languages! We all come together 
	to touch 2,600 audience members every night.

{Sep.13}
	Did you know? The images in the video projections of TOTEM have 
	been shot in various parts of the world including Scandinavia, 
	Argentina and Hawaii!

{Sep.15}
	Here is ourur singer, Christian Laveau, applying his make-up for 
	the 3 shows today at National Harbor near DC!

	LINK /// < http://goo.gl/5rezd >

{Sep.21}
	Meet the mastermind behind the costumes of TOTEM and learn about
	what inspired the designs!
	
	LINK /// < http://goo.gl/SMvFy >

{Sep.22}
	Eric Hernandez, Hoop Dancer, getting ready for show time at the 
	DC National Harbor!

	LINK /// < http://goo.gl/W6h6s >

{Sep.25}
	Did you know? 13 students are currently attending the TOTEM 
	school on site! Washington Post reports about their reality on 
	tour!

{Sep.26}
	DC News Channel 8 (ABC) will be live from the Big Top from noon 
	to 12:30pm!!

	LINK /// < http://goo.gl/QvkfB >

{Sep.27}
	TOTEM is performing until October 7 in DC! Our Roller Skaters 
	will be featured on the Mayi El Show this Sunday on Univision! 
	Last chance to hear from us on TV in Washington!

	LINK /// < http://goo.gl/Nadsk >

{Sep.29}
	For this week's make-up series Guilhem Cauchois, Trapeze 
	artist, getting ready for show time!

	LINK /// < http://goo.gl/DTF6d >


---[ VAREKAI ]---

{Sep.05}
	Another running mile stone for a group of the Varekai family - 
	11 non runners completed the Buenos Aires half marathon last 
	Sunday. Great job guys 

	LINK /// < http://goo.gl/iKpnQ >

{Sep.28}
	Varekai traveled to Lima, Peru for a press conference - A great 
	event with performances from the Icarian Games and Georgian 
	dance artists.

	LINK /// < http://goo.gl/JkMCJ >


---[ ZARKANA ]---

{Sep.20}
	We're on our way to ARIA Resort & Casino! Let us know if you see 
	us on the road!

	LINK /// < http://goo.gl/CLgDz >


---[ ZUMANITY ]---

{Sep.18}
	We're celebrating our 9th anniversary TONIGHT at New York - New 
	York Hotel & Casino Las Vegas! 

{Sep.26}
	Here's a gallery from Vegas Magazine from our anniversary party!
	LINK /// < http://goo.gl/LC1jA >



=======================================================================
COMPARTMENTS -- A PEEK BEHIND THE CURTAIN
=======================================================================
	
	o) DIDYAKNOW - Facts at a Glance about Cirque
	o) HISTORIA - Cirque Company History
	o) ODYSSEA - Cirque Tour History


---------------------------------
 DIDYAKNOW? - Facts About Cirque
---------------------------------

Here's a few facts about Zumanity, which celebrated 9 Years of
performances Tuesday, September 18th!

o) 136 yards of silk is required to make one of the large red capes. 
   Cirque rotates capes for the show and nine are always kept active. 
   That means more than 1,200 yards of silk is needed to keep the show 
   running at any given time.

o) 3,460 hand strung beads are used for ONE Dance Bead costume.

o) 23 different types of stones for a total of 3,316 stones are used 
   on the bra cubs for the La Muerte bra.

o) There are 1,269 light fixtures in the Zumanity theatre. The 
   lighting system is run off of a series of eight consoles. 

o) There are over a thousand seats in the Zumanity theater. 1,259 
   (sexy) seats to be exact.

o) There are 50 separate speakers.

o) There are 99 separate wigs and hairpieces in Zumanity.

o) There are more than 5,500 costume pieces worth over $6 million.

o) Roughly 250 pulleys are used in the Zumanity theatre.

o) Not a single seat in the Zumanity theater is further than 66-feet 
   from the thrust of the stage.

o) The water in the Zumanity Water Bowl is 99-degrees Fahrenheit so 
   the contortionsists' muscles stay warm and flexible throughout the 
   act. Consequently the water bowl girls have used more than 2500 
   pairs of nipple covers.

o) Zumanity artist Arslan Gusengadzhiev ("Dislocation") skivvies are 
   $1500 designer silk boxer shorts.

o) Zumanity's Gala Premiere (September 20th) party cost $1 million, 
   and was held on the rooftop of the New York-New York parking 
   garage.

o) 14 Roses, 10 Polaroid pictures, 4 Apples, 8 Bananas, 1 Flat of 
   strawberries, 1 Quart rice milk, 1/2 Pack of cigarettes and 2 
   Balloons go into the show each night.

o) Besides snakes (Adam and Yves - which are no longer in), Doves were 
   considered for use in the show.


