======================================================================= ______ _ __ _ __ / ____/___ ___________(_)___ ____ _/ /_(_)___ ____ / / / /_ / __ `/ ___/ ___/ / __ \/ __ `/ __/ / __ \/ __ \/ / / __/ / /_/ (__ ) /__ / / / / /_/ / /_/ / /_/ / / / /_/ /_/ \__,_/____/\___/_/_/ /_/\__,_/\__/_/\____/_/ /_(_) T h e U n o f f i c i a l C i r q u e d u S o l e i l N e w s l e t t e r ------------------------------------------------------------ E X P A N D E D I S S U E ------------------------------------------------------------ ======================================================================= Issue #38e "Epouta quoi la séisouso" October 2004 ======================================================================= We're off and running again! Last month we salivated over the press release announcing KÀ, Cirque du Soleil's newest permanent production to be staged at the MGM Grand Casino/Hotel in Las Vegas, and this month we slaver over yet another. Love the idea or hate it, we at Fascination! are surprised to learn that the rumored Beatles production for the Sigfried & Roy theater at the Mirage Casino/Hotel (also in Las Vegas) has been green-lit. This will mean and unprecedented five Cirque du Soleil shows will be housed on the infamous Las Vegas Strip. They are: Mystère (1993, Treasure Island), "O" (1998, Bellagio), Zumanity (2003, NY-NY), KÀ (2005, MGM Grand) and "Unnamed" Beatles Show (2006, Mirage). A press release by Cirque is featured in our news section this month containing further information about this newest production (its working title is "The Boys",) and more! So, without further delay, let's get started! We hope you enjoy this issue of Fascination! /// EXPANDED ISSUE: There's plenty to see in this issue. First, in CIRQUE BUZZ, we have an expanded news brief on newly filmed airport "infomercials" designed to remind travelers about rules and regs of at security checkpoints, which now feature Cirque characters. ("Cirque Helps You Be Secure"). And secondly, five expanded items in the LA PRESS section this month - two about KA, two about the upcoming Beatles project at the Mirage, and the lesson plans for SOLSTROM - Cirque's variety series that was appearing on Bravo TV Network at the time. /// - Ricky =========== CONTENTS =========== * Cirque Buzz -- News, Rumours & Sightings * CRQ-TV -- Cirque on Television * CRQ.NET -- This Month in Cirque Club * LA PRESSE -- Cirque in the Press * Itinéraire -- Tour/Show Information * Didyaknow? -- Facts About Cirque * Le Spectacle: "A Day at the Circus: Les journées de la culture at TOHU" By: Wayne Leung - Ottawa, Ontario (Canada) * Le Spectateur: "KÀ -- Duality in Motion, a Personal Q&A" By: Ricky Russo - Orlando, Florida (USA) * Behind the Curtain: "I Hear a Young Minstrel Sing: The Launch of the Cirque du Soleil Musique Record Label" By: Wayne Leung - Ottawa, Ontario (Canada) * Parting Quote * Subscription Information * Copyright & Disclaimer ======================================================================= CIRQUE BUZZ -- NEWS, RUMOURS & SIGHTINGS ======================================================================= Cirque & The Beatles at the Mirage ---------------------------------- In the words of Cirque du Soleil founder Guy Laliberté: "We want to bring the magic of Cirque du Soleil together with the spirit and passion behind the most beloved rock band of all time to create a single, simple statement of delight." Cirque du Soleil, Apple Corps Ltd. and The Mirage announce a partnership in which they will celebrate the musical legacy and extraordinary experience of The Beatles in an unprecedented live theatre production opening in 2006. This joint artistic venture marks the first time that The Beatles' company, Apple Corps, has agreed to a major theatrical partnership. The production will be Cirque du Soleil's fifth resident show in Las Vegas and will be presented at The Mirage, the resort that changed the face of Las Vegas when it opened in 1989. The project was born out of a personal friendship and professional admiration between the late George Harrison and Cirque du Soleil founder Guy Laliberté. "This show is about living The Beatles experience," said Guy Laliberté. "We want to bring the magic of Cirque du Soleil together with the spirit and passion behind the most beloved rock band of all time to create a single, simple statement of delight." Neil Aspinall, Managing Director of Apple Corps, said, "In the past The Beatles have been approached with theatrical proposals which never promised much beyond a traditional presentation. However, in Cirque du Soleil, Apple is fortunate to have found a creative partner with the same passion for innovation and excellence." Robert H. Baldwin, President and CEO of Mirage Resorts, said, "This partnership builds on the solid relationship that already exists between MGM MIRAGE and Cirque du Soleil. We too are thrilled that the union between two premier entertainment icons, The Beatles and Cirque, will come together at The Mirage." Gilles Ste-Croix, Vice President of Creation and New Project Development at Cirque du Soleil, revealed key members of the artistic team will include Cirque du Soleil writer-director Dominic Champagne and The Beatles producer Sir George Martin. Sir George, who will oversee the music element of the show, said today, "After spending more than 40 years of my life working with The Beatles and their wonderful music, I am thrilled to be working with them once again, on this exciting project with Cirque du Soleil. The show will be a unique and magical experience." While the project has the approval of Sir Paul McCartney, Ringo Starr, Yoko Ono and Olivia Harrison, Paul and Ringo will not appear in the production. "It is a fantastic project for us and I personally am excited to collaborate with such a great creative team," Paul McCartney said. "How excited can I get -- The Beatles, Cirque du Soleil, an incredible venue in Las Vegas - what could be better," said Ringo. "I'm looking forward to the first show 'cause I'm going to be there and I hope you are too." "The Beatles and Cirque. I think it's a great combination: The Beatles' agile mind and Cirque's agile body," said Yoko Ono. "George and Guy shared the same vision. They planned to utilize the extraordinary creativity of the Beatles and Cirque du Soleil to produce an uplifting moment in time. We are all very happy to see this project come to fruition," said Olivia Harrison. Additional details of the content of the show, which aims to revisit the excitement of the remarkable era when Beatlemania ignited the world, are in creative incubation. [Source: Cirque du Soleil Press Release Reprint] Le Best Of... Now Available! ---------------------------- It's been rumored for months; Cirque du Soleil Musique has finally released Le Best of Cirque du Soleil, the 20th Anniversary compilation album. "Le Best Of consists of the better musical moments of Cirque du Soleil that have enchanted and enthralled audiences around the world. This compilation features 12 songs from the successful soundtracks of eight Cirque du Soleil shows that are still active / touring somewhere around the world!" The songs featured are: 01. Egypte (Mystère) 02. Alegría (Alegría) 03. Pokinoi (Saltimbanco) 04. Querer (Alegría) 05. Kumbalawe (Saltimbanco) 06. Ombra (Dralion) 07. Reveil (Quidam) 08. Nostalgie ("O") 09. Vocea (Varekai) 10. Stella Errans (Dralion) 11. Gamelan ("O") 12. Liama (La Nouba) Le Best Of Cirque du Soleil is now available online through Cirque's online boutique and has been spotted at the La Nouba boutique at the Cirque Theater, Downtown Disney for $19.00 USD. Fans may want to take note that the first five tracks on this new compilation were also featured on their previous "best of", "Cirque du Soleil Collection" from 1998. Missed an Episode of Solstrom? ------------------------------ Bravo TV USA will be replaying 12 of the 13 episodes of Solstrom (all except "Cosmic Disco") as part of their "Bravo In The Classroom" series. The broadcasts will run on Tue-Wed-Thur at 6am Eastern Time starting November 2 for four weeks. The best part of the repeats is they will be run commercial-free! Bravo has also created a lesson plan for the broadcasts. Check them out in our LA PRESSE section. [Source: Bravotv.com] Cirque Helps You Be Secure [EXPANDED] -------------------------- In what sounds like a fun development, Las Vegas' McCarran airport has filmed new "infomercials" designed to remind travelers about rules and regulations at the security checkpoints. And fittingly they star Las Vegas celebrities. Rita Rudner implores travelers not to crack jokes at the checkpoint, Lance Burton advises folks to empty their pockets of metal objects (using magic of course), and other vignettes feature Wayne Newton, Blue Man Group, Carrot Top, and... Cirque du Soleil! The Cirque segment features two spermatos from "Mystère" trying to get a baby carriage through a checkpoint. * * * Las Vegas travel leaders are confident an array of sword- wielding knights, Carrot Top's comic antics and a touch of Lance Burton magic will help reduce the length and frequency of security-related delays at McCarran International Airport. The Clark County Aviation Department, Las Vegas Convention