Featured Stories Archive

  • Cirque du Soleil Unveils – TOTEM

    Cirque du Soleil Unveils – TOTEM

    TOTEM traces the fascinating journey of the human species from its original amphibian state to its ultimate desire to fly. The characters evolve on a stage evoking a giant turtle, the symbol of origin for any ancient civilizations. Inspired by many founding myths, TOTEM illustrates, through a visual and acrobatic language, the evolutionary progress of species. Somewhere between science and legend TOTEM explores the ties that bind Man to other species, his dreams and his infinite potential.

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  • Elvis Sounds Good – Here’s Why!

    Elvis Sounds Good – Here’s Why!

    An extensive article on the sound and lighting installation for the VIVA ELVIS theater has appeared in the latest issue of Sound and Communications magazine ( www.soundandcommunications.com ), a monthly magazine focused on the sound and digital signage contractor industry.

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  • Cirque du Soleil Unveils – VIVA ELVIS

    Cirque du Soleil Unveils – VIVA ELVIS

    Cirque du Soleil, in partnership with Elvis Presley Enterprises, a CKX, Inc company, is thrilled to unveil today its latest resident show Viva ELVIS(tm), at ARIA Resort & Casino(tm) at CityCenter in Las Vegas. Viva ELVIS, a harmonious fusion of dance, acrobatics and live music, is a tribute to the life and music of Elvis Presley. Nostalgia, modernity and raw emotion provide the backdrop for his immortal voice and the exhilaration and beauty of his music.

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  • Cirque in Your Ear (Part 2 of 2)

    Cirque in Your Ear (Part 2 of 2)

    Last month we talked about audio podcasts that occasionally feature Cirque du Soleil, focusing on KNPR's State of Nevada public-affairs show. This month we feature a podcast-only show that occasionally features Cirque elements.

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  • Cirque in Your Ear (Part 1 of 2)

    Cirque in Your Ear (Part 1 of 2)

    Two Christmas’ ago I purchased MP3 players for my lovely bride and I. Since then, albeit late to the game, I have discovered the joys of podcasts, which come in handy while trying to pass the time on the bus while commuting to work. My tastes run more to shows which feature interviews with newsmakers and interesting people as opposed to solo or duet podcasts featuring the hosts alone. Public-affairs and popular-culture shows that might feature items of interest to Cirque du Soleil fans are few and far between. But I have found two sources of Las Vegas-centric podcasts that occasionally feature Cirque do Soleil – both based (naturally) in Las Vegas! This month we’ll look at KNPR’s State of Nevada.

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  • BOOK REVIEW: Laliberté’s ‘Fabulous’ Story

    BOOK REVIEW: Laliberté’s ‘Fabulous’ Story

    While there has been much written about Cirque du Soleil the company, not much has been written about the people who helped make the company. With his ascension into the ranks of billionaires and higher profile as a space tourist, it was only a matter of time before a biography, authorized or not, would attempt to illuminate the life of its founder, Guy Laliberté.

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  • Evoking the Cards – a ZED album review

    Evoking the Cards – a ZED album review

    When my wife and I first heard (and saw) the brilliant ZED at the Cirque du Soleil Theater Tokyo back in November, 2008 as part of CirqueCon 2008: Tokyo! we were enthralled by the beauty of the René Dupéré score. We hoped that when it was finally adapted for album it would contain much of the power and emotion we heard in Tokyo. When we heard "The World's Meet" on the Cirque compilation set "25" (Cirque du Soleil Musique CDSMCD-10030-2, 2009) we were pleased and hopeful - the song fully managed to convey the power and beauty of one of the best moments in the show with a great arrangement and a stirring chorus finale.

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  • Violaine Corradi – Composer <br />“Working for Joy”

    Violaine Corradi – Composer
    “Working for Joy”

    With the release of the ZAIA CD (Cirque du Soleil Musique CDSMC-20029, 2009) in the US (and coming up in Canada on October 20), it is our honor and privilege to continue our series on the music of Cirque du Soleil with an exclusive interview with the Musical Composer of ZAIA, Ms. Violaine Corradi.