------------------------------------
 HISTORIA: Cirque Company History
------------------------------------

* Oct.01.2002 -- La Nouba goes 2-tiered seating
* Oct.01.2003 -- Varekai Premium CD Released (CDS/Musique)
* Oct.01.2008 -- ZED Gala Premiere in Tokyo
* Oct.02.2007 -- Dralion celebrated its 3000th performance [Osaka, Japan]
* Oct.05.2010 -- Banana Shpeel’s Tour is Canceled
* Oct.07.2003 -- Region 01 DVD release: Alegría and Varekai
* Oct.09.1992 -- The Saltimbanco CD was released in US (RCA/Victor)
* Oct.09.2001 -- Region 01 DVD Release: Journey of Man (also VHS)
* Oct.09.2009 -- Guy Laliberté will make an announcement from space
		     concerning ONE DROP.
* Oct.11.1994 -- The Alegría CD released in US (RCA/Victor)
* Oct.12.2010 -- Viva Elvis CD Released (Planned)
* Oct.13.2009 -- ZED Album Released
* Oct.18.2005 -- KÀ CD released (CDS Musique)
* Oct.19.1998 -- "O" premiered at Bellagio, Las Vegas
* Oct.19.2004 -- "Tapis Rogue: Solarium" CD Released (CDS Musique)
* Oct.19.2008 -- Guy Laliberte awarded honorary doctorate by 
		     Université Laval in Quebec City, Quebec
* Oct.20.2003 -- "Cirque for Life" film even in Portlan, Oregon
* Oct.20.2007 -- Zumanity celebrated its 2000th performance
* Oct.20.2008 -- "All Together Now" Documentary screened in theaters
* Oct.21.2008 -- "All Together Now" Documentary released on DVD
* Oct.22.2003 -- Canadian premiere of Varekai on CBC
* Oct.26.1999 -- Dralion CD released in Canada (RCA/Victor)
* Oct.26.2001 -- New Musical Director "O" (John-Paul Gasparelli) 
* Oct.28.1997 -- Cirque Collection CD Released in Canada (RCA/Victor)
* Oct.29.2007 -- Guy Laliberte announces One Drop Foundation
* Oct.30.2001 -- Region 01 DVD Release:  Le Magie Continue, Saltimbanco,
		     Cirque Réinventé, and Baroque Odyssey. (Also on VHS)
* Oct.31.2008 -- BELIEVE gala premiere in Las Vegas
* Oct.xx.2001 -- CirqueClub premiered


------------------------------------
 ODYSSEA: Cirque Tour History
------------------------------------

* Oct.01.2008 -- Saltimbanco Arena opened Milwaukee, WI
* Oct.02.1987 -- Cirque Réinventé opened San Diego, CA
* Oct.02.1990 -- Cirque Réinventé opened Paris, FR
* Oct.02.2003 -- Alegría opened Portland, OR
* Oct.02.2003 -- Dralion opened Mexico City
* Oct.03.2007 -- Saltimbanco Arena opened Norfolk, VA
* Oct.04.2002 -- Dralion opened Sacramento, CA
* Oct.04.2012 -- Quidam Arena opened Honolulu, HI
* Oct.05.2000 -- Dralion opened Washington, DC
* Oct.05.2011 -- Alegría Arena opened Salzburg, AT
* Oct.05.2011 -- Quidam Arena opened Amherst, MA
* Oct.05.2011 -- Dralion Arena opened Birmingham, AL
* Oct.06.1994 -- Alegría opened Santa Monica, CA
* Oct.06.2010 -- Saltimbanco Arena opened Madrid, ES
* Oct.07.2004 -- Saltimbanco opened Rome, IT
* Oct.07.2009 -- Alegría Arena opened Pittsburgh, PA
* Oct.07.2010 -- Totem opened Amsterdam, NL
* Oct.08.1992 -- Saltimbanco opened Santa Monica, CA
* Oct.08.2008 -- Saltimbanco Arena opened Highland Hts, KY
* Oct.08.2009 -- Saltimbanco Arena opened Oslo, NO
* Oct.09.2001 -- Quidam opened Zurich, CH
* Oct.09.2010 -- Quidam opened Bogota, CO
* Oct.09.2010 -- Corteo opened Moscow, RU
* Oct.10.1990 -- Nouvelle Expérience opened Santa Monica
* Oct.10.2001 -- Alegría opened Adelaide, AU
* Oct.10.2002 -- Alegría opened Mexico City, MX
* Oct.10.2007 -- Saltimbanco Arena opened East Lansing, MI
* Oct.11.2007 -- Quidam opened Guadalajara, MX
* Oct.11.2011 -- Dralion Arena opened Gainesville, FL
* Oct.12.1995 -- Alegría opened Washington, DC
* Oct.12.2001 -- Saltimbanco opened Tokyo, JP
* Oct.12.2011 -- Alegría Arena opened Berlin, DE
* Oct.12.2011 -- Quidam Arena opened Pittsburgh, PA
* Oct.13.1998 -- Saltimbanco opened Ottawa, ON
* Oct.13.2005 -- Alegría opened Tokyo, JP
* Oct.13.2010 -- Saltimbanco Arena opened Lisbon, PT
* Oct.14.2009 -- Saltimbanco Arena opened Aalborg, DK
* Oct.14.2009 -- Alegría Arena opened Hershey, PA
* Oct.15.2004 -- Dralion opened Madrid, ES
* Oct.15.2008 -- Alegría opened Seoul, SKR
* Oct.15.2010 -- Alegría Arena opened Honolulu, HI
* Oct.15.2011 -- Saltimbanco Arena opened Ekaterinburg, RU
* Oct.16.2009 -- Koozå opened Santa Monica
* Oct.17.2007 -- Saltimbanco Arena opened Peoria, IL
* Oct.19.2006 -- Dralion opened Frankfurt, DE
* Oct.19.2007 -- Alegría opened Brasilia, ES
* Oct.19.2011 -- Alegría Arena opened Bremen, DE
* Oct.19.2011 -- Quidam Arena opened Milwaukee, WI
* Oct.19.2011 -- Dralion Arena opened San Juan, PR
* Oct.20.2010 -- Dralion Arena opened Trenton, NJ
* Oct.21.2009 -- Saltimbanco Arena opened Copenhagen, DK
* Oct.21.2009 -- Alegría Arena opened Reading, PA
* Oct.22.2003 -- Quidam opened Fukuoka, JP
* Oct.22.2009 -- Dralion opened Guadalajara, MX
* Oct.23.2008 -- Dralion opened Canberra, AU
* Oct.23.2009 -- Quidam opened Belo Hoizonte, BR
* Oct.23.2009 -- Varekai opened Moscow, RU
* Oct.24.2012 -- Dralion Arena opened Ontario, CA
* Oct.25.1988 -- Cirque Réinventé opened Montréal,QC
* Oct.25.1991 -- Nouvelle Expérience opened Washington
* Oct.25.2007 -- Varekai opened Antwerp, BE
* Oct.25.2012 -- Totem opened Atlanta, GA
* Oct.26.2000 -- Quidam opened Francfurt, DE
* Oct.26.2006 -- Saltimbanco opened Rio de Janiero, BR
* Oct.26.2006 -- Corteo opened Washington DC
* Oct.26.2011 -- Saltimbanco Arena opened Kazan, RU
* Oct.26.2011 -- Alegría Arena opened Cologne, DE
* Oct.27.2005 -- Quidam opened Hong Kong, CN
* Oct.27.2005 -- Varekai opened Charlotte, NC
* Oct.27.2006 -- Alegría opened Madrid, ES
* Oct.27.2010 -- Dralion Arena opened Buffalo, NY
* Oct.27.2011 -- Dralion Arena opened Santo Domingo, DO
* Oct.28.2011 -- Totem opened San Francisco, CA
* Oct.29.1987 -- Cirque Réinventé opened Santa Monica, CA
* Oct.29.1998 -- Quidam opened Atlanta, GA
* Oct.29.2005 -- Alegría opened Tokyo, JP
* Oct.30.2008 -- Saltimbanco Arena opened Honolulu, HI
* Oct.30.2008 -- Quidam opened Brussels, BE
* Oct.30.2008 -- Koozå opened Washington DC
* Oct.30.2012 -- Ovo opened Mexico City, MX
* Oct.31.2002 -- Saltimbanco opened Madrid, ES
* Oct.31.2008 -- Dralion opened Nagoya, JP
* Oct.31.2012 -- Dralion Arena opened Long Beach, CA