and Visitors Authority and Transportation Security Administration will today unveil their Traveler Information Prescreening Series, or TIPS campaign, at McCarran, the nation's sixth- busiest passenger airport. Using a series of video vignettes, the $1.6 million effort will use local performers to entertain and educate travelers on their way to airport security checkpoints, said Randy Walker, Clark County aviation director. TSA screeners must frequently remind travelers to perform tasks such as removing metal items from their pockets or preparing to show their identification, Walker said. He hopes the vignettes will successfully impart security-related tips to travelers well before they cause delays at checkpoints. Around noon today, travelers will get their first look at the videos, which will be shown repeatedly on 25 monitors near the A/B and C/D gate security checkpoints. Clips include Burton's sleight-of-hand magic urging travelers to remove coins and metal objects from their pockets, as well as comedian Rita Rudner's comic pleas to treat security procedures seriously. Separate vignettes feature singers Wayne Newton and Clint Holmes; performers from the Las Vegas Hilton's Star Trek Experience, Luxor's Blue Man Group and Excalibur's "Tournament of Kings;" and clowns from Cirque du Soleil productions, among others. The performers were not paid for their appearances. Eleven informational vignettes and two welcome messages were produced, Walker said. Each includes versions that last approximately 15, 30 or 45 seconds, depending on the wait times in effect at McCarran. The vignettes will run continuously, though Walker said the airport could someday mix advertisements between the various security spots. Plans for TIPS first took shape early this year after McCarran's security checkpoints endured multihour backups over Presidents Day weekend and the final Sunday of the International Consumer Electronics Show. Airport screeners said alarms set off by CES attendees' myriad techno-gadgets played a large part in delays that late-January weekend, as did bullet-laden keychains given to conventioneers a few weeks later at February's Shooting, Hunting & Outdoor Trade Show & Conference. Lacking connections in the convention and entertainment community, the aviation department asked the convention authority to help develop the Vegas-style TIPS campaign. "We saw TSA do some stuff with videos, but they were really boring and people don't pay attention to boring," Walker said. "But if something is fun and creative, people will pay attention to it." Rossi Ralenkotter, the convention authority's president and chief executive officer, said it's important to minimize airport delays because long waits often send travelers away with a negative impression of the city. "Hopefully this will put a little smile on everyone's face as they leave town and encourage them to come back again," said Ralenkotter, who that added a sister campaign featuring printed handouts on airport security procedures should be distributed to convention attendees within the next few weeks. Local TSA Director Jim Blair was instrumental in securing federal approval for Las Vegas' unique traveler awareness program, Walker added. Such cooperation makes sense for everyone involved, said Nico Melendez, a Los Angeles-based TSA spokesman. "We've always talked about using each airports' unique opportunities to tailor our security message to improve security and customer service," Melendez said Monday. "This demonstrates the partnership we've built with (McCarran)." The TIPS vignettes were produced by R&R Partners, the convention authority's contracted marketing and advertising agency. That company's chief executive officer, Billy Vassiliadis, is married to Rosemary Vassiliadis, who is Clark County's deputy aviation director. Walker said Friday the decision to use R&R to produce the ads was based solely on the company's relationship with the convention authority and local performers. Outside of paying for the airport's new $1.5 million liquid-crystal display system and its supporting hardware, Walker said no county funds were spent on the TIPS campaign. The convention authority spent $98,000 to produce the video segments. "We took care of what we could: putting in the front loaders, adding the screens and space for more security lanes," Walker said. "The LVCVA said, `We've got the contacts with the conventions and the creative performers,' so the responsibilities were split based on who could handle what best." Added Ralenkotter: "That's what we do best. We're the creative marketing, branding company for the destination and that was how that (deal) went forward." [Source: Las Vegas Review-Journal; Keith Johnson] What's That Second La Nouba Disc Got? ------------------------------------- We had been wondering what the "Bonus Features" disk on the forthcoming La Nouba DVD would contain. Our calls to Columbia/TriStar came up fruitless, but we did find some details in the Cirque Press Release announcing the DVD. It will include the mandatory Cirque Promos, but also a Photo Gallery, a featurette on the "Les Cons" (sounds like fun!), In-depth interviews with some of the artists, and "Meet the Musicians". What, no "Meet the Artists"? Too bad. [Source: Cirque du Soleil, Keith Johnson] Zumanity CD On the Way! ----------------------- For those fans who have waited with bated breath regarding the musical release of Zumanity, wait no longer... sources tell us that the Zumanity CD will go on sale at the Zumanity Boutique inside New York-New York later this month and will be for sale through Cirque's online boutique sometime in February 2005. However, this can change at a moment's notice. Stay tuned for further information! Soleil de Minuit - Redux ------------------------ On September 30, 2004, the Canadian Broadcasting Corporation (CBC) aired a special encore presentation of Midnight Sun (Soleil de Minuit), the commemorative concert celebrating the joint anniversaries of Cirque du Soleil and the Festival Internationale de Jazz de Montréal that drew a record crowd of over 200,000 people to the streets of downtown Montreal in July of this year (for a full review of the concert see our July issue). The event was originally broadcast live on CBC (actually time delayed by 20 minutes to allow for insertion of commercials), but being a live event made it difficult to film for broadcast. The first major problem with the original broadcast was that it went over the allotted 2-hour time slot. Much to the chagrin of those of us who set their VCRs, it meant that the beautiful finale featuring Francesca Gagnon singing "Alegría" got cut off. But aside from the overrun, the nature of live broadcast meant that the program was edited on the fly, which resulted in a less than optimal final product. Luckily, Cirque du Soleil Images and l'Équipe Spectra (who produced the program), have taken the raw footage and re-edited the broadcast so that it is much more polished than the original live version. To fit it into a 2-hour time slot some of the program has been trimmed. The opening speeches by Guy Laliberté and Alain Simard (Presidents of Cirque and the Jazz Festival respectively) are gone and many of the transitions between songs have been shortened. A clown act, and the song "Simcha" from "O" performed with a bagpipe brigade and accompanying an acrobatic act by the group Streb, have also been eliminated. In general, the cuts improve the overall flow and pacing of the show and keep it at a good energy level. The numbers that were cut were the weakest of the show and when watching the video of the original broadcast I found that I would fast forward through those parts anyway. The editing itself is greatly improved, a wider variety of shots are incorporated into the program and the use of blending transitions is used to great effect. The soundtrack has also been re-mixed and is greatly improved over the original broadcast. The balance of the mix is much better in that individual instruments and vocals are mixed to the right levels, and sound elements such as the crowd's rhythmic clapping during some numbers have been edited in for a more realistic sound environment. Generally, the final product of the re-edited television special is much more polished and refined, and it will make a wonderful addition to Cirque du Soleil's rapidly growing catalogue of television programs. [By: Wayne Leung] ======================================================================= CRQ-TV -- CIRQUE ON TELEVISION! ======================================================================= * CIRQUE DU SOLEIL: SOLSTROM ----------------------------- Network: BRAVO (USA) - Episode 1: "Romance" - Episode 7: "Disguises" 11/2/04 @ 6:00am 11/16/04 @ 6:00am - Episode 2: "Twins" - Episode 8: "Traveling" 11/3/04 @ 6:00am 11/17/04 @ 6:00am - Episode 3: "Gothic" - Episode 9: "Childhood" 11/4/04 @ 6:00am 11/18/04 @ 6:00am - Episode 4: "Rock'n'Roll" - Episode 10: "Construction" 11/9/04 @ 6:00am 11/23/04 @ 6:00am - Episode 5: "Adventure" - Episode 11: "Puppets" 11/10/04 @ 6:00am 11/24/04 @ 6:00am - Episode 6: "Escape" - Episode 12: "The Games" 11/11/04 @ 6:00am 11/30/04 @ 6:00am * CIRQUE DU SOLEIL PRESENTS ------------------------- Network: BRAVO (USA) - Cirque du Soleil: Midnight Sun 11/19/04 @ 8:00pm 11/20/04 @ 12:00am - Cirque du Soleil: Alegria 11/19/04 @ 10:00pm - Cirque du Soleil: Dralion 11/20/04 @ 12:00am 11/21/04 @ 3:00pm - Cirque du Soleil: Nouvelle Experience 11/20/04 @ 2:00am - Cirque du Soleil: Quidam 11/20/04 @ 10:00pm - Cirque du Soleil: Saltimbanco 11/19/04 @ 12:00am - Cirque du Soleil: Varekai 11/20/04 @ 8:00pm 11/21/04 @ 5:00pm * NOTE: Check your local listings for complete information. Schedule is subject to change. ======================================================================= CRQ.NET -- THIS MONTH IN CIRQUE CLUB ======================================================================= (By: Keith Johnson) After a pause, Cirque Club returns to reporting with an article on the IHQ Open House during the Les Journees de la Culture in late September. The article includes 12 photos of characters, visitors, and kids in makeup applied by Cirque makeup artists (how cool is that?)