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  • ZED, Again!

    ZED, Again!

    My annual trip to Japan this past May was a little different. In the previous two years I'd taken time to scout out the Tokyo Disneyland Resort and Cirque Theater Tokyo area as part of preparations for CirqueCon 2008: Tokyo, held last November. With that wonderful event in the past I was taking time this trip to once again see ZED, Cirque du Soleil's Tokyo resident show. Besides the performance attended by all CirqueCon members during that special November 2008 trip I took in two more viewings, and during this recent trip I saw ZED three more times.

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  • Corteo in Japan

    Corteo in Japan

    This past Spring I made my annual trip to Japan and took the opportunity to see Corteo again, this time in the first part of its Japan tour. I had first seen a Cirque du Soleil show during the time I was living in Japan, the 1994 tour of Saltimbanco, and have been a great fan ever since. Following then is a description of some of the differences I've seen in a Japan tour vs. a North American tour, followed by a personal review of the performance.

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  • ’25’ – The Ultimate Cirque Mixtape?

    ’25’ – The Ultimate Cirque Mixtape?

    What songs would you put in a Cirque du Soleil mixtape, one you would give to a friend as an introduction to the world of Cirque musique? Would you pick just one track from each of Cirque’s creations to serve as an introduction and a history, and if so what would you pick? We all […]

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  • The Spirit of Space: a ZAIA Album Review

    The Spirit of Space: a ZAIA Album Review

    Reviewing a soundtrack album is especially precarious if you haven’t seen the show the music was written for. Without knowing how the music sounds in the show and fits into the shows action there is no way to know if the CD is a proper representation of the new creation or another "interpretation" with lots of artistic liberties. Though I have seen the program and heard about the show from others who have seen it, let me say up front I have not traveled to Macao to see ZAIA. So take my comments with a grain of salt. But I like this CD very much.

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  • ONE DROP Starts Ripple Effect – an AQUA Review

    ONE DROP Starts Ripple Effect – an AQUA Review

    The Montreal Science Center hosts the world premiere of AQUA now through September 7, 2009. AQUA is one method developed by the ONE DROP™ initiative founded by Guy Laliberte´, to raise awareness of the global water crisis. What I expected: A typical IMAX film about how we take for granted/waste/destroy our natural resource and a sermon about conservation and saving the planet. What I experienced: A beautiful, thought-provoking, interactive demonstration of how unevenly water is distributed throughout the world and how we need to take care of what we have and decide to take action to preserve it and help those who do not have access to a sufficient quantity and quality of water.

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  • Kumbalawé-mana, Urulimé! – Saltimbanco in Lakeland

    Kumbalawé-mana, Urulimé! – Saltimbanco in Lakeland

    If you ever need re-affirmation that Cirque du Soleil still has some magic left within, I invite you to experience Saltimbanco on its arena tour. Despite the lack of intimacy one finds inside the Grand Chapiteau, Saltimbanco is still as fresh, as fun, and as colorful as it was on the day it premiered. Those infamous Baroques are every bit the worthy ambassadors Cirque has set them up to be (having used Saltimbanco to open up new markets for the past few years), and I cannot imagine the day when the Cavaliers' light is extinguished over them forever. When that day finally comes it will be a sad one indeed because we will be without one of the best and shining examples of classic Cirque du Soleil spectacles that still remains relevant years after its first tour began. I may weep...

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  • My Thoughts on Ovo

    My Thoughts on Ovo

    While the show has a few worthwhile moments, a few high-level acts and some good design elements, as a whole, none of it really comes together into a cohesive whole and and the show really suffers from a lack of direction. I really didn't find OVO all that engaging as a show. Overall, I think it's in better shape than Kooza was at its premiere (however, that's not saying much considering I pretty much thought Kooza was a disaster at premiere and it's still near the bottom on my list of Cirque shows).

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