=======================================================================
FASCINATION! FEATURES
=======================================================================

	o) "KÀ-MIC KÀ-NVERSATION: An exclusive Q&A with Bill 
	   Rosemann, editor of the KÀ Comic Book"
	   By: Keith Johnson - Seattle, Washington (USA)

	o) "Zark Invades Las Vegas"
	   By: Ricky Russo - Atlanta, Georgia (USA)

	o) Movi.Kanti.Revo Technical Case Study
	   Part 1: "Building the 3D World"
	   By: Pete LePage, Developer Relations - Google



----------------------------------------------------------
"KÀ-MIC KÀ-NVERSATION: An exclusive Q&A with Bill 
Rosemann, editor of the KÀ Comic Book"
By: Keith Johnson - Seattle, Washington (USA)
----------------------------------------------------------

The KÀ by Cirque du Soleil #1 comic book is a new creative endeavor 
for Cirque, an attempt to expand its show properties into different 
mediums.  Following on their appearance at the 2011 San Diego Comic 
Con (where they performed the show’s vertigo-inducing battle scene on 
a local building wall), the comic takes the cinematic story and puts 
it into graphic form for 20 full-color pages.

KÀ by Cirque du Soleil #1 comes from the Custom Edition division of 
Marvel Comics (now owned by Disney).  Rather than just developing 
ideas generated inside Marvel, Custom Editions allows outside 
companies who wish to develop (and pay for) comic book projects that 
feature their products to contract with Marvel Custom Editions, which 
creates comic book content specific to the client company’s needs, 
sometimes including Marvel characters in the storylines.  As Mr. 
Rosemann explained in an enlightening article that can be found at 
< http://goo.gl/5NT7B >.

"Since the House of Ideas, like Wolverine, is the best there is at 
what we do, we often work with other companies to create stories and 
art in the Mighty Marvel Manner to help them connect in new and 
exciting ways with their audience. -  For Marvel, not only is custom 
publishing a strong revenue stream, but it also helps us introduce our 
characters and creators to a gigantic audience. The print and online 
exposure for many custom projects is often higher than the combined 
print runs of our top ten titles, while the distribution opportunities 
deliver them far outside traditional channels. Many readers' first 
Marvel experience is through custom comics, which is why - in addition 
to wanting to provide great stories for our partners - we're dedicated 
to making every custom comic as impressive and entertaining as our 
best books."

In this instance Marvel was paid by Cirque to create a 20-page comic 
book depicting the first 10 minutes of the show, with Cirque handling 
publicity and distribution. The talented artists include writer Bryan 
J.L. Glass, artist Wellinton Alves, colorist Jean-Francois Beaulieu 
and cover artist Michael Del Mundo.

Fascination! Newsletter had the exclusive opportunity to have an email 
conversation with Bill Rosemann, editor of the KÀ Comic, about its 
development.  Mr. Rosemann first started working for Marvel in 1993 at 
Marvel Age magazine, and later became known online as "Your Man @ 
Marvel."  He has been an editor at Marvel for the past six years.

--How did the KÀ comic project come about?