! The Press Release section has been busy, starting out with releases announcing the formation of Cirque du Soleil Musique (music division), the release of the new compilation CD "Le Best Of", and the two new DVD releases. At the last moment (Thursday) they posted their release announcing the new Beatles-inspired Mirage show. Over at the KA website, they've added a new section called "Stage Manager's Log" from Armand Thomas, the new shows Stage Manager. It looks like it will be an ongoing feature, with dispatches from Las Vegas at regular intervals. The first installment is a nice long introduction, as Thomas is a good writer. Cirque has also posted two video clips from the Press Conference held in Vegas last month. The clips feature the "Pageant" and "Slave Cage (Wheel of Death)" segments of the show, and together total about six and a half minutes. Sad to say, the "Pageant" section is a little dark, and with its reduced size it's hard to see what's going on. We'd like to see more clips of the conference, especially the presentations by the creators and executives (as was done online for Varekai). We're fans, we want to see it all! In fact, that's a plea we'd like to expand to any press conference Cirque holds. It would be really nice to see longer interview clips of conferences on Cirque Club, soon after the event itself. We think it would expand the reach of the conference beyond the local audience. Maybe a special "Press Conference" archive section? In Cirque marketing messages: Anne-Josee wrote: "I recently met with Carolyne Vita, one of the artists in Saltimbanco. She took the time to share her thoughts about visiting Rome with Cirque du Soleil... "It's impossible to come to Italy and not enjoy it! Beside the fantastic food, the authenticity of the culture and the warmth of the people, the country itself is beautiful and charming! "Half of my blood is from Italy! My dad, Philippo Vita, was born in the region of Lazio, more precisely in a small village called Castelforte (100 km south of Rome). My family has lived in Montreal, Canada since 1946, after World War II. Every week on Sundays, especially around Christmas, my grandmother's house would be transformed into a small Italian village. When I was a child, it was overwhelming to spend time among all my Italian-speaking relatives. I couldn't understand anything beside the word mangia! But I would always come home feeling so good because of their ability to make me feel so loved - through their hugs, kisses, cheek-pinches, the look in their eyes. There was no need for words! And this is reflected in my experience with the Italian people in Rome. You don't need language to share, or to absorb, such a powerful message. "Anyway, all I want to say is that I'm very happy to have come to Rome, especially so close to where my dad was born. Hopefully Saltimbanco will fill your hearts with beautiful memories like the ones Italy gives me every day. I was born in Montreal ... but I often feel like I was born in Rome. Now, it's time for me to learn Italian!" Above text courtesy of Cirque Club. ======================================================================= LA PRESSE -- CIRQUE IN THE PRESS ======================================================================= ----------------------------------------------- "Lesson Plans for SOLSTROM" By: Bravo Television Network ----------------------------------------------- CIRQUE DU SOLEIL SOLSTROM BRAVO IN THE CLASSROOM LESSON PLANS TWINS A vain man enters his bathroom acting as if he were a celebrity. Admiring himself in the mirror, Narcissus Janeiro performs his usual rituals of body care and self-love. Then, two Nuts from the show La Nouba secretly sneak up to his mirror and blow solar wind into it. Narcissus can no longer see his reflection in the mirror. Intrigued, he climbs onto the sink, approaches the mirror and falls through to the other side! He is plunged into a universe of the absurd on the other side of the mirror. The setting in which he now finds himself is a caricature of his own bathroom, but he is not alone: he is surrounded by pairs of identical twins. It is the beginning of a crazy adventure in which the vain man attempts to find his lost reflection and to escape from this repetitive, dreamlike universe inhabited by pairs, each one more curious than the next. ROMANCE The setting is a quaint Italian town square, perfect for the flourishing of love stories. Fiona, one of the Baroques from the show Salitmbanco blows solar wind onto the inhabitants, onlookers and café clients, making their hearts go pitter-patter. Claudio is no exception. He is madly in love with Juliet, who in turn loves Romeo. This does not stop Mooky, Juliet's neighbour, from seducing her beloved one, Claudio! Fiona's solar wind makes the love in the air extraordinarily potent: Romeo crosses a clothesline to reach his beloved Juliet; lost lovers are reunited; Colombine descends from her poster to join a handsome acrobatic suitor; lovers experience the joys of reconciliation. Stories of romance are everywhere. Lovebirds are embracing and dancing all over the town square, while other couples are so smitten they are floating on air. TRAVELING Exposed to solar wind, an airport employee suddenly finds herself at the edge of the American desert. She is excited by this opportunity to hitchhike her way to adventure. She won't be disappointed, since the Aviator from the production Quidam, the Lizard from Varekai and the Comet from "O" all take it upon themselves to ensure that her journey across the desert will be extraordinary! Neither heat, nor thirst nor fatigue will prevent her from taking part in many encounters and facing adventures that are often absurd. During her travels, she will fear for her life, ride a scooter and be the object of seduction on more than one occasion. She will meet an astronaut, the entire crew of a cruise ship as well as the Formula 1 driver, David Coulthard. GOTHIC Two zebras from the show "O" blow solar wind into a decrepit hotel, transforming it into a strange gothic manor where curious phenomena occur. As the hotel proprietor looks on, inanimate objects are brought to life. Death itself is among the hotel guests, all of whom engage in schemes that appear unusual: one guest eats a salad bowl, while a young bride acts as if she were a bat and her husband follows a ghostly seductress. The proprietor doesn't seem to mind the bizarre behaviour of his staff: the head waiter is growing canine teeth, the waitresses' unruly conduct, and the loud music in the restaurant, etc. He has not even noticed that the bellboy has grown to such an extent that his head has disappeared from view. In fact, the only thing that troubles him is all the hair growing on his body, making him resemble a. werewolf! DISGUISES It is a dark, stormy night. The night watchman in a costume warehouse plays with paper dolls to pass the time. He is so absorbed that he does not notice the mysterious presence of the Âme Force from Dralion. As she sings, solar wind spreads throughout the warehouse and costumes come to life. Suddenly, there is a blackout and the warehouse is haunted by two mocking and quarrelsome ghosts! Strange, unexplainable things happen to the night watchman and the warehouse. Who will believe that he was hypnotised by ghosts, attended a real Brazilian fiesta, and even participated in a fashion show with top-model Naomi Campbell? He won't be able to explain but in the end he may not be the crazy one! With "Solstrom," the acclaimed 21st century circus, Cirque du Soleil, experiments in a different medium, looking down a new road but not taking its eye off the past. With "Solstrom," the troupe created a "circus" not meant to be experienced in person, but, influenced by situation comedies, on television. Not forgetting their own tradition, the creators brought back characters from past shows to play a part in each episode. Beginning with the comic conceit that solar winds are carrying to earth wild characters who place men and women under their spells, Cirque explores a single theme in each episode: "Romance" takes place in an Italian town, where various unrequited feelings are given a push by solar magic. "Twins" begins with a vain and wealthy man forced to confront his own twin--or maybe not. The action of "Gothic" unfolds in a Transylvanian milieu, and "Travel" visits a psychedelic version of the American West, among other "travel destinations." Each theme is enacted by the dancers, gymnasts, clowns, acrobats, illusionists, jugglers, and tumblers of the Cirque in the surreal costumes that give this circus its unforgettable look. Vocabulary - Define and use in a sentence the following words related to "Solstrom": 1. Illusion 2. Gothic 3. Narcissist 4. Mystique 5. Icarian GROUP DISCUSSION 1. In each episode of "Solstrom," humans are inspired by supernatural forces to act in certain ways. Such is life outside the circus too, as throughout history people have blamed the gods, ghosts, demons, the devil, angels, and dead ancestors for their behavior. Talk about the notion of possession and mystical influence. With "Solstrom" in mind, can you think of real-life similar situations--times when people have tried to shift responsibility to a deity or devil. Why is it so common? Why does it still happen today? 