Special Series Archive

  • We’re Off and Running, Part 11:<br />Quidam, Part 2 (1997-1998)

    We’re Off and Running, Part 11:
    Quidam, Part 2 (1997-1998)

    A few months ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • We’re Off and Running, Part 10:<br />Quidam, Part 1 (1996-1997)

    We’re Off and Running, Part 10:
    Quidam, Part 1 (1996-1997)

    A few months ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • We’re Off and Running, Part 9:<br />Alegría, Part 2 (1995)

    We’re Off and Running, Part 9:
    Alegría, Part 2 (1995)

    A few months ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • We’re Off and Running, Part 8:<br />Alegría, Part 1 (1994)

    We’re Off and Running, Part 8:
    Alegría, Part 1 (1994)

    A few weeks ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • We’re Off and Running, Part 7:<br />Saltimbanco, Part 2 (1993)

    We’re Off and Running, Part 7:
    Saltimbanco, Part 2 (1993)

    A few weeks ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • We’re Off and Running, Part 6:<br />Saltimbanco, Part 1 (1992)

    We’re Off and Running, Part 6:
    Saltimbanco, Part 1 (1992)

    A few weeks ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • We’re Off and Running, Part 5:<br />Nouvelle Expérience, Part 2 (1991)

    We’re Off and Running, Part 5:
    Nouvelle Expérience, Part 2 (1991)

    A few weeks ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • We’re Off and Running, Part 4:<br />Nouvelle Expérience, Part 1 (1990)

    We’re Off and Running, Part 4:
    Nouvelle Expérience, Part 1 (1990)

    A few weeks ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • We’re Off and Running, Part 3:<br />Le Cirque Réinventé, Part 3 (1989)

    We’re Off and Running, Part 3:
    Le Cirque Réinventé, Part 3 (1989)

    A few weeks ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • We’re Off and Running, Part 2:<br />Le Cirque Réinventé, Part 2 (1988)

    We’re Off and Running, Part 2:
    Le Cirque Réinventé, Part 2 (1988)

    A few weeks ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • We’re Off and Running, Part 1:<br />Le Cirque Réinventé, Part 1 (1987)

    We’re Off and Running, Part 1:
    Le Cirque Réinventé, Part 1 (1987)

    A few weeks ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • Meet a Mentor, Part 3 of 3

    Meet a Mentor, Part 3 of 3

    Part Three: Laur Fugere (Singer & Stage Coach), Luc Tremblay (Choreographer and Educator), Mia Michaels (Choreographer), and Robert Lepage (Director).

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  • We’re Off and Running, Part 0:<br />The Introduction

    We’re Off and Running, Part 0:
    The Introduction

    A few weeks ago, as I was flipping through a few classic Cirque du Soleil programme books (as is my wont), I was happily caught off-guard by a brief history of the company that it had written about itself in Saltimbanco’s original European Tour programme, published sometime in 1996. Not because the historia was in […]

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  • Meet a Mentor, Part 2 of 3

    Meet a Mentor, Part 2 of 3

    Part Two: Claude Chaput (Conductor, Composer, and Arranger), David Shiner (Director and Clown), Dominic Champagne (Director), and Francois Girard (Director).

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  • Meet a Mentor, Part 1 of 3

    Meet a Mentor, Part 1 of 3

    Part One: André Simard (Acrobatic Research and Development), Bernard Petiot (Vice President, Casting and Performance), and Boris Verkhovsky (Director of Acrobatics and Coaching).

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