For a number of years now, our friends at Cirque du Soleil have aimed 
at extending their creative talent to other spheres of activity. It is 
within that context that Cirque approached Marvel for the creation of 
an all-new KÀ comic book. From there the creative excitement ignited, 
and months later we had our first comic!

Our adaptation is of the actual performance as seen on the KÀ stage in 
Las Vegas. In fact, it’s an adaptation of a specific performance that 
I was lucky enough to attend earlier in the year. Aside from the 
narration, we cannot add elements, but hopefully we can capture the 
essence of the passion and energy that the performers unleashed on 
that specific night.

The great people at Cirque worked hand-in-hand with us on every detail 
of every stage of the creative process. In fact, our wonderful friends 
at Cirque supplied an amazing amount of reference so that our creators 
could capture every nuance of the current artists, from their faces to 
their make-up to their costumes. From outline to page layouts to 
pencils to colors to lettering, we all scrutinized and discussed every 
line on every page.  

--What qualities of the comic artists made them a good fit for this 
project?

Writer Bryan J.L. Glass, artist Wellinton Alves, colorist Jean-
Francois Beaulieu and cover artist Michael Del Mundo each have 
theatrical instincts mixed with that Mighty Marvel Magic. They each 
deliver that perfect combination of drama, humor, passion and action 
that allow them to bring KÀ so perfectly to this new medium.

--How long does it take to create an issue?  Can you describe the 
steps in the process?

A traditional comic book takes approximately 6 to 8 weeks to go from 
idea to printed or digital form, but in this case we took the extra 
time we needed to get everything perfect. The steps in the process 
are: Discussing the story, casting the creators, writing the outline, 
writing the script, penciling the story and then inking, coloring and 
lettering each page. Also there was a similar process to create our 
beautiful cover by Michael Del Mundo. Throw in numerous stages of 
reviewing the content, requesting updates, then approving the final 
stages and-presto!-you have a comic book!

--What does a comic book "script" look like?  Is it like a movie 
script?

Yes, very much so. A comic book script breaks the action down page-by-
page, describing the single moment of action that occurs in each panel 
on the page. A comic book script also supplies the text (for example, 
dialogue or captions), so the artist knows both how much room to leave 
for this and also the emotions of the characters at that moment.

--The issue has no character dialog, only narration.  Can you talk 
about that as an artistic direction?

It was all part of our efforts to best adapt the actual performance. 
Since there was no dialogue spoken by the artists, we felt narrative 
captions would best supply the needed information and remain most true 
to the performance.

--How did the storm scene come to be chosen as the end of Issue One?

A determined Prince swept off to uncertainty... a valiant Princess 
clinging for her life to a sinking ship in storm-tossed waters... can 
you think of a better cliff-hanger?

--What has been the feedback you’ve received about the first issue?
So far, the reaction has been very positive, which I attribute to the 
great work of our creators!

--This comic is available for viewing online.  (At < 
http://goo.gl/JcBQS >)  It is how I read it, since the distribution of 
physical copies is pretty limited. That’s like giving the content away 
for free, though you can’t print it.  How has the digital age affected 
comic book production and distribution?  Has it had a creative impact?

Not only has digital distribution added to comic book readership-
bringing our stories to those without easy access to a library, 
bookstore or direct market comic shop--but it has also inspired us all 
to rethink how we tell comic book stories.

KÀ by Cirque du Soleil #1 is Cirque’s first foray into the comic book 
world.  We don’t know how successful it’s been, but this might be 
telling - It has not yet been decided whether it was successful enough 
to merit paying for production of issue #2.  Or how many issues it 
will take to tell the complete KÀ story.

Additional Resources...

	o) An excellent overview of what Marvel Custom Editions does:
	   < http://goo.gl/5NT7B > 

	o) Here Mr. Rosemann goes into detail about his job as an 
	   editor at Marvel: < http://goo.gl/zRGlc > 

My sincere thanks go to: Mr. Rosemann for so graciously taking time to 
answer our questions, Chantal Côte, Corporate PR Manager.



----------------------------------------------------------
"Zark Invades Las Vegas"
By: Ricky Russo - Atlanta, Georgia (USA)
----------------------------------------------------------

After planting the first of many flowers in the desert surrounding Las 
Vegas, Cirque du Soleil worked diligently to expand their empire 
beyond that gambling Mecca by attempting resident shows in cities like 
Orlando, London, Tokyo, Miami, Singapore, New York City, and Shanghai. 
Although many of those ideas failed to materialize, Cirque did manage 
to break into both the Asian market (with 2008’s ZAIA in Macau and 
2008’s ZED in Tokyo) and the New York City market, by forming a 
partnership with Madison Square Garden Entertainment (MSG), as 
announced on November 20, 2006. That first New York City show, 2007’s 
Wintuk, went on to garner a certain level of success for Cirque before 
its final season, which led to further discussions between the two. 

On April 29, 2009, the New York Times ran a story reporting that 
Cirque and MSG had come to an agreement on Cirque’s future in the 
City: "In February 2010, Cirque plans to bring a new show to the 
Beacon Theater in Manhattan for a multiple-month run that it hopes 
will become an annual institution. And in 2011 Cirque is to establish 
a four-month summer extravaganza in Radio City Music Hall as a warm-
weather counterweight to the ‘Christmas Spectacular’ - sans Rockettes, 
but populated with acrobats and clowns. These will be in addition to 
the company’s touring tent productions."