2. Identity is a theme through many of Cirque du Soleil's shows, and no more so than in the episode "Twins." Apart from providing a setting for the circus performers to show off their skills, what do you think the episode's creators were trying to say? Was this only a comic display, or were there more serious themes underlying the comedy and tricks? 3. From the earliest theatrical performances, masks and disguise were used to convey important themes and express emotion. In "Disguise," this is taken to a new level when the solar wind creatures invade a costume warehouse. In our age of ultra-realism, what use are masks? Why would a mask be better at expressing something than a human face would? It is sometimes illegal to wear a mask in public, especially at political demonstrations: Are masks now meant only to disguise? Activities 1. While this series covered a broad range of the human experience, it of course couldn't touch on everything. What theme of life did Cirque not interpret that is of interest to you? Concoct your own episode for this series. Pick a theme, and create an outline for an hour-long show. Keep it in the parameters of the Cirque du Soleil you experienced in this series: its actors, comedians, acrobats, and dancers. Imagine how you can best incorporate their skills into your show. Think about sets, costumes, and special effects, and sketch designs if you like. 2. With the Olympics still in recent memory, it's a good time to think about the relationship between art and sport. Prepare a report comparing the two: If you watched any of the Olympic gymnastic competitions, compare them to Cirque du Soleil. Were the gymnasts in Athens putting on a theatrical show in addition to competing in a sport? How much sport is in the Cirque's performances? Include comparisons to ballet, synchronized swimming, and/or ice-skating. Why is one a sport and one an art? ----------------------------------------------- "The Beatles Join Cirque" By: CBC News Staff ----------------------------------------------- The two surviving Beatles and Montreal's Cirque du Soleil are partnering to create a new theatre production for the Mirage hotel- casino in Las Vegas. The as-yet-untitled show, scheduled to open in less than two years, is the first time the legendary band has agreed to participate in a major theatrical project, according to Neil Aspinall, managing director of the band's Apple Corps record label. A Las Vegas marriage with the Cirque du Soleil was "too good of an opportunity to pass up," Aspinall told the Associated Press. Though many have approached the group with proposals over the years, he said that they were nothing "more than a stage production with cover versions" of Beatles songs and not something that would highlight and celebrate the band's legacy. The Mirage has committed to building a new 2,000-seat theatre for the joint venture, an increasingly common dealmaker for securing high- profile new productions, following the precedent set by hotel-casinos like Caesars Palace, which built Celine Dion a $95-million venue for her A New Day show. Expected to cost more than $100 million US, the 90-minute Beatles- Cirque show will replace the hotel's signature Siegfried & Roy act, which ran for more than a decade and closed in October 2003 following a near-fatal accident with one of the duo's tigers. Cirque founder Guy Laliberté said he began discussing the idea of combining the Canadian company's famed acrobatics and the music of the Beatles with member George Harrison more than four years ago. Harrison died of cancer in 2001. However, the remaining Beatles – Paul McCartney and Ringo Starr – will join Harrison's widow Olivia and Yoko Ono, widow of John Lennon, in collaborating on the new project. The Cirque will have complete access to the group's musical archive. The new show will be the Cirque's fifth in the city and Laliberté suggested it wouldn't be the last, calling Las Vegas a "gold mine." "If I can be producing 10 shows, I'll be producing 10 shows," he said. Las Vegas, which bills itself the entertainment capital of the world, expects to see more than 37 million visitors this year. ----------------------------------------------- "Cirque du Soleil spares no cost with ‘KA’" By: Jerry Fink, Las Vegas Sun ----------------------------------------------- Cirque du Soleil unveiled its new $135 million theater and gave a peek at its $30 million production, "KA," at the MGM Grand Wednesday. The $165 million price tag eclipses the $66 million, adult-themed "Zumanity" across the Strip at New York-New York, which opened a year ago. The magnificent theater also surpasses the $95 million cost of The Colosseum at Caesars Palace, home to Celine Dion's "A New Day ..." "If you compare that to the entire cost of all Broadway shows in 2003, which was $135 million, ours exceeds all of them," MGM Grand President Gamal Aziz said. "But we have proven with 'O' and 'Mystere' that these shows can be quite profitable for us. "So we are quite comfortable with our investment." "KA," a 90-minute show, is scheduled to premiere at the 1,951-seat theater on Nov. 26. Tickets, ranging from $99 to $150, are on sale now. Cirque's latest production will contain the signature cast of acrobats, but also will include martial artists, puppetry, pyrotechnics and multimedia elements. It features 72 performers. And it adds something else to the company's repertoire of shows -- one with a storyline. Cirque founder Guy Laliberte said the 90-minute production "is the most theatrical show we've ever done." Film and theater director Robert Lepage created the production, which is described as an epic saga about twins -- a boy and a girl -- who "are separated by fate and embark on a perilous journey to fulfill their linked destinies." "We wanted it to be an epic story told not with the use of words, but with the universal language of body movement and music," Lepage said. "And, in the Cirque du Soleil tradition, a bit of gibberish." According to the producers, the title, "KA," came from an ancient Egyptian belief in an invisible spiritual duplicate of the body that accompanies every human being through this life and the afterlife. At Wednesday's news conference two scenes from the production were performed -- one involving martial artists and one involving a giant contraption called "The Wheel of Death." As in all Cirque du Soleil productions, the costumes are extraordinary, the acrobatics breathtaking and the theater itself an experience to behold. The space was most recently used for the production "EFX Alive." But anyone who attended "EFX" will not recognize the room. The auditorium is flanked by rows of 50-foot high wooden columns that support turrets. Instead of a stage, there is an abyss -- a void out of which stages emerge from 40 feet below. Set designer Mark Fisher, who has worked with such performers as Elton John, Shania Twain and Tina Turner, designed the theater's renovation. Fisher said he was trying to create a feeling of a cross between a cathedral and an old temple -- some kind of mythic temple that had been on the site and they opened the wall and found this chamber." "It came out of a lot of discussions," he said. "And also out of a reaction to 'EFX.' I had been there many times as visitor, and it was a most horrible showroom." Fisher said even before he knew what Cirque's latest production was going to be, he knew he was going to make major changes in the room. "I wanted to create a room with a greater sense of drama and space," Fisher said. The room begins with the entry. "We have stolen some space from the casino to make a proper lobby and the processional entry," he said. "We removed the old center entrance, which was a very traditional sort of Las Vegas entry, but which has always seemed to me to be very disadventageous to a sense of drama." Some of the thoughts that went into the creation of the set include the idea of "doing away with gravity, to some extent -- and so the idea of a void came out of that." "If I wanted to achieve anything -- you just want people's jaws to drop. In this room I wanted that moment to be when you come up the ramp, turn the corner and you just go 