Four scenes in the renovated Mandalay Bay Theater were performed to give guests a taste of what’s to come at the show’s preview opening May 23. The premiere of what will be the eighth Cirque show on the Strip is June 29.
A few thoughts, notes and quotes from today’s wingding:
The immediate, initial response from my seat — conveniently occupied by me — was that “One” picks up where “Viva Elvis” left off when it closed last year. This is not a dig. “Viva Elvis” had, finally, figured out how to evoke the image and vibe of a legendary artist without drilling the audience with such inartistic effects as a literal narration of that artist’s life. So there is no voiceover intoning, “At age 8, Michael had perfected a perfect impersonation of James Brown,” even if that is true. Instead, the spirit of Jackson is realized through deft music selection, dazzling set scenery and Cirque’s customary acrobatics and dancing.
“Certainly, we wouldn’t want to make it a straight tribute show,” director Jamie King says. “Michael wouldn’t have that, and this is Cirque du Soleil. They are great at what they do and are all about creating something new. They are mavericks. Certainly, Michael’s iconography, his images and music videos are there. I think they make you feel a certain spirit, and Michael is our guide in that way, in a video-visual way, to evoke the feelings we had when we remember when we first saw the videos for ‘Bad’ or ‘Beat It’ or ‘Thriller.’ So he’s there, but not always there.”
The show is similar to “Love” in that the scenes recall images recognizable to the artist’s most devoted fans. A clear example: A skeleton topped with an elephant head, reminding of Jackson’s reported fascination with the remains of “Elephant Man” Jim Merrick. If you remember that Jackson was once interested in buying that skeleton, it’s a pretty funny reference. If not, it’s just another skeleton with an elephant head.
Sample scenes: A trio of dancers with digital lettering stretched across their chest drop from the ceiling … a giant jewel box … a collection of dancers from various cultures, including an Asian girl and a blonde kid in a light-blue jumpsuit … a contraption above center stage exposing metal beams and a trio of LED screens … an elegantly attired woman sitting inside a sliver of a silver moon … five masked guys in gangster suits performing the famous “Smooth Criminal” forward lean … a pair of glowing, disembodied boots performing a moonwalk … an aerialist who looks like a post-rage Incredible Hulk hanging and twirling above the stage … and a spring-loaded cushion over the middle of the set’s surface, giving the dancers a bit more bounce.
See even more thoughts by reading the original article here.
{ SOURCE: Las Vegas Weekly }