The February 2010 production became the ill-fated BANANA SHPEEL, of 
course. The 2011 production became ZARKANA. With ZARKANA now poised to 
enter the Las Vegas market permanently - and begin the next phase of 
its existence - we thought it would be interesting to trace its brief 
history, similar to recent efforts with LOVE, Viva Elvis, Dralion and 
Saltimbanco.


SUMMER EXTRAVAGANZA?
--------------------

Rumors regarding the show’s director began to crop up not long after 
the initial announcement, settling early on with François Girard who 
had just come off of a hugely successful opening of Cirque du Soleil’s 
ZED in Tokyo. But would he do it? 

When we next heard from Cirque and MSG (on September 14, 2010) he was 
confirmed to direct. On October 26, 2010 Cirque du Soleil trademarked 
the name ZARKANA and by November 9, 2010, announced it and the show’s 
theme to the world:

Zarkana - one part acrobatics and one part rock opera with a penchant 
for the macabre - is a visual vortex set in a slightly twisted musical 
and acrobatic fantasy universe where, little by little, chaos and 
craziness give way to festivity and love regained.

The story follows Zark, a magician who has lost his love and, with 
her, his powers. As he cries and begs for her return he is plunged 
into a world (inhabited by surreal creatures and populated by a motley 
collection of off-the-wall characters and incomparable acrobats. His 
friends, the White Clowns, come out of hiding to try and help him put 
together a show, but nothing works the way he wants: His magic powers 
are out of control because Lia, Zark's assistant, is missing. Without 
her, there can be no magic - she is the love of his life!

But also within the theater are the Mutants, four sirens as sinister 
as they are fabulous - The Pickled Lady, Mandragora, Kundalini and 
Tarantula - and they are determined to seduce him, diverting him from 
his quest.

In the lyrical, fantastic world of Zarkana, the setting - an abandoned 
theatre where Zark once found success several years earlier - is a 
character in its own right. The walls breathe, move and sing. The main 
set elements consist of three sweeping arches - all sculpted by hand - 
representing three of the four mutants who try to divert the magician 
Zark from his quest.

The first arch represents Kundalini the Snake Lady, whose world is 
populated by dozens of slithering snakes. It’s the largest of the 
three arches and is decorated with more than 150ft of hand painted 
resin "snakes" which started out as Styrofoam sculptures that were 
used to create molds for the liquid resin. The second arch, which also 
serves as a video screen, harbors Mandragora, a plant-like creature 
that comes to life with "arms" extending out like scissors nearly 100 
feet. The third represents the Pickled Lady, a video-based creature 
with six arms who lives in a large pickle jar.

The overall aesthetics were inspired by the Art Nouveau movement of 
the last century, as well as the works of Gaudí and Klimt, while many 
of the organic shapes in the set elements are a nod to the master 
French glassmaker and jeweler René Lalique. Upon this setting a number 
of acrobatic feats are staged, they are: Juggling, Ladder Trio, Rope 
Duet, Flags, Russian Bar, High Wire, Cyr Wheel & Cerceaux in the first 
half; Sand Painting, Flying Trapeze, Wheel of Death, Hand Balancing, 
and Banquine in the second. Here’s a more detailed look using some 
materials directly from Cirque du Soleil:

Juggling -- While the White Clowns keeps the beat and the whole 
theatre comes to life, a juggler tosses balls in the air and bounces 
them off the ground and a variety of surfaces to create sounds - which 
she even accompanies with tap-dancing steps!

Ladder Trio -- A cry rings out: Sleepy Child is imprisoned on her 
perch. The White Clowns, aided by three ladder specialists with a 
confusing mastery of balance, come to her rescue. But it’s too late... 
Sleepy Child turns into the Pickled Lady in front of our eyes!

Rope Duet -- Two artists perform a graceful duet of fantastic moves on 
Spanish Ropes whilst Mandragora sings from the top of the arch to 
attract Zark’s attention, in order to snatch him away from Lia.

Flags -- Witnessing Zark’s distress, the Latin Lovers juggle 
flamboyantly colored flags and toss them high in the air in an attempt 
to attract Lia’s attention and signal to her that her lover has 
returned.

Russian Bar -- The White Clowns come charging back on stage while the 
Russian Bar performers show off their skills. Projected high into the 
air from a single bar supported on the shoulders of powerful porters, 
the vaulters perform complex acrobatic movements with multiple 
somersaults and twists before landing back on the bar to spring into 
their next takeoff.

High Wire -- While Kundalini sings, accompanied by a chorus of fire-
breathers, a quartet of high wire artists - with amazing balance and 
precision - move at high speed on their wire, running, performing 
breathtaking somersaults and creating column formations. Sometimes 
perched on a pole held by two partners, sometimes skipping or dancing 
on one foot, the tightrope walkers execute their routines one by one.

Cyr Wheels and Cerceaux -- Pokus is being chased through a strange 
world by the extraterrestrial Jovians! Seven artists perform a group 
number on Cyr wheels while others hang in the air, twisting and 
turning through hoops to create a dizzying tableau that fills the 
stage.

Sand Painting -- The Oracle, a character played by an accomplished 
sand painter, summarizes the events of the first half of the show in 
beautiful artistic pictures, and gives a brief preview of the story 
that is about to unfold next through her art of manipulating sand.

Flying Trapeze -- When Tarantula appears in the middle of her enormous 
web, clowns emerge from cocoons to invade it. Acrobats launch 
themselves off platforms in acrobatic flight formations and are then 
caught by the skillful hands of the porters. This unique number with a 
classical aesthetic involves 12 performers in three aligned corridors, 
allowing simultaneous criss-crossing flights to create an incredible 
visual effect.