'I don't believe it.' "It's show business. We're not making art here, we're making pleasure and excitement. We're making escapism." ----------------------------------------------- "Beatles/Cirque project is now a go, go, go" By: The Las Vegas Sun ----------------------------------------------- The union of the Beatles and Cirque du Soleil should be a marriage made in financial heaven. It was announced Thursday that a production featuring two of the most recognizable names in the entertainment world is tentatively scheduled to premiere in May 2006 at the Mirage in what was the Siegfried & Roy Theatre. The showroom, which will undergo a $100 million renovation, has been vacant since Roy Horn was severely injured by a tiger during a performance. No one, not even Cirque's vice president of creation, has a definitive idea about the show's structure. "It's a work in progress," Gilles Ste-Croix said. "We know pretty much the end product -- we just don't know yet how we are going to get there." Nor does Cirque yet have a title. "We are calling it "The Boys," only as a working title," Ste-Croix said. The Beatle songs that will be part of the show have not yet been selected. Ste-Croix said he didn't know how many of them would make the cut. "There are 196 to choose from," he said. Ste-Croix gave a general outline of what fans might anticipate, although nothing is set in stone at this point. "It won't be an anthology," he said. And there won't be any Beatles impersonators. But this being a Cirque production, there will be acrobats and dancing. "We will try to make live performances onstage taking from the lyrics of the song," Ste-Croix said. "From these lyrics we extract characters we can bring onstage -- maybe Lucy in the sky will be there. "From the lyrics, we will create provocative characters." At this time, Ste-Croix says there are few rules. "We have a very loose storyline which takes us from Liverpool to the end," Ste-Croix said. The stage will be a theater-in-the-round. "Backstage will really be under the stage, which will have many, many lifts," Ste-Croix said. "Many appearances will come from below the stage as well as from above. "You are in the experience." The production is a partnership between Apple Corps, formed by the Beatles in 1964; Cirque and the Mirage. Neil Aspinall, managing director of Apple, described the relationship between the corporation and Cirque as a joint venture. "We don't have creative control," Aspinall said. "This is a partnership." The agreement, the first time in the 40-year history of Apple that it has become involved in a Beatle-themed production, had to be approved by the Beatles and their survivors. The approval by John Lennon's widow, Yoko Ono; George Harrison's widow, Olivia; Ringo Starr and Paul McCartney had to be unanimous. Aspinall said the agreement came fairly quickly. "We have been offered other stage productions, but with Cirque we have an opportunity to go into fantasyland," Aspinall said. The collaboration between Apple and Cirque came about as a result of a friendship between Cirque founder Guy Laliberte and Harrison. The two men, both Formula 1 racing enthusiasts, met in 1997 at a race in Melbourne, Australia. In June 2000 Harrison attended a race in Montreal and then attended a party Laliberte hosted for 1,000 friends, an annual event. During the party the two men first brought up the idea of a joint project. A month or so later the two got together in London, Laliberte said. "That's where the first seeds of a common dream were planted -- matching Cirque du Soleil with the Beatles." The idea was discussed up until Harrison's death in 2001. Laliberte met with Apple's board and the members voted unanimously to proceed with the project. They first considered a production in London and other cities, including New York and Tokyo. Meanwhile, McCartney performed in Las Vegas and saw the relationship between the city and Cirque. "He came back and said, 'Why not Las Vegas?' " Laliberte said. "That took us by surprise." Laliberte discussed the idea with Mirage president Bobby Baldwin. It was believed Siegfried & Roy would retire at the end of 2005 or 2006 and the Mirage would be looking for a replacement. "We thought we had plenty of time to work on the project, until 2007 or 2008," Laliberte said. "But then there was the unfortunate accident with Roy." When it was determined that Siegfried & Roy would not be returning, the Cirque project was put on a fast track. Laliberte said the creation of the show is one that is being "inspired by love, inspired by peace and inspired by the imaginary world of the Beatle's music." ----------------------------------------------- "KA: Spirit and Soul" By: Mike Weatherford, Las Vegas Review-Journal ----------------------------------------------- The ancient spiritual concept known as the ka is going high tech in the long-awaited $165 million new show from Cirque du Soleil at the MGM Grand. "There are a lot of things here that people will see that so far have been done only in movies and television with special effects. Here it is for real," said Guy Laliberté, the founder of the Montreal-based company debuting its fourth show -- titled "Ka" -- on the Strip. The carefully protected title -- code-named "Duality" in company memos -- was unveiled along with segments of the show in a news conference Tuesday. "Ka" will have a "soft" opening Nov. 26 with an official debut in February, allowing for Cirque du Soleil's customary period of adjustment for audience reaction. Tickets went on sale Wednesday for the preview performances through Feb. 2; so far, there is no plan to raise the prices of $99, $125 and $150 after that, a company spokeswoman said. Cirque du Soleil's first show with a linear story combines circus acrobatics, martial arts, puppetry, video and pyrotechnics. Audiences "will scratch their heads trying to figure out how it is possible to achieve such a thing," Laliberté said. Two scenes were performed in the 1,950-seat theater that accounts for $135 million of the budget, displaying how a fixed stage has been replaced by a fog-filled "void" in which different platforms and riggings move in and out of position. The hotel took on the bulk of theater construction costs, and Cirque du Soleil will share the box-office and show-related revenues with MGM Mirage. Hotel President Gamal Aziz noted the resort also will see incremental spending from new bars and restaurants in place to entice the nearly 4,000 showgoers expected nightly. The title derives from the Egyptian concept of each human's spiritual "double." Guy Caron, Cirque du Soleil's director of creation, said the word is the root of many disciplines incorporated into the show, such as kabuki, karate and the Brazilian martial art capoeira. "Ka" tells the story of Asian twins, male and female, who are separated at birth and threatened by various dangers along their separate journeys. In keeping with Cirque du Soleil tradition, however, the story is told without dialogue. With four Las Vegas shows and a fifth being discussed for The Mirage, "we have to reinvent the way to do a Cirque du Soleil show," Caron noted. "We don't call it an `act.' We call it a `performance.' We integrate all the elements." The stage and refurbished showroom are created by Robert Fisher, production designer for rock tours by U2 and the Rolling Stones, as well as the new Queen musical "We Will Rock You." The puppetry, designed to be operated by contortionists, is by Michael Curry, who worked on the stage version of "The Lion King." The creators did not unveil all of their technical surprises, but indicated the action extends into the network of catwalks linking cylindrical towers that wrap around the seating area. Fire also is described as a key motif in the complex production. The show was originally announced for summer, but delayed by its technical challenges. "They're not really problems, they're obstacles," said director Robert Lepage. "In the Buddhist philosophy, obstacles are your friends. We've made a lot of friends in this production." ======================================================================= ITINÉRAIRE -- TOUR/SHOW INFORMATION ======================================================================= Note that any information in brackets [] is UN-official information and subject to change. [Touring Shows] Alegría: * Tokyo, Japan: Dates: Oct 29, 2004 to Jan 23, 2005 * Fukuoka, Japan: Dates: Feb 9, 2005 to Apr 3, 2005 * Nagoya, Japan: Dates: Apr 20, 2005 to Jun 12, 2005 * Osaka, Japan: Dates: Jun 25, 2005 to Aug 10, 2005 Cirque 2005: * Montreal, Quebec, Canada -- Jacques-Cartier Pier Dates: Apr 21, 2005 to May 29, 2005 * Quebec City, Quebec, Canada -- Galeries de la Capitale Dates: Jun 30, 2003 to Jul 10, 2005 Dralion: * Antwerp, Belgium -- Gedempte Zuiderdokken Dates: Aug 12, 2004, to Oct 3, 2004 * Madrid, Spain -- Recinto Ferial, Casa de Campo Dates: Oct 15, 2004 to Dec 2, 2004 * London, England -- Royal Albert Hall Dates: Jan 6, 2005 to Jan 30, 2005 * Barcelona, Spain -- TBA Dates: Mar 17, 2005 to Apr 24, 2005 * Rotterdam, Netherlands -- TBA Dates: Jun 3, 2005 to Jun 19, 2005 * Oostende, -- TBA Dates: Jul 21, 2005 to Aug 7, 2005 Quidam: * Sydney, Australia -- The Showring, Fox Studios Dates: Aug 12, 2004 to OPEN * Brisbane, Australia -- Kingsford Smith Drive Dates: Nov 4, 2004 to TBA * Auckland, New Zealand -- TBA Dates: Dec 31, 2004 to OPEN * Melbourne, Australia -- TBA Dates: Mar 4, 2005 to OPEN * Adelaide, Australia -- TBA Dates: May 12, 2005 to OPEN * Perth, Australia -- TBA Dates: June 30, 2005 to OPEN Saltimbanco: * Rome, Italy -- Viale Cristoforo Colombo Dates: Oct 7, 2004 to Nov 14, 2004 * Lille, France -- Esplanade Champ de Mars Dates: Nov 25, 2004 to Dec 26, 2004 * Manchester, UK -- Trafford Centre Dates: Jan 6, 2005 to Jan 23, 2005 * Birmingham, UK -- TBA * Dublin, IR -- TBA Varekai: * Washington, DC -- Grounds of RFK Stadium Dates: Sep 16, 2004 to Oct 24, 2004 * Dallas, Texas -- Fair Park Dates: Nov 4, 2004 to Dec 5, 2004 [May Extend to Dec 19, 2004] * Houston, Texas -- TBA Dates: Jan 6, 2005 to Feb 13, 2005 * Austin, Texas -- Former Mueller Airport Dates: Feb 24, 2005 to Mar 20, 2005 * Pittsburg, Pennsylvania -- TBA * Baltimore, Maryland -- TBA * Hartford, Connecticut -- TBA * Columbus, Ohio -- TBA * Detroit, Michigan -- TBA * Tampa, Florida -- TBA * Miami, Florida -- TBA [Resident Shows] La Nouba: * Two shows Nightly - 6:00pm and 9:00pm * Performs: Tuesday through Saturday, Dark Sunday/Monday * Location: Walt Disney World Resort, Orlando (USA) * 2004 Dark Dates: -- October 17th - 20th -- December 6th - 13th Mystère: * Two shows Nightly - 7:30pm and 10:30pm Beginning June 13th: Except Sundays; 4:30pm and 7:30pm * Performs: Friday through Tuesday, Dark Wednesday/Thursday Beginning June 9th: Wednesday - Sunday, Dark Monday/Tuesday * Location: Treasure Island, Las Vegas (USA) * 2004 Dark Dates: -- November 28th "O": * Two shows Nightly - 7:30pm and 10:30pm * Performs: Wednesday through Sunday, Dark Monday/Tuesday * Location: Bellagio, Las Vegas (USA) * 2004 Dark Dates: -- December 6th - 21st Zumanity: * Two Shows Nightly - 7:30pm and 10:30pm * Performs: Tuesday through Saturday, Dark: Sunday/Monday * Location: New York-New York, Las Vegas (USA) * 2004 Dark Dates: -- November 28th - 30th -- December 1st - 20th KÀ: * Two Shows Nightly - 7:00pm and 10:30pm * Performs: Friday through Tuesday, Dark Wednesday/Thursday * Location: MGM Grand: City of Entertainment, Las Vegas (USA) * Note: One show nightly at 8:00pm from Nov 26 to Dec 7. ======================================================================= DIDYAKNOW? -- FACTS ABOUT CIRQUE ======================================================================= In the last three years we've had the honor of meeting and talking with many current and former Cirque artists about a variety of subjects. While we can't reveal identities, since several of them still work for Cirque, we think some of the things they have to say would be interesting to fans and aspiring artists and musicians. So, over the next several months, we'll feature some questions we posed to Cirque performers and their answers -- "In Their Own Words". We asked does Cirque compensate fairly? An artist comments: "Circus is really nice for athletes because after your career is over there's not much you can do. To have this kind of opportunity is just amazing for any athlete. Someone who doesn't even think about what they're going to do after their competitive career is over. Except maybe teaching or doing something completely different. You do make a fair amount of money for a young person. Especially if you come from Russia or China. But it doesn't last forever. There isn't enough money on the side toward retirement, like sports like hockey have. It's a production similar to a Broadway show but isn't compensated like Broadway. Yet it's a circus. If you compare it to other circuses, like those in Europe, Cirque pays well." ======================================================================= LE SPECTACLE: "A Day at the Circus: Les journées de la culture at TOHU" By: Wayne Leung - Ottawa, Ontario (Canada) ======================================================================= Every year on the last weekend of September cultural institutions around the province of Québec open their doors for demonstrations, shows and tours as a part of the provincial government's Journées de la culture (Culture Days) initiative. This event provides fans of Cirque du Soleil the opportunity to make an annual pilgrimage to the international headquarters of the organization and tour the facilities where the magic is created, speak to employees who make the magic happen on a daily basis and watch upcoming artists in training. This year I noticed that the Cirque du Soleil open house event was a bit scaled down from last year's. The reason for the smaller event at Cirque's headquarters was immediately evident on my arrival in the North Montreal community of St-Michel that the company calls home. Last year the entire area surrounding the Cirque's IHQ was filled with construction sites. This year the construction has been completed and the brand new facilities of Tohu, Montreal's Circus arts city, have been completed and were also open for tours. In previous years the open house was exclusively a Cirque du Soleil event. This year the emphasis was on the entire Tohu complex comprised of Cirque du Soleil's International Headquarters, École nationale de cirque (ENC, the National Circus School), and the brand new Chapiteau des Arts, site of Tohu's administrative office and Canada's first circular performance hall dedicated to the showcasing of circus arts. All of the aforementioned sites were open for the public to tour during les Journées de la culture. I covered my visit last year in an article in our October 2003 issue. Similar events took place at this year's open house. I toured the costume workshop where employees were on hand to answer questions about the many costume pieces on display from the various shows. Some pieces of note included singer Mathieu Lavoie's cloak from Varekai, a yellow-tasseled body suit worn by the bungee characters in Mystère, the outfits worn by the character Aurora and by the Duo Trapeze artists in "O", the Lizard outfit worn by Gareth Hopkins in Varekai, the Manipulation outfit from Alegría, and an entire table devoted to the fabrication techniques used in the making of the costumes for the upcoming Kà. One major difference this year was that many pieces were prominently displayed in an area where visitors were able to examine them very closely and even allowed to touch them to get a tactile feel for the costumes. The next area I toured featured masks from various productions; the synchronized swimmers' masks from "O", the African-inspired hoop diver masks from Dralion, the Old Birds from Alegría and several masks from Mystère. Moving on to the props workshop I saw several props from Dralion on display including two completed Dralion Heads, one of Icarus' wings from Varekai and a display detailing the process of making a mould of an artists' head to facilitate the making of masks and headpieces specifically fitted to a particular artist. Moving downstairs I visited an area I did not previously have the opportunity to explore, the fabrics and textiles workshop. Since Cirque's costumes feature many elaborate patterns the company purchases un-coloured, raw fabric and performs all of the necessary dyeing, printing, painting, and silk screening operations in-house. Many different printed patterns were on display, including the fabric patterns used in the costumes of many of Varekai's forest creatures as well as the patterns of the costumes worn by the Russian Swing flyers from the show. The print for Dralion's hoop diver costume was also on display as was a detailed print for the bodysuit that will be worn by a "Forest Man" in Kà. The fabric workshop also housed a display featuring headpieces worn in the various productions, among them a collection from Varekai (Icarian Games, Russian Swings, Triple Trapeze and Olga's old "seashell" headpiece), a selection of headpieces worn by the Baroques in Saltimbanco as well as Funny Bunny's headpieces from Quidam (both the regular, ear-up version and the skipping rope, ear-down version). Elsewhere in the Cirque du Soleil IHQ complex, a make shift theatre showed the soon-to-be-released-on-DVD La Nouba television special. Another showed the Soleil de Minuit commemorative concert television special. A photographic exhibition on the costumes of Cirque du Soleil featuring many artistic prints of close-up photos of various costumes. An exhibition highlighting the efforts of the Cirque du Soleil Images team housed in the dance studio featured dozens of video screens showing clips from all of the different television productions. This year, the large training studio A/B was empty but the doors were open and guests were allowed to step inside for a look (but had to remain in a cordoned-off area). In studio C/D guests gathered to watch a team of artists training on Russian Swing. The particular group of artists I saw was training for Saltimbanco. I also had the opportunity to watch a young girl from China practice balancing upside-down on a unicycle and peddling across a slack wire, I was told this would be one of the new acts that will be integrated into Alegría when the show is overhauled for its Japanese tour. After completing