Wheel of Death -- The Mad Scientist wants to test his quantum machine, 
but his experiment will yield unexpected results. Two Wheel of Death 
artists, one of them wearing a full head mask at one point, leap into 
action on their apparatus to perform jumps with amazing speed, control 
and teamwork. The wheel at the front of the stage is powered solely by 
their physical strength.

Hand Balancing -- In a moment of poetry and grace, an artist performs 
a series of elegant figures, seemingly effortlessly transferring his 
weight from one arm to another as he smoothly twists and swirls on a 
slippery surface.

Banquine -- In a number that showcases the amazing agility of the 
human body, 15 artists perform acrobatics and create human pyramids in 
a spectacular sequence of perfectly synchronized aerial crossovers.

Zarkana would go on to have its official press release on May 24, 
2011, begin preview performances on June 9th and end its fantastic run 
in New York City on September 4, 2011, but before the curtain fell for 
the show’s inaugural run in the city, Cirque du Soleil already had a 
plan in place for its next stop...


ZARKANA AT THE KREMLIN?
-----------------------

When Cirque announced on December 2, 2008 its intention to expand into 
the Russian market, fans wondered what that might mean for the company 
and its future productions. The press release regarding the Russian 
expansion mentioned that Cirque was looking at developing many forms 
of entertainment in the Russian Federation, which could include "big 
top and arena touring shows, special events, media partnerships and 
eventually a permanent show."

	"We are excited about the Russian market." said Daniel Lamarre, 
	President and CEO of Cirque du Soleil. "Russians are some of the 
	world's most sophisticated cultural citizens. The opportunities 
	are limitless to create and provide high quality entertainment 
	throughout Russia. We are seeing a bold cultural renaissance in 
	Russia and we are committed to helping take this renaissance to 
	the next level. From small and intimate special events to multi-
	million dollar permanent shows, we are interested in finding 
	ways to bring world class entertainment to many Russians."

Cirque du Soleil partnered with George and Craig Cohon to create 
Cirque du Soleil Rus., a Russian LLC company having exclusive rights 
to the Russian territory. George is the Founder of McDonald's in 
Canada and Russia and Craig built Coca-Cola's first operations in 
Russia in the early 1990s. Cirque du Soleil Rus is a Russian Company 
and will be lead by Russians for Russians. 

	"We see a fantastic opportunity to partner with many 
	organizations throughout Russia." said George. "Cirque is an 
	international company that just happens to be headquartered in 
	Canada. The international appeal of this one-of-kind brand is 
	sensational. It is at the forefront of the entertainment scene 
	and building the business with Russians in Russia will help take 
	Cirque du Soleil to the next level." 

	Gilles Ste-Croix, Senior Vice-President of Creative Content at 
	Cirque du Soleil explained: "We began working with the artistic 
	and circus community of Russia as early as 1989. At that time we 
	were just a very young company and we had just one production 
	touring in North America only and we were creating a new 
	production for 1990. We had noticed the great talent of both 
	acrobatic and circus artists from Russia at a festival in Paris 
	and we wanted to integrate and show case this unique talent in 
	our upcoming show. That is how it all began. Today, we have 400 
	artists from Russia and many others contributing throughout the 
	company."

The company’s first step was to bring Varekai to Moscow in 2009, which 
premiered to great fanfare. Cirque du Soleil followed up Varekai’s 
visit with Corteo in 2010 and Saltimbanco in 2011. Zarkana, which 
would play in New York City for only a few months out of the year, 
needed other cities to visit, and Moscow in early 2012 seemed the most
logical choice.

On February 11, 2011, Cirque du Soleil Rus and Kremlin Palace 
announced the arrival of Zarkana for February 2012:

	"Creating this brand new show Cirque du Soleil has taken an 
	unprecedented move to design its full magnitude to suit only two 
	venues in the world - Radio City Music Hall in New York and 
	Kremlin Palace in Moscow", - said Craig Cohon, Vice-Chairman 
	Cirque du Soleil Rus. "The creative thinking of Cirque du Soleil 
	to embody in the scale of this production together with the 
	significance of the theater will make this a cultural event for 
	entire Russia and beyond".

	According to Petr Shabolatay, General Director and Art Director, 
	the State Kremlin Palace, "Kremlin palace always aimed at 
	sustaining the European level of performance at its stage. 
	Partnership with Cirque du Soleil perfectly fits into this 
	pattern and makes us impatient for the Zarkana performance".

Zarkana would also visit Spain (November 12 to December 31, 2011) 
before its Moscow engagement (February 4 to April 8, 2012); however, 
following its return to New York City (June 6 to September 2, 2012), 
Zarkana would chart a new path...


VIVA LAS VEGAS?
---------------

On November 24, 2011, shocking news from the Las Vegas Sun 
reverberated throughout the Cirque du Soleil community: Citing poor 
ticket sales, MGM Resorts International was exercising its three-year 
contract clause and asked Cirque to replace Viva Elvis at Aria by the 
end of 2012. "As attendance levels have not been meeting expectations, 
we have asked our partners at Cirque du Soleil to replace the show," a 
company statement said. "We will work closely with Cirque as we 
explore future entertainment options." This was the first time that 
Cirque, which has come to dominate the big-production showrooms on the 
Strip, had been asked to close a show since arriving in Las Vegas in 
1993 with "Mystere", but it would not be the only show the company had 
been asked to close.