my tour of the Cirque du Soleil headquarters I walked across the street to visit another institution in the Tohu complex, the brand new campus of l'École Nationale de Cirque. While touring the school's various studios I had the opportunity to watch many young up-and-coming circus artists training in disciplines as diverse as trapeze, aerial hoop, fast track, tight wire, aerial silks, dance and tumbling. The new facility is well equipped and very well appointed to impart the circus arts to a new generation of performers. It was a little bit strange to look inside the classrooms in this facility; they look just like classrooms in any high school or college. The artists-in-training at ENC are also full-time college students. Finally I had the opportunity to visit the heart to Tohu itself, the Chapiteau des Arts. The modern, urban yet earthy new building houses Tohu's administrative offices as well as the headquarters of the Saint-Michel Environmental Complex. The lobby of the Chapiteau is bright, colourfully accented and thoroughly modern; a large interactive video wall provides information about all of Tohu's residences. Screens hanging from the ceiling show animated images representing the four ancient elements; earth, air, fire and water. The building also houses a permanent exhibit called "Terra Cirqua" presenting pieces of circus history. A temporary exhibit called "Beau risque" in the lobby's exhibition area featured modern art pieces inspired by circus performance. The 840-seat performance hall was also open and performers from the current show, les 7 doigts de la main, several of whom are Cirque du Soleil alumni, made an appearance twice during the afternoon for discussions on the profession of circus artists and for a few impromptu performances. All in all, the feeling of this year's open house event was very different from previous years. It is amazing to see the incredible growth the neighborhood around the Cirque du Soleils international headquarters has seen in the year since my last visit. With the birth of Tohu, now is the most exciting time for the development of the circus arts in Montreal, a city well on its way to its goal of becoming the circus capital of the world. ======================================================================= LE SPECTATEUR: "KÀ -- Duality in Motion, a Personal Q&A" By: Ricky Russo - Orlando, Florida (USA) ======================================================================= Since September 15th, the day official word about Cirque's newest production KÀ (to be housed at the MGM Grand in Las Vegas) was released there has been copious amounts of buzz regarding its announcement, in both media and fan circles. So much so that a plethora of questions has arisen regarding the production and sometimes those answers aren't forthcoming. They certainly weren't for this writer, who was quite preoccupied out of his home country -- in the city of Kyoto to be exact -- embarking on the second phase of a planned trip to Japan. I recall with clarity eyeing the announcement as I read my email messages at K's Backpacker's House with curiosity, asking myself... what is this KÀ really all about? Up to that point I hadn't bothered to educate myself on the production, lest it be spoiled before I had a chance to see it premiere. And yet I felt drawn to it in a strange sort of way... wanting to learn a bit more before the curtain rose. In our last issue we touched briefly what KA was all about, but now, however, I'd like to take the opportunity to explore the questions I asked about the production and thereby perhaps answering some of those you, our faithful readers, may have. Q. What does KÀ mean? A. According to Wikipedia, the online encyclopedia, in Egyptian mythology it is written the human soul is made up of five distinct parts: the Ka, Akh, Ba, Shadow and the Name. The Ka, therefore, was the spiritual soul of a person, which existed in tandem in a double relationship with the living being and continued throughout the afterlife. Readers with knowledge of the Japanese language may also recognize the word "ka," a particle, which is used to change a statement sentence into a question and for comparisons, among other things. Cirque du Soleil may also have had this in mind for the show's logo, which has been influenced by Asian iconography. Fans may be interested to know that KÀ's working title was "duality". Q. What is KÀ about? A. KÀ is all about duality, or the concept of twins. It is that concept, one of duality ("personified by the twins and the symbolic use of fire"), which is reflected in the show's vision and therefore transfers to the show's title. According to the Cirque du Soleil press release regarding this new production, KÀ combines "acrobatic performances, martial arts, puppetry, multimedia and pyrotechnics to illustrate the nature of duality [and] tells the epic saga of separated twins-a boy and a girl- who embark on a perilous journey to fulfill their linked destinies. As the plot unfolds, danger lies in wait for them at every turn. Archers and spearmen hunt the twins relentlessly, as their quest takes them through a succession of challenging landscapes, from mysterious seashore through menacing mountains and foreboding forests." Q. Who is behind KÀ? A. Fans will recognize many names amongst this list as being veteran Cirque du Soleil conceptors: Guy Laliberté - Guide, Robert Lepage - Creator and Director, Guy Caron - Director of Creation, Mark Fisher - Set Designer, Marie-Chantale Vaillancourt - Costume Designer René Dupéré - Composer and Arranger, Jacques Heim - Choreographer, Luc Lafortune - Lighting Designer, Jonathan Deans - Sound Designer, Holger Förterer - Interactive Projections Designer, Michael Curry - Puppet Designer, Patricia Ruel - Props Designer, Jaque Paquin - Acrobatic Equipment and Rigging Designer, André Simard - Aerial Acrobatics Designer, and Nathalie Gagné - Make-up Designer. It may be interesting to note that during the creation process, veteran Cirque du Soleil composer Benoit Jutras was considered and rumored as the production's composer. Q. How much did KÀ Cost to produce? A. According to the Las Vegas Sun, Cirque du Soleil spent $30 million to bring KA to fruition. The MGM Grand spent $135 million on the theater, brining a total price tag of approximately $165 million US. To bring this number into perspective, it was reported that it cost $66 million to produce Zumanity at the NY-NY Hotel/Casino, the $90 million US cost for "O" at Bellagio ($70 million theater/$20 million production) and the $20 million US plus for Mystère at Treasure Island. Q. How many/what are the acts? A. During the media preview at least one of the "acts" was presented, called "The Wheel of Death". The Wheel is a remarkable looking contraption that seems more like a ride that might be found on your local fair's midway than in a Cirque du Soleil show. It consists of two "wheels" attached at the end of two moving arms in which performers climb into, around and on top to perform their feats of acrobatics. The actual list of "acts" has not been presented, however, there has been rumors. Such tidbits include that the show will feature "acrobatic dance, martial arts, puppets, bungee aerial acts, and trampolines." Also, at one time, the Cirque du Soleil casting website was looking for acrobats to fill certain personages: the Evil Counselor and the Blind Man: The Evil Counselor is the principal character in this new show. He's described as a "poisonous character and [a] power-hungry manipulator (like Shakespeare's Iago or Richard III)." The Blind Man is also a principal character, old, wise, and will personify an African wizard. Q. How many performers are in KÀ? A. There are currently 72 performers in KÀ. Q. What is the KÀ Theater like? A. Not too many details regarding the KÀ Theater have been released up to this point, but suffice it to say the theater is a remarkable performance space. It sits 1,951 patrons and, as reported above, came at a cost of $135 million US. Previously the spectacular shows EFX and EFX Alive occupied that space, however, if you've seen them and know the theater well get ready for a shock -- the space was totally renovated and remade to specifically house KÀ. It is said there is no definable stage, as we know it. Instead the fixed stage has been replaced by "a fog-filled 'void'" in which platforms and riggings move in and out as needed. "There are a lot of things here that people will see that so far have been done only in movies and television with special effects. Here it is for real," said Guy Laliberté. It's "the most theatrical show we've ever done." Q. When does KÀ premiere? A. Special preview performances begin on November 26, 2004 at 8:00pm. One show per evening will be held from November 26th through December 7th, where at that time a two show per-night schedule will begin at 7:00pm and 10:30pm (though this may change). KÀ is scheduled to perform Friday through Tuesday (Dark Wednesday/Thursday). Children under five-years of age are not permitted into the theater and guests under the age of 18 must be accompanied by an adult. Tickets are currently available for purchase at www.ka.com in three categories. Section 102 (front and center) commands a $150.00 US price, Sections 101, 103, 202 are $125.00 US and Sections 201 and 203 are $99.00 US. All prices include tax. ======================================================================= BEHIND THE CURTAIN: "I Hear a Young Minstrel Sing: The Launch of the Cirque du Soleil Musique Record Label" By: Wayne Leung - Ottawa, Ontario (Canada) ======================================================================= For much of Cirque du Soleil's history, the company has sought to publish and promote albums featuring music from their shows as an extension of their brand. The music of Cirque du Soleil's shows forms an integral part of the company's mystique. In recent years Cirque has begun to branch out, first by re-releasing many of its previous albums with additional "live" tracks, then with projects such as Tapis Rouge, a series of albums featuring remixes of Cirque du Soleil's music. This year, Cirque's contract with record company BMG Canada expired and the company is officially launching its own record label, "Cirque du Soleil Musique." The first ventures for the new label will be the re-release of soundtrack albums from many of their shows in a repackaged form branded with the new "Cirque du Soleil Musique" label. Later this year, a new Tapis Rouge remix Double CD is slated for release and, eventually, the company aims to scout out, develop and market emerging musical artists under the Cirque du Soleil Musique banner as well. This move reflects a new management style for Cirque du Soleil; as the company grows larger, there is a push to separate and individually manage divisions for Television and Film, "Derived products" (clothing, jewelry, accessories, books, art pieces, etc.), Hospitality (responsible for the partnership with Celebrity Cruises) and, of course, Music. To officially launch their new record label and their new commemorative compilation CD "Le Best of Cirque du Soleil" the company hosted a series of CD launch parties in Toronto, Montreal and New York City. I was the fortunate recipient of an invitation to attend the Montreal party held at Tohu's headquarters, the brand new Chapiteau des Arts on the evening of September 29th. The festivities were slated to begin at 5PM. While guests waited outside the doors of Tohu's Chapiteau des Arts characters emerged and mixed with the crowd. First, two stilt-walkers emerged, then a man dressed in the iridescent red Russian Swing costume from Varekai, followed by two Old Birds from Alegría, a Baroque and an Urban Worm from Saltimbanco, an "O" Zebra, Océane and a Hoop Diver from Dralion. These costumed personalities would be present throughout the night to interact with the crowd. When the doors opened the crowd was ushered into the main showroom at Tohu. The auditorium, recently vacated by les 7 doigts de la main after a month-long run, had been transformed into a swanky night-club. All of the theatre seats had been removed and the floor was dotted with high-rise tables where party-goers could stand and place their drinks. As guests entered, Target from Quidam could be spotted above the entrance showering them with red feathers. Cirque music played in the background (Varekai and the Tapis Rouge Solarium remixes featured prominently). Large video screens flanked both sides of the room showing a highly stylized montage of acts from various Cirque shows in a continuous loop. Servers wearing Cirque-style make-up made their way around the room serving wine and canapés. Guests were also treated to an open bar serving wine, beer and, later in the evening, sherry as well as some non-alcoholic beverages. Another bar served coffee to guests who preferred caffeine to alcohol. The main stage was set up for a concert; chairs with music stands could be spotted. A podium took up centre-stage. I grabbed a glass of red wine and set out to mingle. Amidst the crowd of Cirque du Soleil insiders, media and invited guests. I spotted Violaine Corradi (composer for Varekai and Dralion) and, busily chatting on a cell phone before greeting members of his family, the man himself, Cirque du Soleil President Guy Laliberté. It was a surreal experience to be "hanging out" at a party with the Cirque du Soleil elite. About an hour into the party a voice (identifiable as that of Cirque publicist Marie-Claude Ménard) came over the loudspeakers and announced the beginning of the official proceedings and the arrival of Cirque du Soleil Musique President Ian Tremblay to the stage. Lights from TV cameras around the hall lit up and a row of media photographers crowded the front of the stage. A series of speeches followed. Ian Tremblay gave the regular press spiel about the company's creative drive and its will to branch out with new ventures. Guy Laliberté then took the podium and presented an award to Cirque composer René Dupéré in recognition of his collective soundtrack albums from Cirque du Soleil shows having sold two million units in Canada. Another award was then presented; "Le Best of Cirque du Soleil" has already achieved gold record status in Canada (50,000 units sold). As a final treat for the party guests (and additional fodder for the press) Cirque presented a mini-concert highlighting the music featured on the new album in the form of a 20-minute medley. The band, including a 12-piece string section, took to the stage and struck up Réveil from Quidam. At the piece's crescendo the curtains at the rear of the stage parted to reveal a choir singing the "Atmadja" chorus. Laur Fugère, Cirque vocal coach and perennial Cirque singer substitute, then sauntered up to the center-stage microphone for a stirring rendition of Nostalgie from "O". It then transitioned to Pokinoï, performed beautifully with the choir. The medley continued and included Kumbalawé from Saltimbanco, Querer from Alegría, Ombra and Stella Errans from Dralion, Liama from La Nouba and, as the grand finale, Cirque du Soleil's signature song, Alegría, performed as multi-coloured feathers rained down on the party guests. While much of the press packed up and left after the "official" presentation, the party continued, drinks flowing and guests mingled. Copies of the new CD were distributed. René Dupéré signed autographs and chatted with guests. Earlier in the evening René stated that he was excited to be back and working with Cirque du Soleil on the new production (KÀ) and that he chose to return because he believes the company is headed in the right direction artistically. Of the media and guests in attendance that night, I sensed that many shared his optimism and are anxiously awaiting what Cirque du Soleil Musique has to offer in the future. References: * "Le Cirque du Soleil rencontre Thievery Corporation" Stéphanie Bérubé, La Presse, Sept. 30, 2004 * "Cirque du Soleil Starts Record Label" Norma Reveler, Reuters, Sept. 23, 2004 * "Cirque du Soleil launches a new division" Cirque du Soleil Press Release, Sept. 22, 2004 ======================================================================= PARTING QUOTE ======================================================================= "It's a work in progress. We know pretty much the end product -- we just don't know yet how we are going to get there." - Gilles Ste-Croix, on the new Beatles show. ======================================================================= SUBSCRIPTION INFORMATION ======================================================================= Fascination! is a monthly newsletter, available only through sub- scription. To subscribe, please send an email to: < CirqueFascination- subscribe@yahoogroups.com >. To unsubscribe, please send an email to: < CirqueFascination-unsubscribe@yahoogroups.com >. To view back issues, please visit our Yahoo! Group address at: < http://groups.yahoo.com/group/CirqueFascination/ >, login using your Yahoo! ID (required) and select the Files menu option. If you have any questions, feel free to email us at: < CirqueFascination- owner@yahoogroups.com >. Have a comment, question or concern? Email the Fascination! Newsletter staff at: < CirqueFasincation-owner@yahoogroups.com >. We are anxious to hear any and all comments! ======================================================================= COPYRIGHT AND DISCLAIMER ======================================================================= "Fascination!" is Ricky Russo, Keith Johnson, and Wayne Leung. "Fascination! Newsletter" is a concept by Ricky Russo. Copyright (c) 2001-2004 Ricky Russo, published by Vortex/RGR Productions, a subsidiary of Communicore Enterprises. No portion of this newsletter can be reproduced, published in any form or forum, quoted or translated without the consent of the "Fascination! Newsletter." By sending us correspondence, you give us permission (unless otherwise noted) to use the submission as we see fit, without remuneration. All submissions become the property of the "Fascination! Newsletter." "Fascination! Newsletter" is not affiliated in any way with Cirque du Soleil. Cirque du Soleil and all its creations are Copyright (c) and are registered trademarks (TM) of Cirque du Soleil, Inc., and Créations Méandres, Inc. All Rights Reserved. No copyright infringement intended. =======================================================================