Four months later, on March 7, 2012, Cirque du Soleil and MGM Resorts 
International announced - citing that with more than 1.2 million 
guests being awed by the show and it being touted by the press as 
"Aah-Inspiring" (The New York Times) and "Truly spectacular, awe-
inspiring, gorgeous and stunning" (New York Post) - they had found 
their replacement for Viva Elvis: ZARKANA.

	"Zarkana is a production of the perfect size and scope for the 
	beautiful theater at ARIA. With a high level of acrobatic 
	performance, the show has garnered public appeal around the 
	world. We are pleased that visitors to Las Vegas will be able to 
	experience the show and feel that Zarkana is a perfect 
	complement to the portfolio of Cirque du Soleil shows on The 
	Strip," says Cirque du Soleil President and CEO Daniel Lamarre.

	Bill McBeath, ARIA’s President and COO, said, "We look forward 
	to welcoming the cast and crew of Zarkana later this year. We’re 
	certain they will love their new home and we’re equally certain 
	that audiences from around the world will be wowed by this 
	incredible production."

But why Zarkana? Mike Weatherford of the Las Vegas Review-Journal found out:

	"We have the luxury today with ‘Zarkana’ to bring a sure bet," 
	said Daniel Lamarre, Cirque’s President and Chief Executive 
	Officer. "We know this show is working, we know this show is 
	successful and we owe it to our partner to bring a sure bet. 
	People are not going to compare it to (the other [Las Vegas] 
	shows)," Lamarre added. "I guess that was the first criteria."

	"Zarkana" was chosen over "Zed," which Cirque had to close in 
	Tokyo because of the ravaged tourist economy, or the third 
	option of creating a new show from scratch. "Zed" was deemed "a 
	little bit too traditional and not distinctive enough for this 
	market," Lamarre said. "Zarkana" uses video more prominently 
	than most Cirque productions and is a love story framed around 
	English-language songs by Nick Littlemore.

	Beyond that, when CityCenter CEO Bobby Baldwin saw it in New 
	York, "he was probably ready to start talking contract by 
	intermission," MGM Mirage spokesman Alan Feldman said Wednesday, 
	the day after the board of directors signed off on the deal. 

Elvis sang his rock-and-roll farewell on August 18, 2012. The first 
preview performances of ZARKANA are slated to begin November 1, 2012 
with a gala premiere on November 15, 2012, but what we’ll see in Vegas 
is a slightly different show. Sachi Fujimori from NewJersey.com 
described the changes:

	The revamped version of the high-flying rock opera is sung 
	entirely in "Cirquish," the imaginary language of Cirque du 
	Soleil. After the show debuted in English last year, producers 
	realized that their tale of a magician searching for his lost 
	love was better told in their peculiar patois. "There's a 
	freedom in an invented language," said art director Ann-Marie 
	Corbeil. "It lightens the show so much. It brought it much 
	better life and optimism."

	The second change is in timing. The new version is an 
	uninterrupted 90-minute thrill ride, as if a circus from Mars 
	and Tim Burton's dreams were shaken together in a snow globe. 
	Removing the intermission, said Corbeil, allows audiences to get 
	lost in the story more easily. "You can go into that adventure 
	non-stop, and when it's done you can say, 'I was really brought 
	somewhere else,' " she said.

"No intermission is mostly driven by business," said Francois Girard, 
the show’s director, in an interview with the Wall Street Journal. "I 
like the no intermission version. It’s high energy theater, you don’t 
want your audience to stop and eat popcorn because the energy gets 
lost. Some artists have been replaced and there’s normal, natural 
improvement. You’ll see a tighter show, a better show."

Will Zarkana be successful at ARIA? 

The adventure continues...



----------------------------------------------------------
Movi.Kanti.Revo Technical Case Study
Part 1: "Building the 3D World"
By: Pete LePage, Developer Relations - Google
----------------------------------------------------------

Movi.Kanti.Revo is a new sensory Chrome experiment crafted by Cirque 
du Soleil and developed by Subatomic Systems that brings the wonder of 
Cirque du Soleil to the web through modern web technologies. 

The experiment was created using just HTML5, and the environment is 
built entirely with markup and CSS. Like set pieces on stage, divs, 
imgs, small videos and other elements are positioned in a 3D space 
using CSS. Using the new getUserMedia API enabled a whole new way of 
interacting with the experiment, instead of using the keyboard or 
mouse, a JavaScript facial detection library tracks your head and 
moves the environment along with you. 

This is the first in a series of articles that covers how this Chrome 
Experiment was built. Each one will focus on a different piece of 
technology and explain how it was used to create this immersive 
experience: Building the 3D world ( http://goo.gl/sBucR ) | Changing 
Perspectives (Coming Soon) | getUserMedia As A Navigation Technique 
(Coming Soon) | Building Assets & Video Optimization (Coming Soon) | 
Optimizing for Mobile (Coming Soon) | Performance Optimizations 
(Coming Soon) 


PART 1:  BUILDING THE 3D WORLD
==============================

All the Web's a Stage
---------------------

To build this experiment, it's best to imagine the browser as a stage, 
and the elements like <div>s, images, videos and other elements as set 
pieces positioned in 3D space using CSS. Each element, or set piece is 
positioned on the stage by applying a 3D transform. If you're 
unfamiliar with the translate3d transform, it takes 3 parameters, X, Y 
and Z. X moves the element along a horizontal line, Y moves the 
element up and down, and Z moves the element closer or further away. 
For example, applying a transform: translate3d(100px, -200px, 300px) 
will move the element 100 pixels to the right, 200 pixels down and 300 
pixels closer towards the viewer. 

Building the Auditorium
-----------------------

Let's take a look at the last scene and to see how it’s put together.
(http://www.movikantirevo.com/#sea,)  All scenes are broken down into 
three primary containers, the world container, a perspective container 
and the stage. The world container effectively setups up the viewers 
camera, and uses the CSS perspective property to tell the browser 
where the viewer will be looking at the element from. The 
#perspective-container is used to change our perspective by applying 
3D transforms to it. Finally, the stage contains the actual set pieces 
that will be visible on screen. 

<div id="world-container">
  <div id="perspective-container">
    <div id="stage">
    </div>
  </div>
</div>


#world-container {
  perspective: 700px;
  overflow: hidden;
}

#perspective-container {
  +transform-style: preserve-3d;
  +transform-origin: center center;
  +perspective-origin: center center;
  +transform: translate3d(0, 0, 0) rotateX(0deg) rotateY(0deg) 
rotateZ(0deg);
}


Visualizing the Stage
---------------------

Within the stage, there are seven elements in the final scene. Moving 
from back to front, they include the sky background, a fog layer, the 
doors, the water, reflections, an additional fog layer, and finally 
the cliffs in front. Each item is placed on stage with a transform: 
translate3d(x, y, z) CSS property that indicates where it fits in 3D 
space. We used the z value in a similar way that we'd use z-index, but 
with the translate3d property, we can also provide a unit with the 
value. 

Figure 1: The stage from the side: 
< http://goo.gl/syhqw >

Figure 1 shows the scene zoomed out and rotated almost 90 degrees so 
that you can visualize the way each of the different set pieces are 
placed within the stage. At the back (furthest to the left), you can 
see the background, fog, doors, water and finally the cliffs. 


Placing the Background on Stage
-------------------------------

Let's start with the background image. Since it's the furthest back, 
we applied a -990px transform on the Z-axis to push it back in our 
perspective (see Figure 2). 
 
Figure 2: The stage, with only the background placed at -990px 
< http://goo.gl/Qs7St >

As it moves back in space, physics demands that it gets smaller, so it 
needs to be resized via a scale(3.3) property to fit the viewport and 
aligned the top edge with the top of the viewport with a translate3d 
on the y-axis (see Figure 3). 

.background {
  width: 1280px;
  height: 800px;
  top: 0px;
  background-image: url(stars.png);
  +transform: translate3d(0, 786px, -990px) scale(3.3);
}
 
Figure 3: The stage, with only the background positioned and scaled:
< http://goo.gl/dK6bj >

The fog, doors, and the cliffs in the same way, each by applying a 
translate3d with an appropriate z position and scale factor (see 
Figure 4). Notice how the fog is stacked behind the doors, and behind 
the cliffs. 
 
Figure 4: The stage, with fog, doors and cliff positioned & scaled:
< http://goo.gl/OiUne >
 

Adding the Sea
--------------

To create as realistic an environment as possible, we knew we couldn't 
simply put the water on a vertical plane, it's typically doesn't exist 
that way in the real world. In addition to applying the translate3d to 
position the water on stage, we also apply an x-axis (horizontal) 
rotation of 60 degrees (rotateX(60deg)) to make it appear flat and 
textured. A similar rotation was added to the door reflection and 
secondary fog to make it appear in the correct plane (see Figure 5). 

.sea {
  bottom: 120px;
  background-image: url(sea2.png);
  width: 1280px;
  height: 283px;
  +transform: translate3d(-100px, 225px, -30px) scale(2.3) rotateX(60deg);
}
 
Figure 5: The stage, with everything positioned & scaled:
< http://goo.gl/fHZ65 >

Each scene was built in a similar fashion, elements were visualized 
within the 3D space of a stage, and an appropriate transform was 
applied to each. 


Changing Perspective
--------------------

In the next article, we're going to cover perspective in more depth, 
but to whet your appetite, open Figure 5, and use the Chrome Developer 
Tools to try playing with the transform3d and rotateX, rotateY and 
rotateZ properties on the #perspective-container. Try changing each of 
the values independently and see how they change the view. 

Further Reading
---------------

o) 3D and CSS:
   < http://www.html5rocks.com/en/tutorials/3d/css/ >

o) Adventures in the Third Dimension: CSS 3D Transforms:
   < http://goo.gl/EkOUf >

o) Intro to CSS 3D Transforms:
   < http://desandro.github.com/3dtransforms/ >

o) MDN: Using CSS Transforms:
   < http://goo.gl/3altl >

This article is reproduced from work created and shared by Google and 
used according to terms described in the Creative Commons 3.0 
Attribution License.


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=======================================================================
COPYRIGHT AND DISCLAIMER
=======================================================================

Fascination! Newsletter
Volume 12, Number 10 (Issue #105) - October 2012

"Fascination! Newsletter" is a concept by Ricky Russo. Copyright (c) 
2001-2012 Ricky Russo, published by Vortex/RGR Productions, a 
subsidiary of Communicore Enterprises. No portion of this newsletter 
can be reproduced, published in any form or forum, quoted or 
translated without the consent of the "Fascination! 
Newsletter." By sending us correspondence, you give us permission 
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Newsletter." "Fascination! Newsletter" is not affiliated in any way 
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Copyright (c) and are registered trademarks (TM) of Cirque du Soleil, 
Inc., and Créations Méandres, Inc. All Rights Reserved. No copyright 
infringement intended.

{ Oct.03.2012 }

=======================================================================